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35,782 stories from The Guardian

Hang Time review – a chilling picture of the horrors of racial violence by Mark Fisher

Royal Lyceum theatre, EdinburghThree men bicker and reflect like they’re chatting at a bar – yet this grimly beautiful piece of theatre at the Edinburgh international festival won’t le…

SOURCE: The Guardian at 7:00am on August 22, 2026

Elouise Eftos: Aphrodite review – ‘Australia’s first attractive comedian’ asks if love is real by Brian Logan

Pleasance Dome, Edinburgh Heckling herself in character as the Greek goddess, the standup delivers an intelligent, in-your-face show about sex and expectationsYou can’t argue with the open…

SOURCE: The Guardian at 6:00am on August 22, 2026

Courtney Büchner: One of the Girls review – all aboard for a rollercoaster relationship by Anya Ryan

Pleasance Courtyard, EdinburghFrom embarrassing anecdotes to karaoke and lurking on Instagram, this love story sweeps you alongCourtney Büchner is here to tell us a love story. Not the type…

SOURCE: The Guardian at 4:55am on August 22, 2026

Dirty Dancer review – Swayze stan is like a whirlwind as she replays 80s favourite by Chris Wiegand

Underbelly Cowgate, EdinburghMelissa Firlit recreates Dirty Dancing in a one-woman show that mixes trivia, personal memories and a singalongDirty Dancing was the first VHS in our house: snaz…

SOURCE: The Guardian at 4:55am on August 22, 2026

Wiping My Mother’s Arse review – confusion and subterfuge in a care home by Mark Fisher

Pitlochry Festival theatreIain Heggie’s rejigged 2001 play – now ensconced in the world of voice notes and vapes – is very funny, but the lighter moments jar with some sobering subtext…

SOURCE: The Guardian at 12:35am on August 22, 2026

Salty Brine: How Strange It Is (The Neutral Milk Hotel Show) review – one of today’s most powerful stage voices by Brian Logan

Summerhall, EdinburghIntertwining his diaries with Anne Frank’s gives Brine a tough job, but his passionate performance and force of will combine in a heady brewIt’s a hell of a swing to…

SOURCE: The Guardian at 11:40am on August 21, 2026

A History of Paper review – Shirley Henderson and Alan Cumming sing a fragile romance by Mark Fisher

Pitlochry Festival theatreOliver Emanuel’s musical love story between tenement neighbours is told via origami gifts and restaurant receiptsIt started as a BBC radio drama in 2016, and was …

SOURCE: The Guardian at 10:35am on August 21, 2026

Who Killed Marilyn? review – dismal attempt to solve mystery of Monroe with Pixie Lott by Arifa Akbar

Emerald theatre, LondonAn account of the superstar’s life revisits her relationships and considers some conspiracy theories but never gets beyond clicheThere have been 600 books written ab…

SOURCE: The Guardian at 9:45am on August 21, 2026

Badgers review – the audience investigates in this true-crime podcast yarn by Mark Fisher

Traverse theatre, EdinburghMalaika Kegode delivers a supernatural story about the strange disappearance of a maudlin folk singerPlaywright and performer Malaika Kegode tops and tails this sh…

SOURCE: The Guardian at 12:55am on August 21, 2026

Crybabies: The Scaring review – chills and laughs abound in twisty tale of demonic possession by Brian Logan

Pleasance Courtyard, EdinburghThis fantastic comic play from the Radio 4 trio unleashes a torrent of great gags and illusionsHorror pastiche has a proud lineage at this festival – for exam…

SOURCE: The Guardian at 4:15pm on August 20, 2026

‘I painted myself blue – but got skin problems’: how four Edinburgh stars created their weird characters by Interviews By Emine Saner

From a cake-baking Elton John to possibly the most horrible man in the world, comedians reveal how they get in character – and how far they can push thingsIn the Covid lockdowns, I was dra…

SOURCE: The Guardian at 2:05pm on August 20, 2026

Little Animals review – Motherland milquetoast creates a clever climate plea by Mark Fisher

Traverse at Royal Lyceum Studio, EdinburghPaul Ready’s playwriting debut expertly utilises his bumbling acting persona to examine what is enough in our response to climate emergencyNobody …

SOURCE: The Guardian at 10:50am on August 20, 2026

Abigail’s Party review – Tamzin Outhwaite’s Bev is Madame Bovary with a Cinzano by Arifa Akbar

Harold Pinter theatre, LondonOuthwaite’s performance as Beverly, a precision-tooled showcase in hidden anger and longing, is a triumph in this eternally resonant suburban dramaAlison Stead…

SOURCE: The Guardian at 9:45am on August 20, 2026

Making Love with David Magidoff review – instant improv musical based on Fran Healy’s teenage infidelity by Brian Logan

Assembly George Square, EdinburghThe US comic’s troupe tell the tale of a special guest’s romantic encounter, in this case Travis’s frontman – but their incoherence makes for a scatt…

SOURCE: The Guardian at 7:40am on August 20, 2026

How I’ve Tried to Change the World by Alexei Sayle review – does protest make a difference? by Andy Beckett

The comedian charts his life in demos from 1960s Liverpool to 2020s London in this fiery and addictive bookAt 74, the comedian Alexei Sayle is approaching a dangerous phase for veteran Briti…

SOURCE: The Guardian at 3:20am on August 20, 2026

‘Are you ready for some filth?’ Julian Clary and more on comedy’s great smut explosion by Tim Jonze

Clary’s back with Fully Dilated, a burlesque star called Entendre Entendre is doing lewd singalongs and there’s an A-Z of very dirty words. Our writer investigates Edinburgh’s smut out…

SOURCE: The Guardian at 1:10am on August 20, 2026

Magicians and margarine: 10 of the funniest jokes from the Edinburgh fringe 2026 by Guardian Staff

Every year, hundreds of standups from across the world descend on the venerable festival. Here are some of their finest one-liners10 of the funniest jokes from the 2025 fringeOlaf Falafel: I…

SOURCE: The Guardian at 1:10am on August 20, 2026

My Edinburgh fringe odyssey: ‘The nudity is expressive, shocking – sometimes harrowing’ by Arifa Akbar

There are 3,649 shows at the fringe this year, but how many embody its spirit of radical experimentation? I took a journey through foam, lube and gore to find out ...Somewhere in Edinburgh, …

SOURCE: The Guardian at 4:45pm on August 19, 2026

Giraffe review – sparkling one-woman show stands out from the crowd by Mark Fisher

Pleasance Courtyard, EdinburghAn unlikely relationship blossoms in Abigail Weinstock’s compelling and touching solo dramaIt takes a brave writer/performer to make her character a sociopath…

SOURCE: The Guardian at 3:40pm on August 19, 2026

Larry Dean: Hellbent review – SNL UK star’s cheery riffs on romance and royalty by Brian Logan

Pleasance Courtyard, EdinburghEmotionally open and a little weirder than usual, the Glaswegian comic updates us on his recent marriageWhen SNL UK hit big earlier this year, it made stars of …

SOURCE: The Guardian at 11:30am on August 19, 2026

‘I’m not Mr Saturday Night’: the highbrow brilliance of Ahir Shah, past winner of comedy’s top prize by Brian Logan

Three years ago, he won the Edinburgh comedy award with a work in progress. Now he’s back with a show inspired by Gerard Manley Hopkins and Friedrich Nietzsche. Isn’t this all a bit grow…

SOURCE: The Guardian at 11:30am on August 19, 2026

Ihsane review – Sidi Larbi Cherkaoui leads us from brutal tragedy to euphoric harmony by Chris Wiegand

Festival theatre, EdinburghThe choreographer combines a homophobic killing from 2012 with a remembrance for his father in an often rapturous show about healingIn 2019 at the Edinburgh intern…

SOURCE: The Guardian at 7:05am on August 19, 2026

‘Murakami saw his book come alive!’: the Japanese company bringing the author’s science fiction masterpiece to the stage by Marigold Warner

A play based on the writer’s dreamlike novel Hard-Boiled Wonderland and the End of the World is touring the world, riding a wave of interest in Japanese culture. Its creators talk about ho…

SOURCE: The Guardian at 6:05am on August 19, 2026

Life in the theatre is most revealing | Letters by Guardian Staff

Cathy Scott-Willars responds to an article about the secret lives of theatre workersI enjoyed your article (The secret lives of theatre workers: ‘People were having full sex in the stallsâ…

SOURCE: The Guardian at 6:05am on August 19, 2026

Shapes and ladders: Edinburgh fringe’s dance shows reach for the sky by Lyndsey Winship

With brute strength and beauty, party tricks and personal revelations, this year’s dance and circus programme has ambition and a spirit of togethernessIf you want to be wowed by technical …

SOURCE: The Guardian at 6:05am on August 19, 2026
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