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2,086 stories from The Theatre Times

"The Devil Wears Prada" and Other Musicals by Sir Elton John. by Lisa Monde

For American audiences, the musical The Devil Wears Prada, anticipated to premiere on Broadway in 2026, will become the sixth musical theatre creation featuring the music by Sir Elton John, …

SOURCE: thetheatretimes.com at 12:48pm on February 8, 2026

The "Screen / Stage" Programme At The Between.Pomiędzy Festival 2025 by Paulina Peret

The "Screen / Stage" program was created as a space for shared viewing, discussion, and reflection on digital forms of contemporary theatre. Positioned at the intersection of live performanc…

SOURCE: thetheatretimes.com at 4:49am on February 6, 2026

In Oldenburg's "The Tempest," Trusting The Text Pays Off by Daniel Meyer-dinkgräfe

For this production of Shakespeare's play, Oldenburgisches Staatstheateer used the 2007 translation by theatre studies professor, dramatist and translator Jens Roselt, who is a graduate of t…

SOURCE: thetheatretimes.com at 4:02am on February 6, 2026

Enzo Moscato. "I Can't Tell The Story Of My Life" ("Non Posso Narrare La Mia Vita") by Margaret Rose

Neapolitan poet and dramatist Enzo Moscato passed away in 2024 at the age of 75. Together with Annibale Ruccello and Manilio Santanelli, he came to fame in the 1980s as one of the leading ex…

SOURCE: thetheatretimes.com at 4:00am on February 6, 2026

Raising Fists and Sharing Bread: Tiziano Cruz's "Wayqeycuna" (Argentina) by Yizhou Zhang

A shimmering Andes mountain range made of light and weave. The sound of rattling bells. A brown-skinned man dressed in a colourful poncho, walks through the mountains, arriving at the stage …

SOURCE: thetheatretimes.com at 12:22pm on February 5, 2026

Bad Data by Jonathan Kalb

At the risk of sounding smug, let me say: I have been yowling, since the early days of the internet, to anyone who would listen, about the dangers of relinquishing our personal data and priv…

SOURCE: thetheatretimes.com at 12:48pm on February 4, 2026

Santiago's Teatro a Mil 2026: theatre, democracy and artistic responsibility by Maria Delgado

There were two key themes running through this year's Teatro a Mil, the Chilean capital's long-running theatre and performing arts festival. "Yes, Theatre Matters" may have been the festival…

SOURCE: thetheatretimes.com at 5:18am on February 4, 2026

"A Place Of Safety, A Journey In The Central Mediterranean" by Margaret Rose

A Place of Safety, A Journey in the Central Mediterranean, produced by the Kepler-452 Company played at the Angela Melato Studio, Piccolo Theatre, from 6 to 20 December. Founded in Bologna i…

SOURCE: thetheatretimes.com at 3:55am on February 3, 2026

Kia Mau Festival brings Hana Keaka (Hawaiian language theatre) to Aotearoa: A Review of "Puana" written and directed by Tammy Haili'ōpua Baker by David O'Donnell

In the opening scene of Puana, a musical play written and directed by Professor Tammy Haili'ōpua Baker, a curious young man sifts through a trunk of memorabilia in his family home. As he …

SOURCE: thetheatretimes.com at 9:53am on January 29, 2026

"Before The Storm" ("Prima Del Temporale") At Milan's Piccolo Teatro by Margaret Rose

Before the Storm is set in a rather dilapidated dressing room where an elderly actor waits to go onstage for his last performance in August Strindberg's Storm. As he waits, he reflects on hi…

SOURCE: thetheatretimes.com at 3:38am on January 27, 2026

How to Make Rube Goldberg Punk Rock: Narcissister's "Voyage Into Infinity" by Morgan Skolnik

The morning of the day I saw Narcissister's spellbinding and stunningly original Voyage Into Infinity I had been working my day job at a bagel shop. "There's no flow!" I overheard one of the…

SOURCE: thetheatretimes.com at 3:37am on January 27, 2026

Martin Crimp's Version Of "The Seagull" Makes It To The German Stage by Daniel Meyer-dinkgräfe

Many, especially prestigious, new productions of Chekhov's The Seagull in the UK and USA commission new translations or versions of the play. For example, in 1985, for his West End productio…

SOURCE: thetheatretimes.com at 4:43am on January 26, 2026

Under The Radar Fest: Testo by Morgan Skolnik

Wet Mess is a captivating performer with a playfully defined aesthetic. Their checkerboard face and giant phallic objects (somewhat reminiscent of the sprawling shapes of Yayoi Kusama) were …

SOURCE: thetheatretimes.com at 4:00pm on January 23, 2026

Sharing Crafts, Or Laboratory Space by Kiki Selioni

Encounters between artists and practitioners are invariably profound experiences, where knowledge is exchanged in real time as a lived practice. Such meetings allow one to gain a holistic pe…

SOURCE: thetheatretimes.com at 10:58am on January 12, 2026

For Bremen's Re-Launched Packhaustheater, The Emphasis Shifts From Local Topics To Local Acting Celebrities by Daniel Meyer-dinkgräfe

Bremen's Packhaustheater set its agenda with a focus on the local, so as not to compete with the municipal theatre, the two comedy theatres, the Bremer Shakespeare Company and the theatre sp…

SOURCE: thetheatretimes.com at 9:49am on January 8, 2026

Alan Ayckbourn's Woman in Mind at the Duke of York's Theatre: Starry West End Staging Is More Visually Delightful Than Emotionally Compelling by Aleks Sierz

New Year, new line up of West End stars. This time it's the turn of Olivier-Award-winner Sheridan Smith and multi-award-winning comedian Romesh Ranganathan, both household names, now appeari…

SOURCE: thetheatretimes.com at 9:47am on January 8, 2026

Leading with Risk, Trust, and Intuition: An Exclusive Interview with Director Charles Newell on Berlin's Rehearsal Room by Susanna Sun

A towering figure in Chicago theatre, Charles Newell"former Marilyn F. Vitale Artistic Director of Court Theatre and 2024 Joseph Jefferson Special Award recipient"discusses the five-year pro…

SOURCE: thetheatretimes.com at 8:36am on January 7, 2026

Writing Across Taiwan and Macau: An Interview with Taiwanese Playwright Chiao-Jung Chen by Kuan-ting Lin

It's very hard to define Chiao-Jung Chen as one kind of artist, for she is someone who works fluidly across genres. She has worked as a playwright, a librettist, and a lyricist on various pr…

SOURCE: thetheatretimes.com at 4:58am on January 6, 2026

Echoes of a Crumbling Republic: Review of "Berlin" at Chicago's Court Theatre (2025) by Susanna Sun

Berlin at Chicago's Court Theatre (April"May 2025) was nothing short of a theatrical triumph. Directed by the seasoned Charles Newell, who has helmed the Court Theatre for three decades, the…

SOURCE: thetheatretimes.com at 6:59am on January 4, 2026

"Leili And Majnun:" An Ancient Love Story For Modern Times by L. Peter Callender

We all know the iconic closing lines: "For never was a story of more woe / Than this of Juliet and her Romeo." But after experiencing a recent performance of Leili and Majnun at Centra…

SOURCE: thetheatretimes.com at 3:14pm on January 3, 2026

"With Ruby and I" " review " more McDonagh than Robinson by Verity Healey

"So high you can kiss the sky" is one of the many iconic lines from With Ruby and I, a debut show by playwright Corrina O'Beirne, which premiered at the Brighton Fringe in 2025 and is up for…

SOURCE: thetheatretimes.com at 3:12pm on January 3, 2026

Truth and Reconciliation in "Under the Shade of a Tree I Sat and Wept" " Kosovo by Verity Healey

How do forgiveness and reconciliation projects help heal a country's collective trauma and contribute to its future nation-building? What role does theatre play in this social activity? Thes…

SOURCE: thetheatretimes.com at 2:14pm on January 2, 2026

Thought-Provoking Crime Drama And Star Vehicle: "Nebenan" At The Renaissance Theater, Berlin by Daniel Meyer-dinkgräfe

The play Nebenan was premiered at Burgtheater Wien in 2022, based on the film of the same title (international title: Next Door) by Daniel Brühl (2021) in a production directed by the then …

SOURCE: thetheatretimes.com at 2:11pm on January 2, 2026

Learning To Listen, Struggling To Hear: Katie Mitchell's "Cow / Deer" by Savas Patsalidis

There are directors who have gotten us accustomed to treading on unconventional paths. They have trained us to expect the unexpected, the off-the-beaten-track. And we appreciate them, not be…

SOURCE: thetheatretimes.com at 2:08pm on January 2, 2026

Gender Allows A Different Perspective On Ibsen's "Der Volksfeind" ("An Enemy Of The People") In Bremerhaven by Daniel Meyer-dinkgräfe

In 2019, Landestheater Salzburg used a new translation of Ibsen's An Enemy of the People as the basis for a version of the play in which Dr Katrine Stockmann was female, a single mother to h…

SOURCE: thetheatretimes.com at 2:07pm on January 1, 2026
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