1,623 stories from exeuntmagazine.com
My first theatre trip: Miriam Gillinson takes her two-year-old nephew to see Little Angel's adaptation of Anna Kemp's children's book, and goes just a little bit bonkers.
The post Review: Do…
Lee Anderson finds that Simon Stone's new version of Three Sisters reduces the women of Chekhov's original to "bit players in their own drama".
The post Review: Drei Schwestern at Theatertr…
Alice Saville responds to an influx of complaints regarding Exeunt's review of the Royal Ballet's Mayerling.
The post In Defence of Exeunt’s Mayerling Review appeared first on Exeunt M…
A beautiful anomaly: Lorna Irvine on choreographer Marc Brew's provocative hybrid of gig and dance.
The post Review: Brewband at Traverse Theatre, Edinburgh appeared first on Exeunt Magazine.
An space for imaginations to wander: James Thierree's surreal dance show is full of delights and enchantment.
The post Review: The Toad Knew at Sadler’s Wells appeared first on Exeunt …
Gillian Greer interviews the writer of 'This Beautiful Future' at The Yard about love, war, and karaoke.
The post Rita Kalnejais: “We wanted to do something that was really gorgeous…
A tenacious celebration of life: Brendan Macdonald watches all eight hours of Marianne Elliott's much-hyped revival of Tony Kushner's two-part gay fantasia on national themes.
The post Revie…
And we wait: Andrew Edwards is both excruciatingly bored and enormously impressed by Margrét Sara Guðjónsdóttir's inertia-ridden show.
The post Review: SPOTTED at Dance Internation…
So much room to breathe: Andrew Edwards spends hours at Siobhan Davies Dance's multi-faceted installation at Tramway.
The post Review: material / rearranged / to / be at Dance International …
Here's to you, Mrs Robinson: Adam Bruce is seduced Lucy Bailey's revival of Terry Johnson's stage adaptation of Charles Webb's seminal novel.
The post Review: The Graduate at the West Yorksh…
Faeries, changelings, merrows and hawthorn trees: Chris McCormack dives into Irish folklore in Big Telly Theatre's adaptation of Jane Talbot's story collection.
The post Review: The Faerie T…
A state of unbridled fury: Chris McCormack reviews Eva O'Connor's new play about bitter enemies and unlikely friends.
The post Review: Maz and Bricks at Project Arts Centre, Dublin appeared …
An experience of great satisfaction: Maddy Costa reviews Thomas Adès opera adaptation of Luis Buñuel's 1962 surrealist film.
The post Review: The Exterminating Angel at the Royal Opera H…
Rita Kalnejais' structurally inventive play is a story of uncomplicated first love in a very complicated world.
The post Review: This Beautiful Future at The Yard Theatre appeared first on E…
In the jungle of womanhood. Molly Grogan reviews Catherine Filloux's newest play.
The post Review: Kidnap Road at La MaMa appeared first on Exeunt Magazine.
The future is snuffed out by the past: Miriam Gillinson reviews Jez Butterworth's epic new Irish family saga.
The post Review: The Ferryman at the Royal Court appeared first on Exeunt Magazi…
The trauma of Ireland's troubles is played out between two siblings in David Ireland's emotionally intense drama.
The post Review: Everything Between Us at Finborough Theatre appeared first …
A serious message underneath the clowning, songs and silliness: Eleanor Turney can't escape the contemporary relevance of Brecht's classic satire on Hitler in Simon Evans' production starrin…
Lust, morphine and mental instability: Kenneth MacMillan's infamously dark ballet is back, and so are the plummy Covent Garden crowds.
The post Review: Mayerling at the Royal Ballet appeare…
A family come together to make sense of their bullied son's death in Jordan Tannahill's drama.
The post Review: Late Company at Finborough Theatre appeared first on Exeunt Magazine.
Six Degrees of Separation gets a fast paced revival starring Allison Janney and revists the act of telling stories.
The post Review: Six Degrees of Separation at Barrymore Theatre appeared f…
Pain and pleasure: Louise Orwin's solo performance is a powerful, uneasy look at the trouble with sex positivity.
The post Review: Oh Yes, Oh No at Camden People’s Theatre appeared fir…
In her Grief Series, Ellie Harrison explores mourning in a seven-part cycle of artworks. Here, she talks reinventing rituals, and how art can be therapeutic without being therapy.
The post E…
A revamped, frenetic Charlie & the Chocolate Factory on Broadway is both too big and too small in all the wrong ways.
The post Review: Charlie and the Chocolate Factory at Lunt-Fontann…
Demands to be heard: Gillian Greer, sustained only by artisanal fudge, sees nine plays in one day as part of Cardboard Citizens' incomplete history of housing.
The post Review: Home Truths a…
