38,448 stories from The New York Times
He wrote some of the most enduring musical theater numbers of his era and earned three Tony Awards, a Grammy and an Emmy.
In June, the news network is planning to broadcast one of the last performances of "Good Night, and Good Luck."
Choreographer-led works at the annual German theater event range from the transgressive to the melancholic.
The arts institution, which has shrunk its programming in recent years, unveiled its fall lineup.
We go behind the curtain at "Buena Vista Social Club," "Sunset Boulevard," "John Proctor Is the Villain" and "Oh, Mary!"
In Michael Breslin and Patrick Foley's fizzy new musical, an internet sleuth searches for a pop star wannabe who went missing along with her low-rise jeans.
In Strauss's "Salome," is the Dance of the Seven Veils a seduction? A striptease? A cry for help? Watch some memorable versions from its long history.
The Tony-nominated leading man is charming audiences " and Times Square tourists " with a brooding performance that has him singing outdoors.
Elphaba helped too. But the good news comes with caveats.
A.O. Scott, who reviewed movies for The New York Times for more than two decades, is now a roving critic for the Book Review.
In "Lunch Dances," which tells fictional stories of regular people pursuing personal research, Monica Bill Barnes and Company invades the New York Public Library.
Near the end of "Gypsy," the Tony-nominated actress sings a song that makes you rethink the show you've been watching. I talked to her about it.
The Broadway rookie has a Tony nomination and star power, but inside she's still this "weird little girl."
In the Tony-nominated musical "Operation Mincemeat," five performers play a slew of roles. The choreography onstage and off is fast, elaborate and exacting.
Two plays at Irish Repertory Theater, one featuring a "Derry Girls" star, explore the real and the mythical in cultural identity.
The Broadway musical, which earned seven Tony nominations, scrapped a performance after the Librarian of Congress, Dr. Carla D. Hayden, was fired by the Trump administration.
He is believed to have been the first Asian to dance with New York City Ballet when he was cast in George Balanchine's production of "The Nutcracker."
Carolina Bianchi created a storm by drugging herself onstage at the beginning of a trilogy about sexual assault. Her latest play, "The Brotherhood," asks what happens next.
A new play about a middle-age professor and his teenage student forces you to ask: Who's grooming whom?
The band's frontman, Thom Yorke, created a show with the Royal Shakespeare Company that is both admirably ambitious and a little foolish.
This movie musical adaptation of Shakespeare's star-crossed lovers is no "& Juliet" " that is, it's no fun.
The immersive production on Governors Island is an attempt to fill the void left by "Sleep No More" and "Life and Trust."
Gibney Company brings an uneven trio of new works to the Joyce: a deft premiere by Childs and dances by Roy Assaf and Peter Chu.
A new work by Axis Dance Company, "Kinematic/Kinesthetic," uses mobility technologies to reshape ideas about moving and about the devices themselves.
Hugh Jackman in "Sexual Misconduct of the Middle Classes" and Maya Hawke in the title role of "Eurydice" " here's what's on New York stages this month.
