1,623 stories from exeuntmagazine.com
The past is a strange country: Gillian Greer admires the gentle craftsmanship of Barney Norris' new two-hander, the inaugural production in the Bush's new studio space.
The post Review: Whil…
From 19th century revolutionary Paris to the Black Lives Matter movements: Nemo Martin explores how Victor Hugo's story of protest is being reimagined by online fans.
The post Les Miserables…
Certainly not a dazzling discovery: a revival of a rarely staged tragedy by James Shirley.
The post Review: The Cardinal at Southwark Playhouse appeared first on Exeunt Magazine.
Laura Linney and Cynthia Nixon give strong voices to the complex women in Lillian Hellman's play The Little Foxes
The post Review: The Little Foxes at Samuel J. Friedman Theatre appeared fir…
Searching for meaning among the chaos: Eleanor Turney reviews Duncan Macmillan's adaptation of Paul Auster's book.
The post Review: City of Glass at Lyric Hammersmith appeared first on Exeun…
A portrait of an artist: Rosemary Waugh reviews Concert Theatre's take on Anne Brontë's novel.
The post Review: The Tenant at Kings Weston House, Bristol appeared first on Exeunt Magazine.
Don't mention the F-word: Geoff Mills reviews Alistair Beaton's play about - whisper it - shale gas extraction.
The post Review: Fracked at Malvern Theatres appeared first on Exeunt Magazine.
Friends until the end of time: Rosemary Waugh reviews Alice Nicholas's new play about transgender teenagers.
The post Review: Eclipse at The Station, Bristol appeared first on Exeunt Magazi…
Spectacular skill with nipple tassles: Sally Hales reviews Fancy Chance's eclectic solo show in the heart of Soho.
The post Review: Flights of Fancy at Soho Theatre appeared first on Exeunt …
BANG! and Whaam! Rosemary Waugh reviews the opening production in the Globe's Summer of Love.
The post Review: Romeo and Juliet at The Globe appeared first on Exeunt Magazine.
Purposeful, stylish and clearly defined: Adam Bruce falls in love with Deborah McAndrew's adaptation of Anne Brontë 1848 novel.
The post Review: The Tenant of Wildfell Hall at York Theatr…
Using dance and Big Band music to tell the story of World War II vets and their pain upon coming home
The post Review: Bandstand at Bernard Jacobs Theatre appeared first on Exeunt Magazine.
Politics and pain: Nic Green's performance is an artful exploration of rhetoric and deceit.
The post Review: Cock and Bull at Southbank Centre appeared first on Exeunt Magazine.
We pick the best new and returning shows to see this week, based on our writers' recommendations.
The post Exeunt Recommends (Apr 26, 2017) appeared first on Exeunt Magazine.
What I'm suppose to think vs What I actually think: Fergus Morgan reviews the world premiere of Ivo van Hove's Obsession.
The post Review: Obsession at the Barbican appeared first on Exeunt…
Despite a slightly muddled production, Tracey Sinclair finds that Arthur Miller's The Crucible remains as compelling and relevant as ever.
The post Review: The Crucible at the Theatre Royal …
Other-worldly, historic and contemporary all at once: Andrew Edwards reviews Dance International Glasgow's urban re-siting of this JG Ballard inspired solo dance show.
The post Review: VOID …
A particularly British nightmare: Lorna Irvine is at Dance International Glasgow to review Liz Aggiss' boundary-breaking, genre-melding solo show.
The post Review: Slap and Tickle at Tramway…
Screen addiction threatens to steal all the attention in Broadway's Anastasia.
The post Review: Anastasia at Broadhurst Theatre appeared first on Exeunt Magazine.
It's just one interpretation: Holly Williams on Imogen Knight's "sensuously rich" production of Simon Stephens' new play.
The post Review: Nuclear War at the Royal Court appeared first on Ex…
Following the launch of The Bridge, a venture capital-funded space helmed by Nicholas Hytner, Alice Saville asks why London's new theatres are looking to the past, not the future.
The post A…
The ferocious fires of Ireland's culture wars: Chris McCormack reviews Emily Gillmor Murphy's dark new three-hander at Dublin's Theatre Upstairs.
The post Review: Monster? at the Theatre Ups…
A low drone of anxiety: Catherine Love reviews El Conde de Torrefiel's show as part of Transform 17.
The post Review: Guerrilla at Transform 17 appeared first on Exeunt Magazine.
"There's no such thing as paranoia." Rosemary Waugh reviews Titus Halder's unsettling vision of what awaits after graduation.
The post Review: Escape The Scaffold at The Other Room, Cardiff…
Uneven, albeit thought-provoking: Victoria Willing's new three-hander gets lost on the battlefields of the Somme, says Francesca Street.
The post Review: Spring Offensive at Clapham Omnibus …
