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3,982 stories from http://www.theaterscene.net

92Y Lyrics & Lyricists Series: E.Y. "Yip" Harburg: Follow the Fellow Who Follows a Dream by Joel Benjamin

The 92nd St. Y's Lyrics & Lyricists, one of New York's leading propagators of the Great American Songbook, featured the witty and sardonic songs of E.Y. "Yip" Harburg in its most recent …

SOURCE: www.theaterscene.net at 7:00pm on January 29, 2020

Emojiland: The Musical by Darryl Reilly

Smiling Faces, Skull, Princess, Pile of Poo and other notable emojis cavorting around might have made for a peppy contained sophisticated children's show. The creators of "Emojiland: The Mus…

SOURCE: www.theaterscene.net at 11:39am on January 29, 2020

My Name Is Lucy Barton by Victor Gluck, Editor-in-chief

Laura Linney is never one to avoid a challenge. When she last appeared at Manhattan Theatre Club's Samuel J. Friedman Theatre she was alternating in the roles of "Regina" and "Birdie" in the…

SOURCE: www.theaterscene.net at 11:22pm on January 28, 2020

The Transfiguration of Benjamin Banneker by Darryl Reilly

The show was conceived, directed and designed by Theodora Skipitares. Her treatment of these biographical details is that of a fanciful saga with the awestruck tone of a children's book. The…

SOURCE: www.theaterscene.net at 10:55pm on January 27, 2020

Paradise Lost by Victor Gluck, Editor-in-chief

When a playwright adapts a famous, well-known story for the stage the problem becomes how to tell it in a new way that makes it seem unfamiliar and fresh. Otherwise, why bother retelling it …

SOURCE: www.theaterscene.net at 8:51pm on January 27, 2020

Romeo & Bernadette: A Musical Tale of Verona & Brooklyn by Joel Benjamin

"Romeo & Bernadette," a fresh take on Shakespeare's oft-adapted tale of love, is an unabashed valentine to inter-era romance.  Shakespeare's Romeo (cutie-pie Nikita Burshteyn, perfect…

SOURCE: www.theaterscene.net at 1:14pm on January 27, 2020

How to Load a Musket by David Kaufman

An essay more than a play, with players as opposed to characters, "How to Load a Musket" is a racist diatribe that fails to make its points coherently. The costumes and appointments on the w…

SOURCE: www.theaterscene.net at 4:19pm on January 25, 2020

The Woman in Black by Darryl Reilly

Fog wafting, an empty rocking chair moving by itself, blackouts, ghostly apparitions and crashing music are all part of the spooky fun in "The Woman In Black." Scary moments, intriguing hoku…

SOURCE: www.theaterscene.net at 12:57am on January 24, 2020

Timon of Athens (Theatre for a New Audience) by Victor Gluck, Editor-in-chief

On paper the concept should not work: scenes and characters have been cut, a Shakespeare sonnet has been added set to music, as well as a Greek song, and four characters originally written f…

SOURCE: www.theaterscene.net at 11:36pm on January 23, 2020

17 Minutes by Mark Dundas Wood

The play succeeds in large part because it begins in the aftermath of a school shooting. There are a few bits of dialogue describing the terror of the incident itself, but there is no onstag…

SOURCE: www.theaterscene.net at 11:26am on January 23, 2020

Thunder Rock by Victor Gluck, Editor-in-chief

It is not difficult to see what attracted Metropolitan Playhouse to Ardrey's drama: its message that one cannot shut one's self off from the problems of the world as the America First moveme…

SOURCE: www.theaterscene.net at 10:06am on January 23, 2020

BOOM by Christopher Caz

Employing an impressive array of voices and mannerisms, and only sometimes augmented with a wig or article of clothing, Miller as "Narrator" impersonates numerous performers, personalities, …

SOURCE: www.theaterscene.net at 2:02pm on January 22, 2020

Grand Swan Lake (Shanghai Ballet) by Sheila Kogan

A recent iteration of the classic ballet "Swan Lake" was staged by Derek Deane and danced by the Shanghai Ballet and presented by the Shanghai Ballet with China Arts and Entertainment Group …

SOURCE: www.theaterscene.net at 5:26pm on January 20, 2020

Me & Mr. Jones: My Intimate Relationship with David Bowie by Darryl Reilly

With her richly expressive character voice, alternating between appealing deepness and wonderfully hitting high notes, she beautifully does justice to each song. We see every hallowed surrea…

SOURCE: www.theaterscene.net at 12:00pm on January 20, 2020

Miss America's Ugly Daughter:  Bess Myerson & Me by Darryl Reilly

More in the spirit of Carrie Fisher than Christina Crawford, performer Barra Grant chronicles her life and that of her famous mother in her engaging and smartly presented self-written solo s…

SOURCE: www.theaterscene.net at 12:35am on January 18, 2020

Maz and Bricks by Joseph Pisano

Created and first performed during the run-up to the 2018 national referendum that eventually led to the amendment's repeal, Maz and Bricks, a part of the Origin Theater Company's 1st Irish …

SOURCE: www.theaterscene.net at 12:16pm on January 15, 2020

Rosie Herrera Dance Theatre/ Rennie Harris Puremovement American Street Dance Theater by Sheila Kogan

Rennie Harris Puremovement American Street Dance Theater exploded onto the stage with raw vitality. Harris, who choreographed most of the works, combined various styles of street dancing (mo…

SOURCE: www.theaterscene.net at 4:27pm on January 14, 2020

Love, Medea by Mark Dundas Wood

The production is unapologetically irreverent. At the beginning, we see a masked Greek chorus wearing long robes, shuffling ever-so-slowly around the stage of the Center at West Park (the sa…

SOURCE: www.theaterscene.net at 1:34pm on January 14, 2020

The Unknown Dancer in the Neighborhood by Joel Benjamin

Wataru Kitao in Suguru Yamamoto's "The Unknown Dancer in the Neighborhood" at The Japan Society (Photo credit" Ayumi Sakamoto) Joel Benjamin, Critic Suguru Yamamoto's solo dance/theater work…

SOURCE: www.theaterscene.net at 10:52am on January 14, 2020

In Praise of Frances Sternhagen on her 90th Birthday by Darryl Reilly

As a seasoned New York theatergoer, I experienced her immense talents many times and today is cause to recall a few of her unheralded performances. The post In Praise of Frances Sternhagen …

SOURCE: www.theaterscene.net at 10:12pm on January 12, 2020

ON THE PASSING OF THE NEW YORK MUSICAL FESTIVAL… by Chip Deffaa, Editor-at-large

The festival has given birth to musicals that have gone on to Broadway ("Next to Normal," "Chaplin," "[title of show]," "In Transit") and Off-Broadway ("Altar Boyz," "The Other Josh Cohen…

SOURCE: www.theaterscene.net at 3:00pm on January 10, 2020

Wild Dogs Under My Skirt by Victor Gluck, Editor-in-chief

Speaking alternately, the six women talk of food, traditions, love, family, beliefs, ethics, dreams, abuse and New Zealand men. They speak of their dreams of a future and a better life. The …

SOURCE: www.theaterscene.net at 10:44pm on January 8, 2020

Or, An Astronaut Play by Darryl Reilly

A lively cast comprised of Harrison Unger, Caturah Brown, Tay Bass and Jonathan Cruz not only deliver exceptional performances during the inconsequential "Or, An Astronaut Play," they …

SOURCE: www.theaterscene.net at 1:04am on January 8, 2020

On The Town … with Chip Deffaa: Jerry Herman and Michael Feinstein by Chip Deffaa, Editor-at-large

Composer/lyricist Jerry Herman was, of course, a Broadway legend.   He gave us such unforgettable shows as "Hello, Dolly!," "Mame," and "La Cage Aux Folles." These musicals were all…

SOURCE: www.theaterscene.net at 2:08pm on January 3, 2020

DAVID CASSIDY… BEHIND THE SCENES by Chip Deffaa, Editor-at-large

David Cassidy's autobiography "C'Mon Get Happy""which I ghost-wrote for him at his request"has now come out as a Kindle E-book, with a brand new afterword by me. (It's available for purchase…

SOURCE: www.theaterscene.net at 4:53pm on January 1, 2020
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