6,633 stories from HowlRound
By . HERE presents Taylor Talks with Gisela Cardenas livestreaming on the global, commons-based, peer-produced HowlRound TV network at howlround.tv on Tuesday 26 January 2021 at 10 a.m.
By Todd Anderson, Martim Galvão. As part of the Performing the Internet series, Martim Galvão and Todd Anderson have a conversation about the unconscious "performance" and emotional jo…
By . Antoine Hunter presents #DeafWoke livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Thursday 11 February at 4 p.m.
By . Antoine Hunter presents #DeafWoke with Jubil Khan livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on Thursday 21 January at 4 p.m.
By . Glod: Political Theatre as a Civil Right presents extracts of work by Monirah Hashemi livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on M…
By . Glod: Political Theatre as a Civil Right presents Chris Thorpe reading extracts of his work livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.t…
By . Glod: Political Theatre as a Civil Right presents Freedom Theatre's Return to Palestine livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround.tv on…
By Anchuli Felicia King, Adam Cooper-Terán. Anchuli Felicia King and Adam Cooper-Terán talk about how the object of the internet functions in their creative work, the ethics of the int…
By . LA Writers Center presents a reading of Chasing the Wolf by Nathan Singer as a part of their "Breathe" online play reading series livestreaming on the global, commons-based, peer-produc…
By . LA Writers Center presents a reading of Villains by Marquis Ewing as a part of their "Breathe" online play reading series livestreaming on the global, commons-based, peer-produced HowlR…
By Kate Bergstrom. Kate Bergstrom introduces the Performing the Internet series, which asks big questions, such as: Can unpacking the internet be a bellwether for how we all can unpack and r…
By Vijay Mathew. Vijay Mathew asks, and then offers ideas to approach, the question: "How will the performing arts field contribute to climate justice during the sixth mass extinction?"
By . Consortium of Asian American Theaters and Artists (CAATA) presents the conversationWhere We're At: COVID-19 and the Community livestreaming on the global, commons-based, peer-produced H…
By . What would a truly caring world look like?
By Elsa Hiltner. Elsa Hiltner examines the value of pay equity in the theatre through a fresh lens: how it benefits companies.
By Amelia Parenteau. Amelia Parenteau explores the most recent Seuls en Scène Festival, which took place in September 2020 on Zoom and had a programmatic mix of video recordings of live per…
By . Glod: Political Theatre as a Civil Right presents CRIME: A response to Crime and Punishment by Feodor Dostoievsky livestreaming on the global, commons-based, peer produced HowlRound TV …
By . Groundwater Arts presents Green New Theater Part 7: Immediate Divestment from Fossil Fuels (ASL-interpreted) livestreaming on the global, commons-based, peer produced HowlRound TV netwo…
By Barbara Fuchs, Jared Mezzocchi. Barbara Fuchs chats with director and designer Jared Mezzocchi about his digital theatre production Russian Troll Farm, how to reverse-engineer Zoom, Isado…
By HowlRound Theatre Commons. We at HowlRound reflect on the past year of conversations, convenings, livestreams, and more"all in the name of creating a more equitable, just, and progressive…
By . Safe Havens Freedom Talks presents the conversation Break Dancing in Gang-Dominated Guatemala livestreaming on the global, commons-based, peer produced HowlRound TV network at howlround…
By Jonathan Castanien, Viviana Vargas. In the third episode of Build Our Own Tables podcast, host Viviana Vargas interviews Jonathan Castanien co-founder and co-producing artistic leader of …
By Porsche McGovern. Porsche McGovern shares the results of the sixth year of her study on who designs and directs in LORT theatres by pronoun.
By Priscilla Ybarra. Priscilla Solis Ybarra reflects on her experience watching Virginia Grise's a farm for meme at home, during the pandemic, with her eighty-two-year-old moth
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