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5,330 stories from The Independent

Othello, Sam Wanamker Playhouse, London, review: Murder by candle-light by Emma Henderson, Emma Henderson

Ellen McDougall makes debut at Shakespearean winter theatre with up-to-date Moorish play

SOURCE: The Independent at 1:36pm on March 3, 2017

Ugly Lies the Bone, Lyttelton, National Theatre, London, review: Jess is superbly played by Kate Fleetwood by Paul Taylor, Paul Taylor

The American playwright Lindsey Ferrentino's makes her UK debut with this play about a war veteran, played by Fleetwood, who experiments with virtual reality therapy, to heal her emotio…

SOURCE: The Independent at 5:03pm on March 2, 2017

Hamlet, Almeida, London, review: Andrew Scott is a wonderfully moving Hamlet by Paul Taylor, Paul Taylor

Robert Icke's modern dress production of 'Hamlet', starring 'Sherlock' actor, Scott with Juliet Stevenson as Gertrude, may be too slow, but it is not to be missed

SOURCE: The Independent at 8:18am on March 1, 2017

The 'Neath, The Vaults, Waterloo, London, review: At one point, he asks me to pee on him by Emily Jupp, Emily Jupp

The immersive fantasy created for Vault Festival 2017 has a devilish pop-up bar with an interactive performance and a loose plotline

SOURCE: The Independent at 12:54pm on February 27, 2017

Twelfth Night, Olivier, National Theatre, London, review: There's a touch of Mrs Danvers about Greig's devoted steward by Paul Taylor, Paul Taylor

Tamsin Grieg plays Malvolia, a traditionally male role, in Simon Godwin's new modern-dress production of Shakespeare's classic comedy of mistaken identity, joining the ranks of gre…

SOURCE: The Independent at 6:48pm on February 24, 2017

A Midsummer Night's Dream, Young Vic, London, review: There's a deviant, mind-altering drollery running through this that I found delicious by Paul Taylor, Paul Taylor

Played on a muddy stage, Joe Hill-Gibbins bleak production of Shakespeare's comedy, is going to divide audiences

SOURCE: The Independent at 6:48pm on February 24, 2017

The Wild Party, The Other Palace, London, review: Gorgeous jazz score " played to perfection by Theo Jamieson's smoking-hot eight piece band by Paul Taylor, Paul Taylor

This darkly comic musical set in Manhattan in the 1920s is about a vaudeville showgirl and vaudeville clown who decide to throw a debauched party like no other

SOURCE: The Independent at 5:54am on February 23, 2017

Call The Midwife's Victoria Yeates on nuns and her new role in The Crucible by Emily Jupp, Emily Jupp

Victoria Yeates, who plays Sister Winifred in 'Call The Midwife', is starring in a new touring production of 'The Crucible', based on the Salem witch trials

SOURCE: The Independent at 1:32pm on February 21, 2017

Review: The School Play, Southwark Playhouse: Education becomes an exercise in simply ticking the boxes by Emma Henderson, Emma Henderson

Alex MacKeith's debut play, based on his own experience of tutoring in schools is powerful and poignant

SOURCE: The Independent at 11:18am on February 21, 2017

See Me Now, Young Vic, London, review: The piece is open to the charge that it ends up as a therapy session for the performers by Paul Taylor, Paul Taylor

Real-life sex workers take to the stage, in a production about prostitution, directed by Mimi Poskitt, with song and dance

SOURCE: The Independent at 12:12pm on February 20, 2017

Harry Potter and the Cursed Child sweeps the WhatsOnStage awards with eight wins by Clarisse Loughrey, Clarisse Loughrey

The two-part play scooped up the likes of Best New Play, Best Actor in a Play, Best Supporting Actor in a Play, and Best Supporting Actor in a Play

SOURCE: The Independent at 7:48am on February 20, 2017

Ventoux, Vault Festival, The Vaults, Waterloo, London, review: The actors pedal furiously on their stationary racing bikes by Paul Taylor, Paul Taylor

The show about the rivalry between cycling superstars, Lance Armstrong and Marco Pantani, dramatises a clash of personalities and their fall from grace

SOURCE: The Independent at 10:24am on February 16, 2017

Matthew Bourne's Early Adventures, Richmond Theatre, review: This triple bill is crisp, lively and brightly danced by Zoë Anderson, Zoë Anderson

Bourne's triple bill of early works, which marks 30 years since he launched his own dance company, show that many of his strengths were already in place

SOURCE: The Independent at 6:54am on February 14, 2017

Beware of Pity, Barbican, London, review: 120 minutes of nerve-racking tension by Paul Taylor, Paul Taylor

Simon McBurney's compelling co-production between his own Complicite company and Schaubühne Berlin, is based on Stefan Zweig's 1939 novel, about a man's downfall after he tri…

SOURCE: The Independent at 10:48am on February 10, 2017

The House of Bernarda Alba, Royal Exchange, Manchester,review: A real mix of a production by Paul Vallely, Paul Vallely

Kathryn Hunter plays the matriarch who is grieving her husband's death and bans her five daughters from leaving the house, but the performance with the disabled acting company Graeae, d…

SOURCE: The Independent at 9:42am on February 10, 2017

The House of Bernarda Alba, Royal Exchange, Manchester review: Graeae bring production into a whole new dimension by Ian Herbert, Ian Herbert

This re-worked piece on the suppression of women by a disabled-led company offers a different perspective without preaching

SOURCE: The Independent at 7:32am on February 9, 2017

Silver Lining, Rose Theatre, Kingston, review: The play feels mechanical and lacking in real warmth - but I did laugh out loud once or twice by Paul Taylor, Paul Taylor

Sandi Toksvig's comedy, set in an old people's care home, is about the plight of the elderly, but it is also a message against the treatment of senior actresses, who don't get…

SOURCE: The Independent at 6:24am on February 9, 2017

We spoke to the new generation of British playwrights who will dominate 2017 by Sarah Bradbury, Sarah Bradbury

Writing plays for a living is not the easiest of professions - but whether you have a hit or wait patiently - it's all about not giving up

SOURCE: The Independent at 8:12am on February 8, 2017

Kiss & Cry, Barbican Theatre, London, review: Hands jump together to have sex by Zoë Anderson, Zoë Anderson

As part of the London International Mime Festival, 'Kiss & Cry', stars a duo of dancing hands, small-scale sets and cinematography, to evoke memories of past loves

SOURCE: The Independent at 12:18pm on February 7, 2017

Run The Beast Down, Finborough, London, review: Ben Aldridge keeps you compelled by the character's monomania by Paul Taylor, Paul Taylor

Lines blur between reality and fantasy in Titus Halder's debut play, starring Ben Aldridge as a man losing his sanity, which is directed by Hannah Price, with a live electronic score

SOURCE: The Independent at 11:36am on February 6, 2017

Super Bowl 51: Hamilton cast sing stunning rendition of 'America the Beautiful' with adapted lyrics by Roisin O'Connor, Roisin O'Connor

The lyric change to include 'and sisterhood' drew roars of approval from the Super Bowl audience

SOURCE: The Independent at 5:03am on February 6, 2017

Sex With Strangers, Hampstead Theatre, London, review: Emila Fox and Theo James have witty, sparring sexual chemistry by Paul Taylor, Paul Taylor

The two-hander, starring Emilia Fox and Theo James, which is written by Laura Eason, a scriptwriter on 'House of Cards', is a comedy about love and literary ambition in the digital…

SOURCE: The Independent at 9:06am on February 3, 2017

1984 comes to America: New George Orwell stage adaptation to open on Broadway by Mark Kennedy, Mark Kennedy

Renewed interest in seminal novel comes as Donald Trump lashes out at 'fake news' and adviser Kellyanne Conway coins distinctly Orwellian phrase 'alternative facts'

SOURCE: The Independent at 8:06am on February 3, 2017

The White Devil, Sam Wanamaker Playhouse, London, review: It ain't Shakespeare " maybe it's more Tarantino by Paul Taylor, Paul Taylor

Director Ann Ryan's candlelit production of John webster's 'The White Devil' at the Sam Wanamaker Playhouse, is the perfect setting for the play about deceit, treachery a…

SOURCE: The Independent at 8:06am on February 2, 2017

Alexander Zeldin: 'Homelessness, mental health, austerity " they're all interlinked' by Adam Lusher, Ed Cumming, Adam Lusher, Ed Cumming

The critically acclaimed playwright reveals what inspired him to write 'Love'

SOURCE: The Independent at 8:12pm on February 1, 2017
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