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5,330 stories from The Independent

Les Enfants Terribles, Barbican Theatre, London, review: Sexual tanglings often feel quite detached from the singers' relationship by Zoë Anderson, Zoë Anderson

The Royal Ballet's dance-opera by composer Philip Glass is based on the writings of Jean Cocteau and directed and choreographed by Javier De Frutos

SOURCE: The Independent at 1:36pm on January 30, 2017

Set and Reset, Tate Modern, London, review: An entrancing meeting of Trisha Brown, Rauschenberg and composer Laurie Anderson. by Zoë Anderson, Zoë Anderson

To coincide with the Robert Rauschenberg retrospective, Trisha Brown's dance piece 'Set and Reset' (1983) is being performed at Tate Modern, with set and costumes by the Ameri…

SOURCE: The Independent at 1:36pm on January 30, 2017

Fantastic Mr Fox, Lyric, Hammersmith, London, review: It's not in the same league as Matilda and Charlie by Paul Taylor, Paul Taylor

The new production of 'Fantastic Mr Fox', about a clever fox who outwits three farmers, is the latest Roald Dahl story to be turned into a musical

SOURCE: The Independent at 12:32pm on January 30, 2017

Siobhan Davies Dance, Barbican Curve Gallery, London, review: It attempts to step beyond the cliché of body language to reveal something deeper by Erin Whitcroft, Erin Whitcroft

Siobhan Davies' latest collaborative dance project explores body language in a four-hour loop at the Barbican's Curve gallery

SOURCE: The Independent at 5:54am on January 26, 2017

Dublin Old School, National Theatre, London, Review: Emmet Kirwan and Ian Lloyd Anderson play off each other with a brilliant rhythmic rapport by Paul Taylor, Paul Taylor

Emmet Kirwn's two-hander, starring himself as Jason, a wannabe DJ and Ian Lloyd Anderson, as his long-lost drug addict brother, is highly charged theatre

SOURCE: The Independent at 7:36am on January 25, 2017

Death Takes A Holiday, Charing Cross Theatre, London, review: It's sometimes hard to keep a straight face, as when Death complains about his work by Paul Taylor, Paul Taylor

The UK premiere of Thom Southerland's musical, 'Death Takes A Holiday', is based on the 1928 Italian play of the same name, which went on to inspire the film, 'Meet Joe B…

SOURCE: The Independent at 7:12am on January 24, 2017

Woolf Works, Royal Opera House, London, review: Alessandra Ferri is luminous as the Virginia Woolf figure by Zoë Anderson, Zoë Anderson

The revival of Wayne McGregor's ballet triptych is inspired by Virginia Woolf's novels, 'Mrs Dalloway', 'Orlando' and 'The Waves' " mixed with parts o…

SOURCE: The Independent at 6:12am on January 24, 2017

Review, Us/Them, Dorfman, National Theatre, London: the story of the Beslan massacre makes for a remarkable, harrowing piece of theatre by Paul Taylor, Paul Taylor

On 1 September 2004, the children were celebrating the start of the new academic year at School No 1 in Beslan, North Ossetia (part of the Russian federation). They had brought in balloons a…

SOURCE: The Independent at 6:12pm on January 21, 2017

Winter Solstice, Orange Tree, Richmond, London, review: A sharply provocative twist on the traditional fraught-family-festivities drama by Paul Taylor, Paul Taylor

The UK premiere of German dramatist Roland Schimmelpfennig's play, which was written in response to the resurgence of the far right across Europe, couldn't be more timely with the …

SOURCE: The Independent at 9:54am on January 19, 2017

Promises, Promises, Southwark Playhouse, London, review: The trouble is that the material does not exactly brim with musical possibilities by Paul Taylor, Paul Taylor

The revival of musical, 'Promises, Promises', is based on the Oscar-winning 1960 Billy Wilder movie, 'The Apartment', but it doesn't lend itself well to the now all-…

SOURCE: The Independent at 6:54am on January 18, 2017

Fifty Shades of Grey might become a musical by Clarisse Loughrey, Clarisse Loughrey

E.L. James is reportedly in talks to bring her S&M bestseller to Broadway and West End stages

SOURCE: The Independent at 5:48am on January 18, 2017

Written on Skin, Royal Opera House, London, review: George Benjamin creates a modern fluorescent-lit world by Cara Chanteau, Cara Chanteau

Benjamin revives his opera with much of the original cast " just three years after its premiere

SOURCE: The Independent at 7:04am on January 17, 2017

Hamilton London tickets appear on resale sites for upwards of £2,000 by Jack Shepherd, Jack Shepherd

Touts are already selling tickets despite paperless system

SOURCE: The Independent at 4:48am on January 17, 2017

Boy Blue Entertainment, Blak Whyte Gray, Barbican Theatre, London, review: It's strict, bold and brilliant by Zoë Anderson, Zoë Anderson

The Oliver award winning East London hip hop dance group, Boy Blue Entertainment, perform an abstract triple bill with new work 'Blak Whyte Gray' and ditch any narrative

SOURCE: The Independent at 7:48am on January 16, 2017

'Written on Skin', Royal Opera House, London, review: George Benjamin creates a dazzling clash of the medieval and modern by Cara Chanteau, Cara Chanteau

Just three years after it opened in the capital, George Benjamin's much-applauded opera returns with members of the original cast

SOURCE: The Independent at 12:04pm on January 15, 2017

The Kite Runner, Wyndham's Theatre, London, review: A performance that lacked children still comes up winning by Emma Henderson, Emma Henderson

A simple stage allows the small cast to carry the weight of Khaled Housseini's debut novel that sold multi-millions worldwide and follows the film adaptation

SOURCE: The Independent at 1:54pm on January 13, 2017

Wish List, Jerwood Upstairs, Royal Court, Londo, review: A talented, heartening debut by Paul Taylor, Paul Taylor

Katherine Soper's debut play about two siblings coping with benefit cuts, zero-hour contracts and OCD, was winner of the 2015 Bruntwood Prize for Playwriting

SOURCE: The Independent at 9:36am on January 13, 2017

BU21, Trafalgar Studios, London, review: You can gasp with uneasy laughter at the play's refusal to be politically correct by Paul Taylor, Paul Taylor

An invented terrorist atrocity is the topical subject of this tragicomedy by Stuart Slade that imagines a plane from New York downed in the Fulham area with half a dozen survivors

SOURCE: The Independent at 9:36am on January 12, 2017

Giselle, London Coliseum, review: Alina Cojocaru has always been a natural Giselle by Zoë Anderson, Zoë Anderson

Mary Skeaping's traditional production of 'Giselle' is revived by the English National Ballet with Alina Cojocaru in the lead role

SOURCE: The Independent at 9:36am on January 12, 2017

The Kite Runner, Wyndham's Theatre, London, review:It feels top-heavy with relentless first person narration by Paul Taylor, Paul Taylor

Matthew Spangler's stage production of 'The Kite Runner', based on Khaled Hosseini's best-selling 2003 novel, makes its West End debut

SOURCE: The Independent at 7:18am on January 11, 2017

Amadeus, Royal National Theatre, London, review: Adam Gillen pulls off Mozart with haunting conviction by Michael Church, Michael Church

A revival of Peter Shaffer's play is directed by Michael Longhurst with live orchestral accompaniment by the Southbank Sinfonia

SOURCE: The Independent at 12:48pm on January 10, 2017

The Trackers of Oxyrhynchus, Finborough Theatre, London, review: by Paul Taylor, Paul Taylor

The rediscovery of Tony Harrison's, 'The Trackers of Oxyrhynchus', in its first London production since 1990, is directed by Jimmy Walters

SOURCE: The Independent at 8:48am on January 6, 2017

The Mad Hatter's Tea Party, Roundhouse, London, review: The show's sweetness and energy are irresistible by Zoë Anderson, Zoë Anderson

Zoonation's hip hop 'The Mad Hatter's Tea Party' with characters inspired by 'Alice in Wonderland' is complete with Ben Stones' set designs of oversized te…

SOURCE: The Independent at 8:36am on January 5, 2017

Dance Movements, Courtauld Gallery, London, review: The choreography embodied the connection between Rodin's sculpture and drawing by Erin Whitcroft, Erin Whitcroft

Shobana Jeyasingh was commissioned to create a dance piece inspired by Rodin's sculptures at the Courtauld Institute's exhibition, which was danced by Noora Kela

SOURCE: The Independent at 1:12pm on January 4, 2017

Hamilton London tickets: Prices, sale date and how to get them - everything you need to know by Roisin O'Connor, Roisin O'Connor

Tickets go on general sale from 30 January

SOURCE: The Independent at 6:33am on January 4, 2017
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