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38,448 stories from The New York Times

'Ceremonies in Dark Old Men' Review: A Father in Defeat by Juan A. Ramírez

Norm Lewis stars as the resigned patriarch of two slippery sons in this revival of Lonne Elder III's drama from 1969.

SOURCE: The New York Times Subscription at 5:36am on April 30, 2025

Ewan McGregor, Back Onstage, Is the Architect of His Own Folly by Houman Barekat

"My Master Builder," a new take on the Ibsen classic, reduces a complex play to a tawdry marital melodrama.

SOURCE: The New York Times Subscription at 7:24pm on April 29, 2025

"All the World's a Stage" and "Rheology" Are Promising New Productions by Juan A. Ramírez

Two worlds of promise: "All the World's a Stage," a musical by Adam Gwon, and "Rheology," Shayok Misha Chowdhury's follow-up to "Public Obscenities."

SOURCE: The New York Times Subscription at 12:54pm on April 29, 2025

Who Should Be a Tony Awards Nominee in 2025? by Jesse Green

Our chief theater critic makes his picks.

SOURCE: The New York Times Subscription at 5:06am on April 29, 2025

John Jasperse Starts La MaMa Moves! Honoring a Female Lineage by Brian Seibert

Jasperse's engrossing "Tides" was a thrilling opener to a festival that often feels like a home for first drafts.

SOURCE: The New York Times Subscription at 2:01pm on April 28, 2025

Where Can I Find a Cheap Broadway Ticket? by Michael Paulson

If you are determined to see a celebrity in a popular show on a busy night, you may be out of luck, but with flexibility and persistence, you can cut some costs.

SOURCE: The New York Times Subscription at 12:18pm on April 28, 2025

Jean-Pierre Bonnefoux, Charlotte Ballet Director and Sinuous Dancer, Dies at 82 by Roslyn Sulcas

He brought grace and power to his roles before a serious injury encouraged him to try choreography " "maybe the richest part of my life."

SOURCE: The New York Times Subscription at 12:08pm on April 28, 2025

In 'Krapp's Last Tape,' Gary Oldman Hits Rewind by Houman Barekat

The star actor returns to the theater where he started almost a half-century ago, with Samuel Beckett's bleak one-man play.

SOURCE: The New York Times Subscription at 9:54am on April 28, 2025

Broadway's Debacles Live On at Joe Allen's 'Flop Wall' by James Barron

The posters in the theater-district restaurant document the shows that went wrong.

SOURCE: The New York Times Subscription at 6:42am on April 28, 2025

My Life With Uncle Vanya, the Self-Pitying Sad Sack We Can't Quit by Jason Zinoman

What is it about Chekhov's melancholy inaction hero that makes him, and the play he stars in, so meaningful at all ages?

SOURCE: The New York Times Subscription at 5:06am on April 28, 2025

New York City's Creative Churn: The View From the Dance Floor by Brian Seibert and Yuvraj Khanna

"Urban Stomp" at the Museum of the City of New York chronicles the metropolis's social dance. It also invites you to join the party.

SOURCE: The New York Times Subscription at 5:01am on April 28, 2025

'Real Women Have Curves' Review: This American (Immigrant) Life by Laura Collins-hughes

On Broadway, the musical adaptation is a bouncy crowd pleaser about female empowerment, self-acceptance and chasing one's dreams.

SOURCE: The New York Times Subscription at 9:36pm on April 27, 2025

'Dead Outlaw' Review: This Bandit Has Mummy Issues by Jesse Green

A truly twisted yarn about a long-lived corpse makes a surprisingly feel-good Broadway musical.

SOURCE: The New York Times Subscription at 5:12pm on April 27, 2025

'Just in Time' Review: Jonathan Groff Channels Bobby Darin by Jesse Green

Groff is sensational as the '60s "nightclub animal" in a Broadway bio-musical jukebox that doesn't live up to its star.

SOURCE: The New York Times Subscription at 10:24pm on April 26, 2025

'Real Women Have Curves' Is Now a Broadway Show. Here Are 5 Things to Know. by Sarah Bahr

The new musical is based on Josefina López's original play and the 2002 film adaptation that starred America Ferrera.

SOURCE: The New York Times Subscription at 12:48pm on April 25, 2025

Patrick Adiarte, Actor Seen in Musicals and on 'M*A*S*H,' Dies at 82 by Richard Sandomir

As a young immigrant from the Philippines, he had roles on Broadway in "The King and I" and "Flower Drum Song." He was later a familiar face on TV.

SOURCE: The New York Times Subscription at 7:10am on April 25, 2025

How a Kentucky Man Trapped in a Cave Became a Broadway Musical by Annie Aguiar

Floyd Collins was pinned under a rock while exploring a cave in 1925. That history, recounted in song, is now on Broadway.

SOURCE: The New York Times Subscription at 5:18am on April 25, 2025

Review: Gilbert and Sullivan's 'Pirates,' Now in Jazzy New Orleans by Jesse Green

A Broadway remake of the operetta, starring David Hyde Pierce, moves the plot to the Big Easy, where good times roll, even if some jokes don't quite land.

SOURCE: The New York Times Subscription at 10:32pm on April 24, 2025

'Hold Me in the Water' Review: Smitten, and Primed to Flirt by Laura Collins-hughes

Ryan J. Haddad follows up his Obie-winning "Dark Disabled Stories" with a rom-com.

SOURCE: The New York Times Subscription at 11:12am on April 24, 2025

Penn Station's Not-So-Secret Other Life: The People's Dance Studio by Rachel Sherman and Mohamed Sadek

Smooth floors. Public restrooms. A built-in audience: The lower level of Moynihan Hall doubles as a rehearsal space for a variety of dance groups, including K-pop, salsa and Brazilian Zouk.

SOURCE: The New York Times Subscription at 5:00am on April 24, 2025

After 'Sunset Boulevard' Malfunction, Nicole Scherzinger Sings With Bullhorn by Michael Paulson

The "Sunset Boulevard" star briefly entertained the crowd when "a technical malfunction on the sound side" forced the cancellation of a matinee performance.

SOURCE: The New York Times Subscription at 5:02pm on April 23, 2025

Review: From Kyle Abraham, Saxophones and Sculptural Shapes by Brian Seibert

On program of New York premieres at the Joyce Theater, Abraham's contribution stands out and so do his dancers.

SOURCE: The New York Times Subscription at 1:18pm on April 23, 2025

Review: Little Adds Up in the Elusive 'Grief Camp' by Elisabeth Vincentelli

Les Waters's production for Atlantic Theater Company is marvelously realized, despite the limitations of the play's often maddening script.

SOURCE: The New York Times Subscription at 11:24am on April 23, 2025

With 'Floyd Collins,' Jeremy Jordan Finds Another Challenge Onstage by Elisabeth Vincentelli

In "Floyd Collins," playing a hardscrabble Kentuckian trapped while exploring a cave, the actor finds inspiration in the claustrophobic restrictions.

SOURCE: The New York Times Subscription at 5:36am on April 23, 2025

'Stranger Things: The First Shadow': An Origin Story for the Broadway Stage by Elisabeth Vincentelli

This Broadway production delivers lots of spectacle as it winds back to the teenage years of Henry Creel, an antagonist from the Netflix series.

SOURCE: The New York Times Subscription at 12:24am on April 23, 2025
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