4,164 stories from Broad Street Review
Intercultural Journeys presents a special edition of the Solomon Temple's Songs for the Soul cabaret featuring art, music, fellowship, and food. Melissa Strong previews.
After previewing the show's workshop in the spring, Camille Bacon-Smith reviews this fall's new performance from Soledad Barrio and company.
More a work of theater than a play, Tall Order's Those with 2 Clocks, now onstage at the Wilma, is funny, provocative, and beautifully designed. Jill Ivey reviews.
This touring Shakespearean reinvention turns Twelfth Night into a winning bilingual musical, integrating script, songs, English, and Spanish into a uniquely accessible and timely performance…
Hedgerow's production of Martin McDonagh's disturbing and thought-provoking drama The Pillowman is a worthy Philly-area destination this October. C.M. Crockford reviews.
Celebrate Indigenous Peoples Day in Philly, and discover "weird" art exhibits, a multisensory music project, and the latest novel from Philly's own Stephanie Feldman. Kyle V. Hiller rounds u…
Co-creators Yolanda Wisher and Trapeta B. Mayson formed ConsenSIS, and this weekend, are bringing together Black poets for an intimate afternoon of poetry and sound. Daralyse Lyons previews.
An assortment of the scary, the spooky, and the magical will screen throughout the month in the Philadelphia area. Stephen Silver rounds up.
The Living Gallery, an immersive, walk-through art installation, hosts Fringe performances of Unorthodox Methods of Cosmic Flight, a charmingly maximalist experience following a pair of wann…
Opera Philadelphia closed out Festival 022 with the premiere of Black Lodge, by composer David T. Little and librettist Anne Waldman, with live music by Timur and the Dime Museum and the Ope…
In the spirit of passing the torch, the season opener for Philly's illustrious Renaissance band celebrated 15th and 16th-century teachers and mentors who became musical colleagues. Gail Oben…
The dynamic pianist Daniil Trifonov headlined the Philadelphia Orchestra's musically diverse and satisfying opening weekend concerts. Cameron Kelsall reviews.
TILT mounts its largest exhibition of the last two years with If We Never Get Better, a group show of queer and/or trans artists of color who focus on healthcare, collective grief, disabilit…
The Chairs, an early one-act masterpiece of absurdist theater from Eugène Ionesco, opens the 13th season of Mt. Airy's Quintessence Theatre Group. Corey Qureshi reviews.
Eat Purple Theater Co. takes the bit and runs when a clown walks into a funeral in Facepaint, the company's first Fringe production. Helen Walsh reviews.
Four historical figures, two time-travelers, and one figure whose story is yet to be told dance their way across the centuries Bill & Ted-style in a dance-theater piece about life, art, …
SPEECH, the latest from Lightning Rod Special, features the company's signature stellar ensemble work, skewering our cultural currents. Alaina Johns reviews.
A new Barnes exhibition detailing the latest scholarship and technology in the world of Modigliani has a big surprise: four previously unverified paintings will be on the walls. Emily Schill…
Tiny Dynamite, BalletX, AAMP, Theatre in the X, and more get us ready to embrace the new season. Kyle V. Hiller rounds up.
Gail Obenreder previews upcoming music performances happening in the Philly area, including concerts from Orchestra 2001, Choral Arts, Tempesta di Mare, Philadelphia Viola Quartet, and more.
Philadelphia native Mike Smaczylo wants to build a different future for education and its residents. Christina Anthony profiles.
Delaware Symphony Orchestra paired Jennifer Higdon's latest premiere with favorites from Dvořák in this season opener marking the orchestra's return to full concerts. Gail Obenreder r…
Two Fringe Festival shows, An Untitled Love from A.I.M by Kyle Abraham, and Ninth Planet's high noon, explore the Black experience, highlighting themes of resilience, community, and connecti…
Alice Childress's Wine in the Wilderness, a play about the realities and illusions of race, class, and gender, is onstage in North Philly for this year's Fringe. Jeannine A. Cook reviews.
All summer, we've been talking with Philly arts leaders about making it this far into the pandemic. This special conversation with GPCA leaders looks back"and toward the future.
