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1,623 stories from exeuntmagazine.com

Review: The Lottery of Love at the Orange Tree Theatre by Sally Hales

The Joe Hill-Gibbins Problem: Sally Hales reflects on Marivaux's eighteenth-century rom-com. The post Review: The Lottery of Love at the Orange Tree Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 8:46am on April 6, 2017☆⚑

Review: The Red Shoes at Bristol Hippodrome by Kate Wyver

Red shoes and red chairs: Kate Wyver responds to Matthew Bourne's obsessive and passionate ballet. The post Review: The Red Shoes at Bristol Hippodrome appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:56am on April 6, 2017☆⚑

Review: Gently Down the Stream at The Public Theater by Lane Williamson

Rearranging the furniture: Lane Williamson reviews Martin Sherman's new play at the Public Theater. The post Review: Gently Down the Stream at The Public Theater appeared first on Exeunt Mag…

SOURCE: exeuntmagazine.com at 4:15am on April 6, 2017☆⚑

Why It's All Kicking Off Everywhere by Sam Williams

"The people. Demand. The downfall. Of the Regime." Sam Williams explores how journalist Paul Mason's immersive performance imagines theatre as a laboratory for political action. The post Why…

SOURCE: exeuntmagazine.com at 9:16pm on April 5, 2017☆⚑

Review: Lucy McCormick: Triple Threat at Soho Theatre by Brendan Macdonald

A divine and dirty awakening: Brendan Macdonald reviews the gospel according to Lucy McCormick The post Review: Lucy McCormick: Triple Threat at Soho Theatre appeared first on Exeunt Magazin…

SOURCE: exeuntmagazine.com at 9:03am on April 5, 2017☆⚑

Jamal Harewood: "I know I'm pushing people's buttons" by Alice Saville

'The Privileged' uses a furry polar bear suit to confront racism head on. Alice Saville chats to Jamal Harewood about audience reactions, game theatre, and his new performance 'Word'. The po…

SOURCE: exeuntmagazine.com at 2:03am on April 4, 2017☆⚑

Le Gateau Chocolat: "I'm always in some kind of exhausting drag." by Maddy Costa

Maddy Costa talks to alternative cabaret star Le Gateau Chocolat about puncturing drag stereotypes, making work about depression, and surviving in a world where "We have to keep fighting for…

SOURCE: exeuntmagazine.com at 3:33am on April 3, 2017☆⚑

Where are the voices exploring working class experiences? by Alice Saville

"There's a huge culture of people from working class backgrounds feeling inadequate within the arts." Catherine Hoffman explains how shame keeps people powerless, and how her performance as …

SOURCE: exeuntmagazine.com at 5:26am on March 27, 2017☆⚑

Rachel O'Riordan: "I would hate to be directing another one woman show by Gary right now!" by Rosemary Waugh

After the runaway success of Iphigenia in Splott, Rachel O'Riordan is directing Gary Owen's new play Killology. She talks about her work as artistic director of the Sherman, and how theatre …

SOURCE: exeuntmagazine.com at 4:31am on March 23, 2017☆⚑

Titas Halder: "I want the audience to be in the fucking swamp" by Amelia Forsbrook

Playwright and director Titas Halder has quickly made a name for himself for his dark, muddy theatrical worlds. Amelia Forsbrook interviews him about music, foxes, and his new play 'Escape t…

SOURCE: exeuntmagazine.com at 12:39am on March 22, 2017☆⚑

Working Class Dinner Party by Tracey Sinclair

"I find myself getting up...and saying my piece". Tracey Sinclair writes on her unexpectedly personal response to 'Working Class Dinner Party', hosted by performance artists Scottee, Selina …

SOURCE: exeuntmagazine.com at 4:49am on March 20, 2017☆⚑

Petition: Save Lyn Gardner's Guardian Stage blog by Exeunt Staff

More than ever, we need mainstream voices like Lyn Gardner to champion forward-looking, experimental, and truly national theatre. Please sign and share our petition to The Guardian. The post…

SOURCE: exeuntmagazine.com at 8:06am on March 15, 2017☆⚑

How arts organisations are fighting climate change by Daniel Perks

From oil sponsorship of the arts to ethical pensions: Daniel Perks attends an Energising Culture seminar to learn more about how arts organisations are looking to save the planet. The post H…

SOURCE: exeuntmagazine.com at 7:28am on March 14, 2017☆⚑

Dialogue: Should Theatremakers Respond to Reviews? by Exeunt Staff

After the furore over a very public dialogue about the New York Times review of Big River, Exeunt's writers debate whether and how theatremakers should respond to reviews. The post Dialogue:…

SOURCE: exeuntmagazine.com at 4:08am on March 9, 2017☆⚑

Lucy J. Skilbeck: "Gender is farcical." by Alice Saville

Joan is a fiercely brilliant, drag king take on medieval history. Alice Saville chats to its creator Lucy J. Skilbeck about queer politics, Milk Presents, and why theatre should follow drag'…

SOURCE: exeuntmagazine.com at 1:35am on March 8, 2017☆⚑

Opportunity: Columnist by Exeunt Staff

Exeunt is recruiting a paid black or minority ethnic columnist, to help widen the conversation around theatre. Read on for more details. The post Opportunity: Columnist appeared first on Exe…

SOURCE: exeuntmagazine.com at 8:24pm on March 5, 2017☆⚑

Queer women on stage: Representation v. exploitation by Alice Saville

There's a long history of same-sex romance between women being exploited as a male fantasy. Naomi Westerman talks about rejecting the male gaze, and her new play Puppy. The post Queer women…

SOURCE: exeuntmagazine.com at 7:12pm on February 22, 2017☆⚑

Sonja Linden: "I want to challenge our audience to rethink attitudes to older people" by Rosemary Waugh

As Roundelay opens at the Southwark Playhouse, playwright Sonja Linden talks to Rosemary Waugh about why sex and relationships involving older people are rarely discussed. The post Sonja Lin…

SOURCE: exeuntmagazine.com at 10:52pm on February 21, 2017☆⚑

Picking My Scabs for Your Entertainment by Alice Saville

Scottee's new show Bravado is an unsparing look at his relationship with masculinity. Here, he looks at confessional performance, self care, and asks "Must all working class artists bleed fo…

SOURCE: exeuntmagazine.com at 7:56am on February 20, 2017☆⚑

A Battle for Contextual Criticism by Nicole Serratore

A New York Times review sparked fury for critiquing Mark Twain's racial politics. Here, Nicole Serratore steps into the critical dispute over Big River and representation in theatre. The pos…

SOURCE: exeuntmagazine.com at 7:33pm on February 15, 2017☆⚑

Why theatre needs to love film, not fear it by Alice Saville

As cinema, TV broadcasts and online streaming offer more and more ways to watch performance, Alice Saville asks why the theatre world is so slow to embrace the potential of film. The post Wh…

SOURCE: exeuntmagazine.com at 7:51pm on February 12, 2017☆⚑

Busty Beatz: "I'm responding to capitalism, patriarchy, elitism." by Maddy Costa

Busty Beatz, MD of Hot Brown Honey, is on residency at Wellcome Collection as part of The Sick Of The Fringe. She talks to Maddy Costa about making the personal political, and confronting We…

SOURCE: exeuntmagazine.com at 4:35am on February 6, 2017☆⚑

The Trouble With 'National' Theatre by Fergus Morgan

"Olivier, Hall, and Nunn had it easy. Norris has it all to do." As Rufus Norris comes under attack, Fergus Morgan explores the troublesome business of theatre and nation building. The post T…

SOURCE: exeuntmagazine.com at 4:04am on February 3, 2017☆⚑

Pursued by a Bear: The Bruntwood Story by Tim Bano

In association with Nick Hern Books. In this episode, we take an in-depth look at the Bruntwood Prize for Playwriting, which celebrates its tenth anniversary this year. Presenter Tim Bano…

SOURCE: exeuntmagazine.com at 6:34pm on November 19, 2015☆⚑

Cubs #10: The Solid Life of Sugar Water by Annegret Märten

The last cub mini-episode of this month and we sat with down with Graeae theatre company’s Amit Sharma and performer Arthur Hughes to talk about Jack Thorne's new play The Solid Life o…

SOURCE: exeuntmagazine.com at 8:16pm on August 27, 2015☆⚑
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