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5,330 stories from The Independent

Nice Fish, Harold Pinter Theatre, London, review: Mark Rylance's timing is superb by Paul Taylor, Paul Taylor

Direct from a sold-out New York run, Mark Rylance returns to the West End to star in his hit new comic show 'Nice Fish', which he also co-wrote with Louis Jenkins - and for anybody…

SOURCE: The Independent at 10:06am on November 28, 2016

The Children, Royal Court, London, review: Lucy Kirkwood is the most rewarding dramatist of her generation by Paul Taylor, Paul Taylor

Kirkwood's three-hander which centres on two retired nuclear scientists living in an isolated cottage after a Fukushima-type power station disaster will stay with you long after the cur…

SOURCE: The Independent at 8:54am on November 25, 2016

The Nutcracker, Royal Opera House, London, review: This revival comes up as bright as the gilding on the Christmas angel's wings by Zoë Anderson, Zoë Anderson

The Royal Ballet celebrates Peter Wright's 90th birthday with his magical production of the classical ballet danced to Tchaikovsky's score

SOURCE: The Independent at 2:18pm on November 24, 2016

Shakespeare Trilogy, Donmar King's Cross, London, review: No queue for returns is more worth joining than the Saturday marathons by Paul Taylor, Paul Taylor

'The Tempest' concludes the final part of Phyllida Lloyd's trilogy of all-female Shakespeare productions including 'Julius Caesar' and 'Henry 1V' at the Do…

SOURCE: The Independent at 7:18am on November 23, 2016

Assisted Suicide, The musical: We must consider how the debate around euthanasia is framed in the arts by Morven Cook, Morven Cook

Documentaries and fictional entertainment such as novels and films contribute towards the public understanding of euthanasia but they are generally in favour of assisted suicide. This new mu…

SOURCE: The Independent at 7:12am on November 22, 2016

Trump supporters confuse Hamilton the musical with Hamilton the Canadian city by Clarisse Loughrey, Clarisse Loughrey

The Hamilton cast delivered a statement to Vice President-elect Mike Pence when he attended one of the Broadway musical's performances

SOURCE: The Independent at 5:06am on November 21, 2016

Read Hamilton cast's surprise statement to Vice President-elect Mike Pence in full by Clarisse Loughrey, Clarisse Loughrey

'We are alarmed and anxious that your new administration will not protect us,' stated Brandon Dixon

SOURCE: The Independent at 4:06am on November 21, 2016

Mike Pence says Hamilton is 'incredible production' and that crowd booing him 'is what freedom sounds like' by Rachael Revesz, Rachael Revesz

Mr Pence did not directly ask for an apology during an interview with Fox News; instead he said the cast was 'talented' and urged people to buy a ticket

SOURCE: The Independent at 3:02am on November 21, 2016

Hamilton: Donald Trump supporter interrupts performance by shouting 'We won, you lost, get over it, f**k you' by Jack Shepherd, Jack Shepherd

The President-elect recently asked the cast to apologise for how they treated Mike Pence

SOURCE: The Independent at 9:18am on November 20, 2016

Akram Khan's Giselle, Sadler's Wells, London, review: It proves to be a triumph by Zoë Anderson, Zoë Anderson

The English National Ballet dance Khan's new 'Giselle', which stars Tamara Rojo, with utter conviction

SOURCE: The Independent at 3:24pm on November 18, 2016

The Tempest, Royal Shakespeare Theatre, Stratford-upon-Avon, review: Simon Russell Beale in the most profoundly moving performance of his career by Paul Taylor, Paul Taylor

Beale stars in Gregory Doran's production of 'The Tempest' which makes the first use of live motion capture in a major classical production

SOURCE: The Independent at 10:06am on November 18, 2016

The Sewing Group, Jerwood Upstairs, Royal Court, London, review: Newcomer Fiona Glascott is excellent as Maggie by Paul Taylor, Paul Taylor

EV Crowe's new play is about a woman who has a desire to sew in a rural village in pre-industrial England but the group she learns from grow suspuicious of her

SOURCE: The Independent at 10:06am on November 18, 2016

School of Rock: The Musical, New London Theatre, London, review: A ridiculously entertaining new show by Paul Taylor, Paul Taylor

Based on the cult film with a new score by Andrew Lloyd Webber, this broadway hit about the empowering force of music on a class of pre-teens in a posh prep school, opens in the West End

SOURCE: The Independent at 5:48am on November 15, 2016

Harry Potter and the Cursed Child wins best play at Evening Standard Theatre Awards by Laura Harding, Laura Harding

Ralph Fiennes and Billie Piper took the best actor and actress gongs at the annual awards ceremony held at the Old Vic

SOURCE: The Independent at 8:48am on November 14, 2016

Wayne McGregor, Royal Opera House, London, review: Lauren Cuthbertson was mercurially quick by Zoë Anderson, Zoë Anderson

The Royal Ballet celebrates Wayne McGregor's tenth anniversary as Resident Choreographer with an all-McGregor programme, including two popular works and a world premiere.

SOURCE: The Independent at 10:48am on November 11, 2016

An Inspector Calls, Playhouse, London, review: As thrillingly fresh and disconcerting as when it was first minted almost a quarter of a century ago by Paul Taylor, Paul Taylor

Stephen Daldry's award-winning production of JB Priestley's classic thriller returns to the West End with an excellent cast

SOURCE: The Independent at 9:42am on November 11, 2016

JB Shorts, 53two, Manchester, review: A smorgasbord of fantasy, farce, satire and sheer silliness by Paul Vallely, Paul Vallely

This twice yearly festival of 15 minute plays includes comedian Justin Moorhouse's 'A Grande Malaise and a Small Cappuccino', which turns 'I, Daniel Blake' on its he…

SOURCE: The Independent at 9:02am on November 10, 2016

Deny Deny Deny, Park Theatre, London, review: A thought-provoking couple of hours by Paul Taylor, Paul Taylor

Playwright Jonathan Maitland turns his focus to the topical issue of doping in sport in his latest play written for the Park Theatre

SOURCE: The Independent at 10:06am on November 9, 2016

Lazarus, King's Cross Theatre, London, review: David Bowie's parting gift to the world by Paul Taylor, Paul Taylor

Inspired by the book, The Man Who Fell To Earth by Walter Tevis, this musical by David Bowie and Enda Walsh, has transferred from New York with Michael C Hall reprising his role as Thomas Ne…

SOURCE: The Independent at 6:48am on November 8, 2016

King Lear, Old Vic, London, review: Glenda Jackson got a fervent standing ovation by Paul Taylor, Paul Taylor

Glenda Jackson returns to the stage to play King Lear, 25 year's after she gave up acting for politics

SOURCE: The Independent at 6:36am on November 7, 2016

Jumpy, Royal Lyceum, Edinburgh, review: It's a play which is overtly, vitally feminist by David Pollock, David Pollock

April De Angelis' West End hit comedy of mid-life crisis, teenage rebellion and a mother-daughter relationship in meltdown is directed by Cora Bissett

SOURCE: The Independent at 1:06pm on November 6, 2016

Nitin Sawhney, Wang Ramirez, Royal Albert Hall, London, review: It's the dance collaboration that gives it theatrical impact by Zoë Anderson, Zoë Anderson

Dance duo Honji Wang and Sébastien Ramirez, who have choreographed for Madonna, enthralled the audience at this one-off concert with music by Nitin Sawhney

SOURCE: The Independent at 5:36pm on November 3, 2016

On clowning: In such a serious world, we must embrace the silly by Jeremy Stockwell, Jeremy Stockwell

A theatre director titting about on the fringes of comedy explains how he let go of 'Serious' and embraced 'Sincere'

SOURCE: The Independent at 12:36pm on November 2, 2016

Comus: A Masque in Honour of Chastity, Sam Wanamaker Playhouse, London, review: Lucy Bailey's witty and beguiling production by Paul Taylor, Paul Taylor

Milton's Comus twists the conventions of the masque, taking the audience on a tempestuos journey

SOURCE: The Independent at 9:18am on November 2, 2016

Morfydd Clark interview: Her sexual awakening performances have critics in raptures by Kaleem Aftab, Kaleem Aftab

The actress is playing Cordelia in Deborah Warner's stage production of King Lear with Glenda Jackson as King Lear

SOURCE: The Independent at 9:54am on November 1, 2016
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