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2,031 stories from The Theatre Times

'From the Italian Land to Poland' and Back: A conversation with Giovanni Pampiglione by Gertrude Gibbons

Rome, 9th February 2020. "Can I get some paper? Some cream-colored paper? And a pen?" It is an autumn evening of 1982 in Trieste; the company performing StanisÅ‚aw Przybyszewska's L'affar…

SOURCE: thetheatretimes.com at 3:13am on May 30, 2020

Italian Resilience Against COVID-19: Vocal Performances for Museums and Monuments by Maria Pia Pagani

Because of COVID-19, Italian actors' work had abruptly stopped but digital resources offer them "new" possibilities of maintaining live contact with their audiences. Some important artists h…

SOURCE: thetheatretimes.com at 2:02am on May 30, 2020

Choreographer Yasmine Hugonnet at Biennale Arcipelago Mediterraneo by Ariadne Mikou

Seven bodies, moving in silence, form a slowly transitioning human landscape. The change in their shapes is almost imperceptible, like seven individual rocks that the sea gradually transform…

SOURCE: thetheatretimes.com at 3:50am on May 29, 2020

Zoom Play: "Midnight Your Time" at The Donmar Warehouse by Aleks Sierz

During the lockdown, the best online theatre, more or less, are shows that are specially created for this digital format. Much better than dull records of dramas that might have worked well …

SOURCE: thetheatretimes.com at 2:49am on May 29, 2020

After Coronavirus: Global Youth Reveal That the Social Value of Art Has Never Mattered More by Kathleen Gallagher

Health and government officials around the globe are slowly and ever-so-tentatively moving to relax lockdowns due to coronavirus. In Canada, where the possibility of health-care collapse see…

SOURCE: thetheatretimes.com at 12:46am on May 27, 2020

Theatrical Coronalypse in Belarus by Alexander Mantush

  The global pandemic of coronavirus infection has stopped theatrical activity around the world. Although no quarantine measures have been officially introduced in the Republic of Belarus…

SOURCE: thetheatretimes.com at 8:28pm on May 25, 2020

The Online Stephen J Chifunyise International Theatre Festival by Takudzwa Chihambakwe

When Zimbabwean theatre practitioner Stephen Joel Chifunyise passed on last year, Theatre in The Park, the organizers of the Harare International Theater Festival saw it befitting to rename …

SOURCE: thetheatretimes.com at 2:53am on May 25, 2020

The Other Is Denied a Voice: Maja Kleczewska's "Hamlet/Гамлет" by Witold Loska

What is the role today of one of the pivotal narratives of Western culture, William Shakespeare's Hamlet? Does it really serve the functions it has been claimed to serve, providing a narrati…

SOURCE: thetheatretimes.com at 4:15am on May 24, 2020

Curve Leicester's "What the Butler Saw": A Review by Aleks Sierz

Over the past couple of months, theatre reviewing has become film reviewing, and venues all over the country have struggled to make material available for watching online. The biggest instit…

SOURCE: thetheatretimes.com at 4:14am on May 24, 2020

Between.Pomiędzy Festival: Literary Criticism Now by Derek Attridge

Writing this note when half the world is deprived of many of its too easily taken-for-granted privileges, I am conscious more than ever of the huge role played by the arts, including literat…

SOURCE: thetheatretimes.com at 3:18pm on May 23, 2020

Between.Pomiędzy: A Festival That Believes in Europe by Between. Pomiędzy

The Opening dialogue of the Between.PomiÄ™dzy Festival. 5 May 2020. Octavian Saiu: I'd like to say welcome, everybody, before anything else. My name is Octavian Saiu and I teach theatr…

SOURCE: thetheatretimes.com at 3:08pm on May 23, 2020

Drama Collective of Serbian National Theatre as an Example of Solidarity by Borisav Matić

There are more and more calls for help, appeals for solidarity when it comes to the most vulnerable groups for the occasions caused by the coronavirus pandemic. Among them are artists whose …

SOURCE: thetheatretimes.com at 3:20pm on May 22, 2020

Interview with Author and Director Eva Doumbia by Nicole Birmann Bloom

Eva Doumbia is a writer, director and actress. Her creative residence in New Orleans for the development of "Authophagies" was postponed due to the COVID-19 crisis, as well as the premier…

SOURCE: thetheatretimes.com at 2:39pm on May 22, 2020

Invisible Diaries " Best Of: A Note from the Curator by Katalin Trencsényi

As a response to the damage the Covid-19 pandemic has caused in the theatre world, the Dramaturgs' Network (a volunteer arts organization, based in the UK) has launched a new project: Invisi…

SOURCE: thetheatretimes.com at 5:51pm on May 21, 2020

Revisiting the National Theatre's 2011 "Frankenstein" by Aleks Sierz

So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the …

SOURCE: thetheatretimes.com at 1:21pm on May 21, 2020

Evidence and/or Performance? by Monika Kwaśniewska

It all starts innocently enough. Two actors (Damian Sosnowski and Alan Al-Murtatha) and an actress (Natalia Bielecka) take the stage. They are dressed in loose, everyday, dark-coloured cloth…

SOURCE: thetheatretimes.com at 9:19pm on May 19, 2020

"#GestezChezVous" Participative Project by Compagnie Hippocampe and Théâtre Victor Hugo by Armando Rotondi

The Covid-19 Emergency has been and still is a challenge for theatre companies, institutions, and artists that had radically to re-think their own practice in terms of social distancing and …

SOURCE: thetheatretimes.com at 5:13pm on May 19, 2020

The International Online Theatre Festival Is Extended Until May 31, Additing Eleven New Productions by The Theatre Times

IOTF PS + 11: EXTENDED May 16"31, 2020 IOTF is an annual online theatre festival showcasing the work of diverse global artists. IOTF PS + 11: EXTENDED offers a two-week extension to this yea…

SOURCE: thetheatretimes.com at 11:33am on May 18, 2020

BLIXT Locally Grown on Community-Driven Theatre During COVID-19 by Rhiannon Ling

BLIXT Locally Grown was born on "a car ride between Scottsbluff and Lincoln," Becky Boesen recalls, "after teaching a workshop, with big open skies above us." BLIXT's co-founder, Petra Wahlq…

SOURCE: thetheatretimes.com at 11:23am on May 18, 2020

Interview with Raphaëlle Boitel " Compagnie L'oubliée by Nicole Birmann Bloom

Written by The Cultural Services of the French Embassy of the United States. Interview Conducted by Nicole Birmann Bloom (Program Officer, Performing Arts, French Cultural Services). Transla…

SOURCE: thetheatretimes.com at 2:13am on May 17, 2020

Translating Theatre/Trans-lating Theatre by David Malcolm

David Malcolm has been one of the key organizers of the Between. PomiÄ™dzy festival ever since it was created in 2010. In this essay, he presents his recollections concerning various even…

SOURCE: thetheatretimes.com at 3:06pm on May 16, 2020

Invisible Diaries: A Problem With Walls (Covid-19 Week 3, Day 2) by Duška Radosavljević

This article is part of the Dramaturgs' Network Invisible Diaries series. Woke up today to packed bags laid out on the living room carpet. My four-year-old is going on holiday. To her …

SOURCE: thetheatretimes.com at 5:53pm on May 15, 2020

International Online Theatre Festival 2020. A glimpse into the physical theatre performances. by Ariadne Mikou

During an art and culture online ubiquity that was expanded in the course of the global pandemic, the International Online Theatre Festival (IOTF) launched its 2nd edition on the 15th of Apr…

SOURCE: thetheatretimes.com at 1:22am on May 15, 2020

Kosmopolis " The Between-Pomiędzy Festival of Literature and Theatre by Sylwia Dobkowska

Unusual times need unusual solutions. We certainly live in times that are challenging, but they also provide an opportunity to do things differently. The Between-PomiÄ™dzy Festival of Lit…

SOURCE: thetheatretimes.com at 4:48pm on May 14, 2020

Shakespeare on Zoom: How a Theatre Group in Isolation Conjured up a "Tempest" by Laura Jayne Wright

While theatres remain closed, the way we watch Shakespeare is changing. When I picture the audiences Shakespeare would have written for, I think of the groundlings in Shakespeare in Love(…

SOURCE: thetheatretimes.com at 5:23am on May 13, 2020
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