Dance Top 5: December 2018
December Dance offerings.
December Dance offerings.
The ideas in Lauren Gunderson's play may not be new but they are still revolutionary.
Closing out their William Inge season, this production from Eclipse Theatre Company walks the line between realism and melodrama with ease.
The Studebaker provides unique stage for A&A's vision: one large enough to put up a spectacle of scenic design and a massive cast, while intimate enough a house to afford every audience…
A co-production with Sideshow Theatre and Greenhouse Productions, J. Nicole Brooks' world premiere goes from cells to stars and back again.
Promethean Theatre Ensemble's production of Tom Stoppard's ode to balancing reason and ardor is as welcome as ever.
There's no moral message or social insight to bog down this heart-pounding holiday journey at The Royal George Theatre.
The first of three world premieres by Ike Holter scheduled for this season is also the thirstiest play he's ever written. And that's saying something.
Northlight Theatre adapts Jane Austen's novel though the real question is: why?
This world premiere adaptation from Mary Zimmerman at Lookingglass Theatre Company is not so much an escape as an embrace of wonder.
While it aims for gender empowerment, Underscore Theatre Company's production of Jamie Shriner's one-woman show has limited appeal.
Writers Theatre offers this Shakespeare comedy with whiplash wit and two of his finest leading ladies.
Boards are seldom tread more finely than in this remount at Marriott Theatre.
Just in time for the holiday sale season, Broken Nose Theatre presents the world premiere of this new play by Spenser Davis about the iniquities and injustices of late capitalism
The "but"s keep coming in Lyric Opera's latest installment of Wagner's Ring Cycle.
Written during the height and subsequent wane of the AIDS crisis, this remount at Refuge Theatre Project shows its age.
Theatre Y presents the English-language premiere of this disquieting exploration of sacrifice and parenting.
The collaboration between Chicago's Red Clay Dance and Kampala-based Keiga Dance Company explores how personal and cultural history rest in the body.
Black Ensemble Theater pulls out all the stops in this tribute to the most iconic women in the history of modern music.
The Goodman Theatre stages the world premiere of this bland and meandering reflection on the life of an artist who was anything but.
A showcase for the talents of a gifted ensemble, but also of an experimental spirit, a willingness to place dancers who perform on the Harris stage in more raw contexts
A complex story of identity conjugation at First Floor Theater.
The Cuckoo's Theater Project goes fishing for laughs and comes up big.