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5,330 stories from The Independent

La Fille mal gardée, Royal Opera House, London, review: 'An enchanting blend of sweetness and brilliant dancing' by Zoë Anderson, Zoë Anderson

Created in 1960, Frederick Ashton's ballet is a story of village lovers

SOURCE: The Independent at 11:31am on September 29, 2016

Floyd Collins, Wilton's Music Hall, London, review: 'On no account to be missed' by Paul Taylor, Paul Taylor

This musical tells the real-life story of a young man who becomes trapped in the cave he has discovered in 1920s Kentucky

SOURCE: The Independent at 10:31am on September 29, 2016

Adding Machine: The themes of Elmer Rice's 1922 play seem never more relevant than now by Joshua Schmidt, Joshua Schmidt

Joshua Schmidt, composer for Adding Machine: The Musical, tells how this show asks us to look closer at ourselves, and to feel compassion and empathy as we fall into a most uncertain abyss

SOURCE: The Independent at 10:26am on September 28, 2016

The Libertine, Theatre Royal, Haymarket, London, review: Dominic Cooper is curiously colourless and uncompelling as Rochester by Paul Taylor, Paul Taylor

Dominic Cooper plays hedonistic 17th Century rake the Earl of Rochester in this sexually charged play by award-winning playwright Stephen Jeffreys

SOURCE: The Independent at 8:08am on September 28, 2016

Home Turf, Sadler's Wells, London, review: When football and dance come together by Zoë Anderson, Zoë Anderson

The 93-strong cast ranges from alumni of the National Youth Dance company to first-time dancers, from children to the theatre's Company of Elders

SOURCE: The Independent at 8:30am on September 27, 2016

Father Comes Home from the Wars (Parts 1, 2 & 3), Royal Court, review: 'Immensely arresting and impressive piece of work' by Paul Taylor, Paul Taylor

SOURCE: The Independent at 10:20am on September 23, 2016

Good Canary, Rose Theatre, Kingston, review: Patchy in its detail but ultimately packs a visceral punch by Holly Williams, Holly Williams

John Malkovich's play never feels like a Hollywood-star-does-serious-theatre vanity project

SOURCE: The Independent at 8:20am on September 23, 2016

Trainspotting, Citizens Theatre, Glasgow, review: 'Breathes fresh life into this old story' by David Pollock, David Pollock

The film adaptation, directed by Danny Boyle, was a hit success at the box office in 1996

SOURCE: The Independent at 1:09pm on September 21, 2016

Dinner at the Twits, The Vaults, London, theatre review: 'For all its culinary novelty, this show leaves a rather bland taste in the mouth' by Paul Taylor, Paul Taylor

To mark the centenary of Roald Dahl's birth, theatre company Les Enfants Terribles joined forces with Bompas and Parr to serve up his 1979 children's book as an immersive theatrica…

SOURCE: The Independent at 11:21am on September 19, 2016

Things I Know To Be True, Lyric Theatre, Hammersmith, review: 'Genuinely haunting and fervently recommended' by Paul Taylor, Paul Taylor

A beautiful and painfully perceptive portrait of a family and the frictions that arise when grown-up children try to push beyond the confines of their loving parents' expectations

SOURCE: The Independent at 10:20am on September 19, 2016

The Emperor, Young Vic, London, review: 'Witty and haunting production' by Paul Taylor, Paul Taylor

It's no wonder that Ryszard Kapucsinski's 1978 book appeals to theatre-makers, says Paul Taylor

SOURCE: The Independent at 8:13am on September 19, 2016

Why is this Tennessee Williams play so rarely performed? by Michael Oakley, Michael Oakley

As the London premiere of A Lovely Sunday for Creve Coeur takes place, director Michael Oakley talks about the lesser known works of Tennessee Williams and the similarities between this and …

SOURCE: The Independent at 7:18am on September 13, 2016

punkplay, Southwark Playhouse, review: 'The troubled dynamic is beautifully handled' by Paul Taylor, Paul Taylor

Gregory S Moss's 2009 play is now receiving its UK premiere

SOURCE: The Independent at 10:04am on September 12, 2016

Alvin Ailey American Dance Theater, Sadler's Wells, review: 'A wonderful richness to the way they move' by Zoë Anderson, Zoë Anderson

Founded by Ailey in 1958, the company became the most high-profile and influential African-American modern dance ensemble, mixing modern and contemporary styles with roots in black culture

SOURCE: The Independent at 9:02am on September 12, 2016

Labyrinth, Hampstead Theatre, London, review: Dynamic and deeply researched by Paul Taylor, Paul Taylor

Some may feel it is a bit too school-of-Enron for comfort

SOURCE: The Independent at 10:25am on September 8, 2016

Maxine Peake interview: 'Sometimes the darker the work, the more fun you can have' by Veronica Lee, Veronica Lee

Maxine Peake has starred as Martha Costello QC in Silk on BBC1, followed by two series of Grace Middleton in period drama The Village. Now she is playing Blanche DuBois in Tennessee Williams…

SOURCE: The Independent at 5:28am on September 7, 2016

Britten in Brooklyn, Wilton's Music Hall, London, review: 'Resoundingly hollow and off-key' by Paul Taylor, Paul Taylor

Zoe Lewis's new play, starring Sadie Frost, is based on true events

SOURCE: The Independent at 12:02pm on September 6, 2016

King Lear, Royal Shakespeare Theatre, Stratford-upon-Avon, review: 'An evening that moves and impresses' by Paul Taylor, Paul Taylor

Antony Sher played a memorable Fool to Michael Gambon's Lear at the RSC in 1982. Now he returns to the tragedy as the lead

SOURCE: The Independent at 10:57am on September 6, 2016

Unfaithful, Found 111, theatre review: 'Recommended' by Paul Taylor, Paul Taylor

Owen McCafferty takes what could have been a hackneyed scenario " middle-aged marriage rocked by the imputation of infidelity " and gives it a raw contemporary twist

SOURCE: The Independent at 10:02am on September 6, 2016

Moulin Rouge! is finally getting the stage musical it has always deserved by Jess Denham, Jess Denham

John Logan and Alex Timbers are on board as playwright and director respectively

SOURCE: The Independent at 4:39am on September 2, 2016

Much Ado About Nothing, Selfridges, review: 'a well-executed performance, but little time for deeper analysis' by Emma Henderson, Emma Henderson

A slick production of an abbreviated version of Shakespeare's comedy

SOURCE: The Independent at 2:50pm on September 1, 2016

In his centenary year, Roald Dahl is everywhere - but should kids just go back to the books? by Holly Williams, Holly Williams

His stories might seem like a golden ticket, but endless stage and screen versions risk over-exposure

SOURCE: The Independent at 12:25pm on September 1, 2016

How theatre can confront Britain's post-Brexit racism by Atiha Sen Gupta, Atiha Sen Gupta

Playwright Atiha Sen Gupta explains how her new play Counting Stars, set in a nightclub toilet, makes an audience face up to our current climate of fear

SOURCE: The Independent at 12:50pm on August 31, 2016

The Entertainer, Garrick Theatre, review: 'Kenneth Branagh rises to the occasion' by Paul Taylor, Paul Taylor

Music hall meets domestic drama in this revival of John Osborne's classic play

SOURCE: The Independent at 7:16am on August 31, 2016

Scottish Ballet, Festival Theatre, Edinburgh, review: 'Sometimes unwieldy, always whole-hearted' by Zoë Anderson, Zoë Anderson

Scottish Ballet's new double bill for the Edinburgh Festival is ambitious, tough and danced with fierce conviction

SOURCE: The Independent at 7:39am on August 25, 2016
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