9,533 stories from American Theatre
Howard has previously choreographed work at the Goodman.
Alapai will take part in a year-long leadership residency program.
The former Playwrights' Center associate A.D. will join managing director David Lloyd Olson on the leadership team as of Feb 1.
Inheriting the Ridiculous Theatrical Company from his lover, Charles Ludlam, Quinton carved his own beloved niche in the theatre pantheon.
The longtime artistic director and new-play champion had a gentle, calming presence, but he never shied away from tough conversations.
A new book documents Oskar Eustis's regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
The theatre is one place where the disparate, diverse Asian American experience has found common expression, as a new entry in Routledge's Milestones series shows.
John Lahr's new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
A new guide to musicals about American history, and a new biography of the crucial figure Oscar Hammerstein II, make new cases for taking the form seriously.
A look back at SoHo in the 1970s, where theatrical experimentation by Meredith Monk, Robert Wilson, Richard Foreman, the Performance Group, and Mabou Mines defined an era.
Cruising Utopia with the Good Gay Poet.
For all its faults, the form (and its fans) can't help but stand up and sing for the underdog, for the awakened conscience, for moments of joyful liberation.
In this excerpt from a new book by the founder of Movement Theatre International, the author reflects on the a crucial 1988 gathering in Philadelphia.
The award is the oldest from the Harvard theatrical group.
The Baltimore theatre recently postponed a planned production.
Signature Theatre in Virginia will present the award in April.
This month Woodzick talks to Denver-based director and playwright Mykai Eastman about EDI work, directorial philosophy, and audience engagement.
Brewer is currently a producer at the theatre.
New trustees include Jennifer Bielstein, Qween Jean, and Clint Ramos.
The San Francisco and Oakland locations will both close March 18.
This month Brian talks to playwright and screenwriter Eric Reyes Loo about his educational and familial journeys, and the elusive definition of success.
The fellowship comes with an unrestricted $50,000 cash award, accompanied by a year of financial planning and additional artist services.
After 25 years in Minneapolis at a theatre he co-founded, Rothstein will succeed longtime artistic director Michael Donald Edwards at Asolo.
Under the Radar, Exponential, and Prototype at last returned in person this year, and the pickings were as unexpected and various as ever.
The theatre's new building has been recognized by the American Institute of Architects and USITT.
