38,449 stories from The New York Times
A family not unlike Jesse Jackson's gets barbecued on Broadway by Branden Jacobs-Jenkins.
A new one-woman show from the producer of "Baby Reindeer" and "Fleabag" is an irreverent allegory about wildfires and global warming.
Boy Blue brings its new show, dense with dance and rootsy British hip-hop, to Lincoln Center.
Demand to see Denzel Washington and Jake Gyllenhaal play Shakespeare has set a record in a year when big stars have been driving up the prices of Broadway plays.
In "Terrestrial: The Sprout," at New York Live Arts, three directors present a show about epic memory and indescribable feelings.
Also available for streaming: A masterful F. Murray Abraham in "Beckett Briefs," and Christopher Walken and Susan Sarandon in a take on "Streetcar."
Hamid Rahmanian has made it his life's work to share the richness of Iranian culture. "Song of the North," at the New Victory Theater, is just the latest installment.
She shepherded the works of George S. Kaufman from the 20th century into the next, encouraging regional theater productions and helping to steer two of them to Broadway.
A program celebrating Twyla Tharp's 60th year making dances features the masterwork "Diabelli" and the fresh new "Slacktide," set to Philip Glass.
Broadway is almost back, and pop music tours and sports events are booming. But Hollywood, museums and other cultural sectors have yet to bounce back.
With a revival starring Paul Mescal and Patsy Ferran in Brooklyn, a look at the carefully weighted balance that actors playing Blanche and Stanley need to strike.
Desire comes a distant second to violence in a Brooklyn revival of the Tennessee Williams classic.
Nia Akilah Robinson's new play, for Soho Rep, digs into an ugly historical practice.
In "Sizwe Banzi Is Dead" and other works, bearing witness to forgotten lives and to the moral blindness and blinkered vision of the realities of apartheid South Africa.
Tharp celebrates her 60th anniversary as a dance maker with a program pairing the monumental "Diabelli" (1998) and the new "Slacktide."
In dance, a wordless art, an improvised language of rhythmic noises helps communicate the shape and feel of movement.
Jason Zinoman started writing about comedy for The New York Times in 2011, when the world of stand-up and improv looked a little different.
Ibsen's scathing drama about medical and moral contagion gets a high-sheen Off Broadway staging starring a riveting Lily Rabe.
The deal will be scrutinized by New York's other Off Broadway theaters, which the International Alliance of Theatrical Stage Employees has been working to unionize.
A new play about a group of college students putting in one last study session evokes recent stories about young women, but without the well-rounded characters.
The donation from two philanthropists will support performances, commissions and young artists, at a time of uncertainty for the dance industry.
The new play, "Call Me Izzy," will begin previews in May and open in June at Studio 54.
Now in previews, the musical comedy about an outrageous World War II spy mission is working to adjust to the particular sensibilities of its New York audience.
In works that included "Blood Knot," "Sizwe Banzi Is Dead" and "The Island," he exposed the realities of racial separatism in his homeland.
A production partly aimed at students that highlights Tampa's history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
