1,793 stories from Theater News Online
Fans of Burt Bacharach can enjoy old hits presented in creative new ways in this musical revue.
Ethan Hawke leads a host of underwhelming performances in Jack O’Brien s effects-heavy production.
Alisa Solomon’s book provides wonderful insight into the works of Sholem Aleichem and what Fiddler means to both Jews and non-Jews.
This exuberant new Broadway musical revue pays loving homage to the musical glory days of Harlem in the 30s.
This exuberant new Broadway musical revue pays loving homage to the musical glory days of Harlem in the 30s.
A. R. Gurney s latest play is a deftly constructed story of white upper-class characters on the cusp of change in 1950s America.
Despite an impressive performance form Daniel Craig, Mike Nichols production gets away from the essence of Pinter s work.
Julie Taymor she lets her imagination overwhelm a production that pleases the eye but may frustrate those who just want to see a Shakespeare comedy.
Hot playwright Bruce Norris examines the fallout when a man wants it all, and then some.
Director John Tiffany re-imagines the classic play without altering Tennessee Williams poetry or intention.
This musical revue is full of brilliant songs and dancing from the 20s and 30s, to the tune of a full orchestra.
A bleak, bloodstained piece of gothic Southern pulp by Beth Henley inexplicably attracts a top-shelf cast.
Mark Rylance’s take on Richard is a revelation – repulsive, pathetic, cunning and plausible all at once.
Review of the new Broadway musical. This review was incorrectly attributed to Robert L. Daniels when initially posted.
Big shows brought in record money, but some of the smaller productions were the ones that shined the brightest.
In an intimate venue, Lea Salonga s New York in June spans numerous musical genres and manages to look at some well-known songs in original ways.
Even after significant improvements since its first run, Spidey remains an oversized, overpriced, longer version of what you’d find at a theme park – with bad songs.
While Doug Hughes’ production is more old-fashioned than one would hope, the performances couldn’t be more thrilling.
While Doug Hughes’ production is more old-fashioned than one would hope, the performances couldn’t be more thrilling.
The Book of Morman dominated the new-musical categories at the Tonys, with War Horse cleaning up in the nonmusical arena.
A long-lost screenplay by Tennessee Williams gets a rare shot at the stage off-Broadway.
Despite some scenes that lead nowhere, this off-Broadway musical packs in athletic choreography, surprisingly good melodies and a whole lot of campy humor.
Though visually intriguing, the heart of this production beats slowly and without the vigor it should have.
This beautifully executed revival boasts a cast and a grandeur that do justice to one of Sondheim’s greatest musicals.
Despite all the money poured into it and the delays in opening, Spider-Man is a totally irredeemable failure.
