Big Ups by David Anthony Fox
The Arden does a lot of good work, but there's something special about their children's shows.
The Arden does a lot of good work, but there's something special about their children's shows.
Adam Rapp's dark comedy Red Light Winter is an intense exploration of erotic fixation.
CP's theater critics place their bets on the Barrymores
OK, I see a few Bright Lights. But where's the Big City?
The Pirate, a shipwreck of a show currently onstage at the Prince, was a questionable project from the start.
A UArts teacher turns his love of Ray Davies into a musical.
Art imitates strife in the Arden's new show.
Diva lovers, rejoice! Dreamgirls is in town at the Prince Theater, and this fine production offers all the fizz and fun you could want.
A New Orleans theater troupe found an accidental home in Philly.
From the boards to the funding, Suzanne Roberts lives for the stage.
Icarus died by flying toward the sun. Now Frank Wildhorn proves it's possible to crash and burn with similar pretension by Waiting for the Moon.
Broadway's Frank Wildhorn brings his Jazz Age musical to Marlton.
There's unusual truth-in-packaging to the subtitle of Elegies: A Song Cycle. William Finn's sung-through series of musings on the loss of friends, family and Americans-at-large has humor and…
REVIEW: Lantern Theater Co.'s A Skull in Connemara
Through yoga, Philadelphia playwright Jennifer Schelter taps into the compassion of an Iraqi torture victim.
Expect that this Annie will do a bang-up business with families — and, of course, the Sykes factor will draw curious adults.
Populated with richly realized but unlikeable characters, Run, Mourner, Run packs inexplicable punch.