520 stories from front mezz junkies
The London ON Theatre Review: The Grand Theatre's Primary Trust By Ross There is something quietly miraculous about Primary Trust at the Grand Theatre, as it strolls in with such simplicity …
The Off-Broadway Theatre Review: Diana: The Untold and Untrue Story By Ross Diana: The Untold and Untrue Story arrives in New York fresh from the Edinburgh Fringe with a format that will fee…
The Toronto Theatre Review: Canadian Stage's A Doll's House By Ross A reformulation chirps wisely and wonderfully inside Canadian Stage's Bluma Appel Theatre, bringing renewed depth, urgency…
Frontmezzjunkies discusses: "Heated Rivalry" By Ross In many ways, Heated Rivalry arrives like a small victory. A queer television series set inside the hyper-masculine world of professional…
The Toronto Theatre Review: Toronto Dance Theatre's Make Banana Cry By Ross The sound of helicopters in the darkness draws the audience into Toronto Dance Theatre's Make Banana Cry, as pin l…
Frontmezzjunkies reports: The 98th Academy Awards Nominations are Here By Ross I'll admit this upfront, because honesty feels like the only responsible place to begin: as a theatre critic, I…
Frontmezzjunkies reports: Jonathan Bailey and Ariana Grande to Star in Sunday in the Park With George in London By Ross There are theatre announcements that make you smile, and then there ar…
The Off-Broadway Theatre Review: Messy White Gays at The Duke on 42nd Street By Ross "Oh my god, did we kill him?" is the question first tossed out of Messy White Gays as it arrives at The D…
The Toronto Theatre Review: Pu Songling: Strange Tales By Ross It starts out sweet and conversational, from the sidelines, offering an easy entry point into storytelling before we are invite…
The Off-Broadway Theatre Review: IRT's The Honey Trap By Ross The lights shift in the first moments of Irish Repertory Theatre's The Honey Trap, and a smoky memory drifts in, revealing armed…
The Toronto Theatre Review: TIFT's Company By Ross Two men enter quietly. One takes his place at the piano, the other at center stage. As a radio dial searches for a familiar frequency, snip…
Frontmezzjunkies reports: Oscars 2026 Preview: Early Predictions, Frontrunners, and What to Watch By Ross With the 98th Academy Awards fast approaching in March 2026, awards season is offici…
The Broadway Theatre Review: MTC's Bug By Ross She stands, staring into the light coming through her hotel room door, left ajar, not from a place of security, but one of anxious disturbance.…
The Off-Broadway Theatre Review: Picnic at Hanging Rock By Ross As a gentle piano ushers us in, the dreamer and the dream disappear into the night. There's a quiet but decisive shift in the …
Frontmezzjunkies reports: The Fantaticks is Being Developed for Broadway as a Contemporary Gay Love Story Certain titles in the American musical theatre canon feel less like shows and more l…
The Off-Broadway Theatre Review: The 25th Annual Putnam County Spelling Bee By Ross She walks in with a huge trophy and a grin, carrying the unmistakable confidence of someone who remembers …
The Off-Broadway Theatre Review: NY Gilbert & Sullivan Players' H.M.S. Pinafore By Ross H.M.S. Pinafore has endured for nearly a century and a half because it understands exactly what it…
The Off-Broadway Theatre Review: NYTW's Tartuffe By Ross From the moment the astonishing Bianca Del Rio storms the stage as Mme Pernelle, New York Theatre Workshop's new adaptation of Tartuf…
Frontmezzjunkies reports: The May 2026 London UK Theatre Adventure By Ross This May's London Theatre Trip began the way the best ones always do: with a slightly reckless ticket purchase and …
Frontmezzjunkies reports: Tickets for the Stratford Festival Go On Sale Today by Ross Every theatrical season, there's one press release I read not just with interest, but with a calendar al…
The London UK Theatre Review: The Importance of Being Earnest By Ross A grand piano and a pink feathered gown, worn by the unexpected, usher us into this unapologetically delightful romp. Wo…
The London UK Theatre Review: High Noon By Ross An old-fashioned clock is stationed over the stage like a warning, or a stopwatch, counting down the minutes until High Noon strikes and Marsh…
Frontmezzjunkes reports: TIFT's All The Cows Are Dead By Ross There are certain theatre companies I trust enough that, even when I can't immediately get myself into the room, I still want to…
The London UK Theatre Review: Alan Ayckbourn's Woman in Mind By Ross I first encountered Woman in Mind when I was 22 years old, newly out of theatre school and living recklessly in London. I…
The London UK Theatre Review: National Theatre's Playboy of the Western World By Ross Rain lashes the stage as John Millington Synge's masterpiece comedy The Playboy of the Western World arr…