38,664 stories from The New York Times
A.O. Scott, who reviewed movies for The New York Times for more than two decades, is now a roving critic for the Book Review.
In "Lunch Dances," which tells fictional stories of regular people pursuing personal research, Monica Bill Barnes and Company invades the New York Public Library.
Near the end of "Gypsy," the Tony-nominated actress sings a song that makes you rethink the show you've been watching. I talked to her about it.
The Broadway rookie has a Tony nomination and star power, but inside she's still this "weird little girl."
In the Tony-nominated musical "Operation Mincemeat," five performers play a slew of roles. The choreography onstage and off is fast, elaborate and exacting.
Two plays at Irish Repertory Theater, one featuring a "Derry Girls" star, explore the real and the mythical in cultural identity.
The Broadway musical, which earned seven Tony nominations, scrapped a performance after the Librarian of Congress, Dr. Carla D. Hayden, was fired by the Trump administration.
He is believed to have been the first Asian to dance with New York City Ballet when he was cast in George Balanchine's production of "The Nutcracker."
Carolina Bianchi created a storm by drugging herself onstage at the beginning of a trilogy about sexual assault. Her latest play, "The Brotherhood," asks what happens next.
A new play about a middle-age professor and his teenage student forces you to ask: Who's grooming whom?
The band's frontman, Thom Yorke, created a show with the Royal Shakespeare Company that is both admirably ambitious and a little foolish.
This movie musical adaptation of Shakespeare's star-crossed lovers is no "& Juliet" " that is, it's no fun.
The immersive production on Governors Island is an attempt to fill the void left by "Sleep No More" and "Life and Trust."
Gibney Company brings an uneven trio of new works to the Joyce: a deft premiere by Childs and dances by Roy Assaf and Peter Chu.
A new work by Axis Dance Company, "Kinematic/Kinesthetic," uses mobility technologies to reshape ideas about moving and about the devices themselves.
Hugh Jackman in "Sexual Misconduct of the Middle Classes" and Maya Hawke in the title role of "Eurydice" " here's what's on New York stages this month.
Caitlin Saylor Stephens's new play imagines a fashion shoot with the gowns Princess Diana rejected for her recent wedding. The models are not amused.
A revival of the sweeping musical will open at Lincoln Center Theater in October, starring Joshua Henry, Caissie Levy and Brandon Uranowitz.
In "Theater Kid," Jeffrey Seller reflects on his Broadway career.
A member of Merce Cunningham's final company, Toogood brings to the job years of experience as a dancer and educator.
"The place where Elphaba and I meet is empathy and advocacy for justice," said Lencia Kebede, who is the first Black actress to play the role full time on Broadway.
"It's the most surreal day ever," the playwright said as he learned the news while getting ready to attend his first Met Gala.
Senior officials announced their resignations after the Trump administration withdrew grants from arts organizations around the country.
When James Joyce's masterpiece faced banning, the American justice system came to the rescue. A new play wonders if it would today.
Saheem Ali's musical, about the goddess of music finding refuge and love at an Afro-jazz club in Mombasa, Kenya, has been nearly 20 years in the making.
