38,664 stories from The New York Times
What is it about Chekhov's melancholy inaction hero that makes him, and the play he stars in, so meaningful at all ages?
"Urban Stomp" at the Museum of the City of New York chronicles the metropolis's social dance. It also invites you to join the party.
On Broadway, the musical adaptation is a bouncy crowd pleaser about female empowerment, self-acceptance and chasing one's dreams.
A truly twisted yarn about a long-lived corpse makes a surprisingly feel-good Broadway musical.
Groff is sensational as the '60s "nightclub animal" in a Broadway bio-musical jukebox that doesn't live up to its star.
The new musical is based on Josefina López's original play and the 2002 film adaptation that starred America Ferrera.
As a young immigrant from the Philippines, he had roles on Broadway in "The King and I" and "Flower Drum Song." He was later a familiar face on TV.
Floyd Collins was pinned under a rock while exploring a cave in 1925. That history, recounted in song, is now on Broadway.
A Broadway remake of the operetta, starring David Hyde Pierce, moves the plot to the Big Easy, where good times roll, even if some jokes don't quite land.
Ryan J. Haddad follows up his Obie-winning "Dark Disabled Stories" with a rom-com.
Smooth floors. Public restrooms. A built-in audience: The lower level of Moynihan Hall doubles as a rehearsal space for a variety of dance groups, including K-pop, salsa and Brazilian Zouk.
The "Sunset Boulevard" star briefly entertained the crowd when "a technical malfunction on the sound side" forced the cancellation of a matinee performance.
On program of New York premieres at the Joyce Theater, Abraham's contribution stands out and so do his dancers.
Les Waters's production for Atlantic Theater Company is marvelously realized, despite the limitations of the play's often maddening script.
In "Floyd Collins," playing a hardscrabble Kentuckian trapped while exploring a cave, the actor finds inspiration in the claustrophobic restrictions.
This Broadway production delivers lots of spectacle as it winds back to the teenage years of Henry Creel, an antagonist from the Netflix series.
Protesters interrupted an all-Balanchine program on the company's spring season opening night, which coincided this year with Earth Day.
One of the most performed and reimagined works of English literature becomes a fourth-wall-breaking musical revue.
Celia Rowlson-Hall's "Sissy" at the Baryshnikov Arts Center, a dance-theater hybrid featuring Marisa Tomei, pokes at the boundaries between art and life.
One of the wonders of this glorious-sounding new Broadway production is how far from claustrophobic this Kentucky cave saga feels.
Alexey Brodovitch, the transformative art director of Harper's Bazaar, made one book, "Ballet," a photographic landmark that has been reprinted for its 80th anniversary.
Usher and Gwen Stefani are among the stars who have shimmied down a "spirit tunnel" on their way to Hudson's couch. Clips with customized hype songs are a sensation online.
In a new book, the Broadway photographer Jenny Anderson captures the craft and camaraderie of making theater.
The Uptown Rhythm Festival will mix styles, including tap, swing and flamenco, that are flourishing despite problems of rehearsal and performance space.
"Glass. Kill. What If If Only. Imp," a new collection of one-acts by the great British playwright, is a cause for celebration, wonderment and grief.
