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2,031 stories from The Theatre Times

Updating "Romeo and Juliet" in a Bid to Fight Prejudice in Japan by Nobuko Tanaka

With William Shakespeare's iconic use of English lost in translation, bold and reimagined versions of his works have long blossomed in Japan, as dramatists have mainly taken inspiration from…

SOURCE: thetheatretimes.com at 11:18pm on February 27, 2020

Filming in Cunningham's Footprints by Katalin Trencsényi

Cunningham Directed by Alla Kovgan "A 3D cinematic experience about legendary American choreographer Merce Cunningham (…) creating a moving and visceral journey through Merce's world" i…

SOURCE: thetheatretimes.com at 12:14am on February 27, 2020

Born Toulouse by Abigail Weil

To find Unmaking Toulouse-Lautrec, you will first enter through the wrong door. The production is being staged at the SoHo bar Madame X, but upstairs; go in through the main entrance and you…

SOURCE: thetheatretimes.com at 12:09am on February 27, 2020

Tim Cowbury's "The Claim" at Shoreditch Town Hall: Quietly Satirical Account of Political Asylum by Aleks Sierz

Your story. Our story. Their story. Just imagine: you're a political refugee, and, having experienced horrible things that happened to your family, you finally, after a lot of trouble, arriv…

SOURCE: thetheatretimes.com at 10:16am on February 26, 2020

"The Chains:" Dance Theatre Uganda Returns with a Bang! by Ian Kiyingi Muddu

We last saw them on stage in 2016. We thought they had gone down the way of most companies " consigned their talents to oblivion. But on February 1st, 2020, Dance Theatre Uganda returned to …

SOURCE: thetheatretimes.com at 2:24am on February 26, 2020

As Fates Would Have It " What We Learn From Minor Players In Greek Tragedies And Hollywood Films by Elodie Paillard

Many will be familiar with the looming presence of Oedipus or Antigone in Classical Greek tragedy. But how many remember the so-called secondary characters (nurses, soldiers, pedagogues) wit…

SOURCE: thetheatretimes.com at 2:06am on February 26, 2020

"Albion" Returns to The Almeida, but Falls Short of Its Political Aspirations by Julian De Medeiros

There is nothing wrong with Albion. But the fact that the play is now 'returning' to the Almeida Theatre, following a successful run in 2017, means that it demands a different level of engag…

SOURCE: thetheatretimes.com at 9:20pm on February 24, 2020

On Guts and Astonishing Effect: Gctc's "Kiinalik: These Sharp Tools" by Aisling Murphy

There's a danger to hasty reaction.  To act on instinct is to perhaps ignore a bigger contextual picture; a gut-reaction, after all, is only as informed as its bearer. Sometimes that i…

SOURCE: thetheatretimes.com at 7:37pm on February 24, 2020

The Art of Condensing Shakespeare's Oeuvre by Nobuko Tanaka

In theater, as in daily life, it is possible to have too much of a good thing. Such was the case with Tempo 12-nen no Shakespeare (Shakespeare in Year 12 of the Tempo Era) by dramatist and w…

SOURCE: thetheatretimes.com at 7:00pm on February 24, 2020

Henrietta Baird's "The Weekend" Proves the Enduring Power of Solo Performance by Caroline Wake

If this year's Sydney Festival is any indication, the monologue is back. So far, I have seen Adam Lazarus's Daughter, Joel Bray's Biladurang, Omar Musa's Since Ali Died, Tara Beagan's Deer W…

SOURCE: thetheatretimes.com at 8:45pm on February 23, 2020

Funny and Fem, "She the People" at the Huntington Theatre Company by Matthew McMahan

Visiting the city of Boston during its national tour, the Second City sketch revue She The People: Girlfriends' Guide to Sisters Doing it for Themselves has landed at the Huntington Theatre …

SOURCE: thetheatretimes.com at 9:37pm on February 22, 2020

"Revenge Song" " A Vampire Cowboys Creation at Geffen Playhouse by Christine Deitner

Okay, my global theatre friends, we admit it " we here in Los Angeles have been missing out.  Sure, yes, we have a lot of wonderful things going for us.  We have the film industry, whi…

SOURCE: thetheatretimes.com at 7:10pm on February 22, 2020

Antoinette Nwandu's "Pass Over" at the Kiln Theatre by Mert Dilek

Antoinette Nwandu's play Pass Over is a palimpsest. Its outer surface looks familiar: haunted by the ever-present threat of a murderous police force, two black men are paralyzed into inactio…

SOURCE: thetheatretimes.com at 3:25pm on February 22, 2020

Screaming, Sweat, and Prizes in "Old School Game Show" at OBERON by Matthew McMahan

One of Boston's long-running interactive theatrical events, now featured routinely at the American Repertory Theater's OBERON theatre in Cambridge, Old School Game Show is a madcap throwback…

SOURCE: thetheatretimes.com at 2:23pm on February 22, 2020

A Hong Konger in Berlin " Armie Ma's "No Coming Back" in Adelaide Fringe Festival by Clement Lee

A one-man show by Hong Kong writer and performer Armie Ma will have its Australian debut in Adelaide Fringe Festival 2020. The show is called No Coming Back, a project conceived solely and p…

SOURCE: thetheatretimes.com at 11:29pm on February 21, 2020

Caryl Churchill's "A Number" at the Bridge Theatre: Family Drama About Genetic Manipulation by Aleks Sierz

Genetic engineering is in the news again. This follows the resignation of Andrew Sabisky as special advisor to Boris Johnson after a twitter storm about his comments on race and intelligence…

SOURCE: thetheatretimes.com at 2:19pm on February 21, 2020

Martin Sherman's "Rose" in Athens by Antigoni Gaitana

She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw's ghettos and a ship called The Exodus, a…

SOURCE: thetheatretimes.com at 12:52am on February 21, 2020

The Market Theatre's "The Lion and The Lamb" is a Symphony of Talent by Tonderai Chiyindiko

The Lion and The Lamb, the biblically-inspired musical which retells the story of Jesus, was conceived and written by multi-award-winning theatre royalty, John Kani and the late Barney Simon…

SOURCE: thetheatretimes.com at 11:34pm on February 20, 2020

Tony Kushner's "The Visit" at the National Theatre by Mert Dilek

Now that's what I call a star turn. Hitting the brakes on an express train, Lesley Manville lands on the National Theatre's Olivier stage surrounded by thick smoke, supported by prosthetic l…

SOURCE: thetheatretimes.com at 11:34pm on February 19, 2020

"Star Odyssey" at MoMA PS1 by Jack Wernick

The VW Dome at MoMA PS1 in Long Island City, Queens is the evocative setting of web-inspired performance Star Odyssey: The Pilot. The show is the creation of Emily Allan and Leah Hennessey, …

SOURCE: thetheatretimes.com at 10:37pm on February 19, 2020

"Van Wyk, The Storyteller of Riverlea:" A Tribute to the Revolutionary Johannesburg Poet by Tonderai Chiyindiko

Van Wyk, The Storyteller of Riverlea based on the life of late writer, political activist and poet Chris Van Wyk, which has just ended at the Market Theatre, is a deceptively brilliant…

SOURCE: thetheatretimes.com at 10:47pm on February 18, 2020

"The Welkin" at The National Theatre by Aleks Sierz

History plays should perform a delicate balancing act: they have to tell us something worth knowing about the past, that foreign country where they do things differently, and also something …

SOURCE: thetheatretimes.com at 10:45pm on February 18, 2020

Why You Don't See Many Black and Ethnic Minority Faces in Cultural Spaces " And What Happens if You Call Out the System by Roaa Ali

Have you ever been to the theatre, looked around, and thought about how predominantly white the audience is? Does the same impression come to mind when visiting museums? If it does and the a…

SOURCE: thetheatretimes.com at 10:34pm on February 17, 2020

Miss Marple Moves to Goa by Vikram Phukan

For fans of the whodunit as gradually unfolding conundrum rather than mere build-up to a climactic masterstroke, an Indian reboot of a British play based on the 1962 Agatha Christie novel,Â…

SOURCE: thetheatretimes.com at 10:29pm on February 17, 2020

"Family Values:" David Williamson's New Uncomfortable, Confronting Play by Ian Maxwell

The newest play from Australia's most prolific playwright sees David Williamson in vintage form. Scenography Sophie Fletcher, set designer for David Williamson's new state-of-the-nation play…

SOURCE: thetheatretimes.com at 10:15pm on February 17, 2020
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