38,459 stories from The New York Times
In this mentalist show, the magician asks his audience: "What is most meaningful to you?"
A play by the Nobel winner Jon Fosse gets a rare staging, but New Yorkers will have to wait a little longer to see a production that captures the Norwegian writer's haunting universe.
A newly restored film adaptation of Amiri Baraka's provocative 1964 play evoking racial and sexual anxiety is showing at the Museum of Modern Art.
Ashley Bouder, the longtime New York City Ballet principal, is leaving with a final performance in "Firebird."
Matthew Gasda directs his new play, which was inspired by Sam Altman's 2023 ouster from OpenAI.
The choreographer Akram Khan's "Gigenis," based loosely on a character in the Mahabharata, represents a kind of homecoming for him.
A violinist plays for her father. A singer takes requests. In hospitals and hospices, bedside performers offer a new kind of care.
The composer who put Anna Nicole Smith's life onstage has a new piece: an adaptation of a cult movie about child abuse.
Workers say the move is overdue, but theater companies fear it will drive up costs in a wounded sector that has yet to recover from the pandemic.
With their Tent Theater Company, Tim Sanford and Aimée Hayes want to raise the profiles of older artists and keep them from being sidelined.
"Everything in the show moves," said Ruthlyn Salomons, whose job for 25 years has been to oversee all the parts, people and puppets of this kinetic musical.
Jellyfish gowns, Old Hollywood suits, tube tops and more.
The legendary actor discusses the prophecy that changed his life, his Oscar snub and his upcoming role starring alongside a "complicated" Jake Gyllenhaal in "Othello" on Broadway.
He had an acclaimed Broadway career in musicals and comedies, but moviegoers knew him mostly as the tall, self-assured, easygoing pal to Mr. Allen's insecure heroes.
Sophocles is suddenly everywhere on the city's stages. In concurrent shows, Rami Malek is playing Oedipus and Brie Larson is taking on Elektra.
Alexei Ratmansky creates a joyful new "Paquita" for New York City Ballet, giving the dancers a classical frame in which to find new versions of themselves.
Matthias Lilienthal will take over running the Berlin playhouse, which has been lurching from crisis to crisis for years.
With the high-energy "I AM," Brown takes her signature interweaving of African diasporic dance forms to new heights.
The Encores! revival of the musical from Mark Hollmann and Greg Kotis seems even more relevant today.
Also onstage in February: Calista Flockhart in a Sam Shepard revival, boldface names in Joy Behar's "My First Ex-Husband" and a marionette made of ice.
Looking for something to do in New York? Enjoy laughs with Liza Treyger, learn about Clara Schumann, or see the Urban Bush Women in a Great Migration love story.
The dance humor in Christopher Gattelli's shows, like "Schmigadoon!" and "Death Becomes Her," is underpinned by affection for musical theater and its excesses.
Eric Vetro is the go-to vocal coach for movies as different as "Maria," "A Complete Unknown" and "Wicked." Jolie says, "Eric helped me to find my voice."
Three new plays onstage in Manhattan, "Kowalski," "Mrs. Loman" and "Nina," mine treasures of theater history.
The company, founded in 1984, has struggled with finances since the pandemic.
