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2,031 stories from The Theatre Times

Static Electricity: Beckett at Under the Radar by Jonathan Kalb

"Static" is one of those words from which most artists recoil. It's typically used for something felt to be listless, inert, and boring. In fact, physical stasis is an artistic tool, or at l…

SOURCE: thetheatretimes.com at 9:51pm on February 5, 2020

"HEN," Gender Fluid Puppetry at The Mouffetard " Théâtre des Arts de la Marionnette, Paris by Marisa C. Hayes

HEN. Johanny Bert " Théâtre de Romette. January 22, 2020. Le Mouffetard " Théâtre des Arts de la Marionnette, Paris, France "If you allow me the time to exist, everything will be …

SOURCE: thetheatretimes.com at 12:22am on February 5, 2020

Cold Refreshing Identity: "Take d Milk, Nah?" A Bold and Necessary Success at the National Arts Centre by Aisling Murphy

The National Arts Centre's website calls Jivesh Parasram's Take d Milk, Nah? a "highly-hyphenated story about the search for identity." This is certainly the case: Parasram's burst ont…

SOURCE: thetheatretimes.com at 11:13pm on February 4, 2020

"Les Misérables" at Sondheim Theatre by Aleks Sierz

Do you hear the people sing? In recent months, you're more likely to have heard news stories about the longest running West End musical than the actual music. Stephen Sondheim " who celebrat…

SOURCE: thetheatretimes.com at 9:54pm on February 4, 2020

Perspectives of Hungarian Creative Producer " Sylvia Huszár by Ivanka Apostolova Baskar

Sylvia Huszár is a Hungarian independent theater producer with an international background, a theater theoretician and a translator. She has been working with contemporary theaters for mo…

SOURCE: thetheatretimes.com at 12:19am on February 4, 2020

A Light in the Dark: "Unikkaaqtuat" a Joyful, Moderate Success at Ottawa's National Arts Centre by Aisling Murphy

From the pre-show announcement, we know we won't catch all that is said onstage during Unikkaaqtuat; in being honest, we won't have to. In freeing ourselves from the tethers of language-a…

SOURCE: thetheatretimes.com at 10:05pm on February 3, 2020

Business Ethics Takes Center Stage by Liffy Thomas

A theatrical performance by the Association of Chartered Certified Accountants grapples with the subject; the show is set to travel to many parts of the country Two junior associates at a la…

SOURCE: thetheatretimes.com at 12:19am on February 3, 2020

"Lady Tabouli" Review: A Hilarious Comedy About Suffocating Expectations by Cherine Fahd

Review: Lady Tabouli, directed by Dino Dimitriadis, National Theatre of Parramatta for Sydney Festival. In Australia in 2020, it's hard to think homosexuality is still viewed as a sin and a …

SOURCE: thetheatretimes.com at 9:19pm on February 2, 2020

Bard or Blockbuster by Aleks Sierz

Theatre is a business as well as a craft. And surveys about theatre often have a business side to them. So a recent survey about how many Shakespeare quotations members of the general public…

SOURCE: thetheatretimes.com at 10:04pm on February 1, 2020

Chekhov's "Uncle Vanya" at the Harold Pinter Theatre by Mert Dilek

The wilting characters of Uncle Vanya would like us to believe that their scenes from country life should not amount to much, except, perhaps, for an endless succession of tedious trifles. T…

SOURCE: thetheatretimes.com at 9:40pm on January 31, 2020

Janice Okoh's "The Gift" at the Theatre Royal Stratford East: Complex and Powerful Account of Race and Empire by Aleks Sierz

Queen Victoria is a strong symbol of the old British Empire. For some 200 years, up to the 1950s, the country's colonial history dominated the national mindset, and arguably we still live in…

SOURCE: thetheatretimes.com at 8:29pm on January 31, 2020

Stripping and Getting Personal: Catharsis and Medical Performance by Alex Mermikides

This excerpt is taken from the concluding chapter of Performance, Medicine and the Human, a book on contemporary medical performance. The author examines one example of medical performance "…

SOURCE: thetheatretimes.com at 11:07pm on January 30, 2020

Three Houston Theatres Collaborate to Produce Quiara Alegría Hudes' "Elliot" Trilogy by Trevor Boffone

How often do audiences in a given city get the chance to see a full body of work by a single living playwright in the span of just one month? When this does happen, how often is the playwrig…

SOURCE: thetheatretimes.com at 10:17pm on January 30, 2020

"Goldberg Variations" by Aerhee Lee

Within moments of the opening bars of Kit Armstrong's rendering of Bach's Goldberg Variations at the Walter Reade Theater on November 10th, I knew I was bearing witness to a truly special pe…

SOURCE: thetheatretimes.com at 10:49pm on January 29, 2020

"Lady With a Hat:" Interview with Maša Ogrizek by Ivanka Apostolova Baskar

MaÅ¡a Ogrizek (1973), a university graduate in Sociology of Culture and a philosopher, has been self-employed in culture as a critic and writer since 2008. She has published book review…

SOURCE: thetheatretimes.com at 10:20pm on January 29, 2020

"Black Drop Effect:" Indigenous Voices Offering New Historical Perspective by Amanda Harris

Review: Black Drop Effect, directed by Felix Cross for Sydney Festival Aboriginal and Torres Strait Islander readers are advised this article contains names of deceased people. Nardi Simp…

SOURCE: thetheatretimes.com at 9:37pm on January 28, 2020

"The White Album:" Finding Community and Solidarity in Joan Didion's Play Adaptation by Karen Cummings

We tell ourselves stories in order to live. " Joan Didion, The White Album Theatre can be many things. It can provide a catalyst to action, help us make sense of the world, make us feel p…

SOURCE: thetheatretimes.com at 8:32pm on January 28, 2020

"El Círculo" Review: The Vulnerability of Process as Performance by Mary Allison Joseph

El Círculo will have another run in this month's Santiago a Mil festival. This review is of a performance on June 9, 2019, at Matucana 100, Santiago de Chile.   With projections, pu…

SOURCE: thetheatretimes.com at 11:48pm on January 27, 2020

Lori Klinger from Rosie's Theater Kids on Merging Passions and Arts Education by Holly Rosen Fink

There are angels in New York City who are teaching the arts to kids, and Lori Klinger is one of them. She co-founded Rosie's Theater Kids (RTKids) in 2003 with the help and support of Rosie …

SOURCE: thetheatretimes.com at 10:53pm on January 27, 2020

Alana Dietze is in Search of Transcendental Feelings and Solutions to Problems by Jessica Doherty

Alana Dietze is an actress and director in Los Angeles. She is a company member and literary manager of the Echo Theater Company. As an actress, she has appeared on stage and on screen in bo…

SOURCE: thetheatretimes.com at 3:36am on January 27, 2020

The Case for "Hadestown" by Aisling Murphy

To escape the mundanity of our own everyday. To revel in the ephemerality of storytelling. To imagine, to empathize, to learn, to transmit. The reasons we still attend, enjoy, and review the…

SOURCE: thetheatretimes.com at 3:31am on January 27, 2020

Doyen of Marathi Theatre Shriram Lagoo Left Behind A Mark Few Could Rival by Vikram Phukan

A staged legacy: Doyen of Marathi theatre, Shriram Lagoo gave life to political plays, worked in women's welfare and left behind a mark few could rival. Although widely acknowledged as a doy…

SOURCE: thetheatretimes.com at 3:30am on January 27, 2020

2019 Kenyan Theatre Award Winners by Alexander Nderitu

The 6th Edition of the Sanaa Theatre Awards took place in Nairobi city on December 17th, 2019. Sanaa Theatre Awards, founded by journalist and playwright George Orido in 2013, is Kenya's onl…

SOURCE: thetheatretimes.com at 11:27pm on January 25, 2020

"Ellen West" at The Prototype Festival by Abigail Weil

Two embarrassing conditions unsettled me at the top of Ellen West, the new opera by Ricky Ian Gordon based on the poem of the same name by Frank Bidart: I had to cough, and I was hungry. The…

SOURCE: thetheatretimes.com at 11:18pm on January 25, 2020

"The Fifth Act" or Theatrical Requiem with Niko Gorsic by Ivanka Apostolova Baskar

Niko Gorsic is a Slovenian actor, performer, and theater director working under the pseudonym "Nick Upper". He is also a writer, journalist, editor, and a dance and art critic. In the year 1…

SOURCE: thetheatretimes.com at 1:48am on January 25, 2020
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