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2,031 stories from The Theatre Times

Rachel Pickup on Her Role in "London Assurance" at NYC's Irish Repertory Theatre by Holly Rosen Fink

Rachel Pickup is currently playing Lady Gay Spanker in London Assurance, written by Dion Boucicault and directed by Charlotte Moore. The show, which is playing at the Irish Repertory Thea…

SOURCE: thetheatretimes.com at 1:04am on January 12, 2020

"Touching the Void" at The Duke of York's Theatre by Aleks Sierz

Theatre can touch thousands of lives. But can it compete with the success of a bestselling book? First published in 1988, mountaineer Joe Simpson's Touching the Void has apparently sold more…

SOURCE: thetheatretimes.com at 11:43pm on January 11, 2020

Kitchen Aromas and Angels with Water Guns: Japanese Visual Storytelling Comes Alive at OzAsia by Maggie Ivanova

Review: The Dark Master and Totes Adorbs ♥ Hurricane, OzAsia Festival, Adelaide, 22 October " 8 November In theatre, the play text tends to drive the storytelling. The interpretation o…

SOURCE: thetheatretimes.com at 11:39pm on January 11, 2020

An Interview with Romanian-Born, Award-Winning Playwright, Poet and Scholar Saviana Stănescu by Diana Benea

In the past five months, Romanian-born award-winning playwright, poet, and scholar Saviana Stănescu has been in residence at the National Museum of Romanian Literature in Bucharest to wor…

SOURCE: thetheatretimes.com at 2:04am on January 11, 2020

"A Kind of People" at The Royal Court by Aleks Sierz

The trouble with prejudice is that you can't control how other people see you. At the start of her career, playwright Gurpreet Kaur Bhatti's work was set in her own Sikh community. But, like…

SOURCE: thetheatretimes.com at 12:27am on January 11, 2020

"Trojan Horse" at the Battersea Arts Centre by Aleks Sierz

Media hysteria needs good branding. So when in March 2014 an email letter was leaked to the press, claiming to be by Islamist extremists and detailing how to take control of several Birmingh…

SOURCE: thetheatretimes.com at 9:47pm on January 9, 2020

Top-Searched Musicals in Africa by Alexander Nderitu

Methodology The most-searched-for musicals in Kenya, online, are High School Musical, The Lion King and Hamilton, respectively. This is according to a recent report by TicketSource. The rese…

SOURCE: thetheatretimes.com at 2:29am on January 9, 2020

Enter Ghost: China's Growing Obsession With Immersive Plays by Hannah Lund

Mythic Stories of Fanling Township is the latest production to tap into Chinese theatergoers' craving for interactive and unique cultural experiences. Liaoning, Northeast China " A man in ra…

SOURCE: thetheatretimes.com at 2:25am on January 9, 2020

Between Freedom and Manipulation: The Situation of Actors in "Factory 2 by Monika Kwaśniewska

Since I will be recalling many other voices, I will start, somewhat pretentiously, with my own, in order to create a field for further narration. My adventure with Krystian Lupa's Factory 2 …

SOURCE: thetheatretimes.com at 12:46am on January 8, 2020

The Democracy of a Whale Ship (and then a Vaudeville) by James Montaño

Moby-Dick at the American Repertory Theater in Cambridge, MA For those who are not familiar with the narrative construction of Herman Melville's classic text, Moby-Dick, the novel encycloped…

SOURCE: thetheatretimes.com at 12:25am on January 8, 2020

"The Arrival" at The Bush Theatre by Aleks Sierz

Family dramas are a staple of British new writing, but as well as talking about our nearest and dearest, can they also say something about the wider society? The Arrival, by the director, tu…

SOURCE: thetheatretimes.com at 12:56am on January 7, 2020

The Year That Musicals took on Japanese Stages by Nobuko Tanaka

As the curtain falls on 2019's theater scene in Japan, a continuing rise in the popularity of musicals now sees them clearly positioned at the center of the country's entertainment mainstrea…

SOURCE: thetheatretimes.com at 12:54am on January 7, 2020

Egypt's Play "Collar and Bracelet" Wins Best Performance at Carthage Theatre Days, Tunisia by Ati Metwaly

Egyptian play Collar and Bracelet, directed by Nasser Abdel-Moneim, won the best performance at Tunisia's Carthage Theatre Days (Journées théâtrales de Carthage), the 21st edition of wh…

SOURCE: thetheatretimes.com at 12:51am on January 6, 2020

The Dramaturgy of "The Banquet at elBulli" by Clement Lee

This excerpt of the article is originally written in Chinese by the author. Full article will be published in the programme of the performance. English Translation: Konstance Li Postcolonial…

SOURCE: thetheatretimes.com at 12:04am on January 6, 2020

"Rhinoceros" by Eugène Ionesco: A Novella by Darie Ducan

Rhinoceros (1959) is one of Eugène Ionesco's best-known plays, one of the plays with which the great Romanian-French playwright made an iconic name for himself in the history of theatre,…

SOURCE: thetheatretimes.com at 11:47pm on January 4, 2020

"Queen-Size:" Blurring the Lines Between Public and Private by Aprameya Manthena

Single Performance: Queen-Size, by Sandbox Collective, a dance-performance at Spaces, Chennai, December 2016. In the wake of the Supreme Court's understanding of homosexuality under Secti…

SOURCE: thetheatretimes.com at 11:27pm on January 4, 2020

Willy Tsao: Hong Kong's Dance Pioneer Embraces the Mainland by Simon Cartledge

If anyone is responsible for Hong Kong's contemporary dance scene, it's Willy Tsao. Forty years ago, he persuaded his family to give him HK$500,000 and the use of some unneeded factory space…

SOURCE: thetheatretimes.com at 1:19am on January 4, 2020

"Macondo" in New York: Russian Theater Brings Márquez's Epic to Life by Victoria Zavyalova

A thread of life and blood, unconditional love and death, incest and destiny all interconnect in The Rise and Fall of Macondo, a performance inspired by Gabriel García Márquez' masterp…

SOURCE: thetheatretimes.com at 12:55am on January 4, 2020

Teatr Brama's "Ghost Dance" by Sarah Magill

In the main Sala of the Vorpommen Theater in Greifswald, northern Germany, a row of bare-footed actors in simple clothing introduce themselves, one by one, to the audience. Their reserved po…

SOURCE: thetheatretimes.com at 4:16am on January 3, 2020

Re-visiting Sartre with a Pacific twist: "Uma Lava" by Victor Rodger by David O'Donnell

Uma Lava by Victor Rodger, Circa Theatre, Wellington. 23 November " 7 December 2019. Directed by Vela Manusaute. Produced by F.C.C. Playwright Victor Rodger writes from a Polynesian persp…

SOURCE: thetheatretimes.com at 4:12am on January 3, 2020

"Bella Ciao" and The Revolutionary Iraqi Theatre Group by Mustafa Habib

A group of young volunteers in northern Iraq produced the slick Bella Ciao music video because they couldn't join anti-government protests themselves. There have been a variety of artistic c…

SOURCE: thetheatretimes.com at 6:29pm on January 2, 2020

Interview: President of Alexandria Theatre Festival on Bridging Gaps Between Academia and Theatre Practitioners by Ati Metwaly

Alaa Abdel Aziz, president of the Alexandria Arab Theatre Festival for Specialised Institutes and Colleges, shared his views on the inaugural edition, mission and plans ahead. When I met Ala…

SOURCE: thetheatretimes.com at 4:17am on January 1, 2020

"Shakespeare's Will" at Quantum Theatre, Pittsburgh PA, USA by Wendy Arons

When William Shakespeare died in 1616, he left behind dozens of plays and hundreds of poems, but little other than a last will and testament to shed light on his personal life. That document…

SOURCE: thetheatretimes.com at 11:00pm on December 31, 2019

My Ability to Dance and Sing Has Played a Big Role in My Career " Dalma by Takudzwa Chihambakwe

She is daring, adroit and has amazing stage presence. Whenever she is part of the cast, she gets theatre enthusiasts lining up to the ticket booth in anticipation. Her name is Dalma Chiwerev…

SOURCE: thetheatretimes.com at 1:42am on December 31, 2019

Bringing the Actor to the Brink of This Immense Abyss: An Interview with Christiane Jatahy by Christiane Jatahy

Created and directed by Christiane Jatahy, E se elas fossem para Moscou? is comprised of two versions, always displayed simultaneously: the theatre one, in which the audience watches the sta…

SOURCE: thetheatretimes.com at 1:25am on December 31, 2019
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