38,664 stories from The New York Times
With a revival starring Paul Mescal and Patsy Ferran in Brooklyn, a look at the carefully weighted balance that actors playing Blanche and Stanley need to strike.
Desire comes a distant second to violence in a Brooklyn revival of the Tennessee Williams classic.
Nia Akilah Robinson's new play, for Soho Rep, digs into an ugly historical practice.
In "Sizwe Banzi Is Dead" and other works, bearing witness to forgotten lives and to the moral blindness and blinkered vision of the realities of apartheid South Africa.
Tharp celebrates her 60th anniversary as a dance maker with a program pairing the monumental "Diabelli" (1998) and the new "Slacktide."
In dance, a wordless art, an improvised language of rhythmic noises helps communicate the shape and feel of movement.
Jason Zinoman started writing about comedy for The New York Times in 2011, when the world of stand-up and improv looked a little different.
Ibsen's scathing drama about medical and moral contagion gets a high-sheen Off Broadway staging starring a riveting Lily Rabe.
The deal will be scrutinized by New York's other Off Broadway theaters, which the International Alliance of Theatrical Stage Employees has been working to unionize.
A new play about a group of college students putting in one last study session evokes recent stories about young women, but without the well-rounded characters.
The donation from two philanthropists will support performances, commissions and young artists, at a time of uncertainty for the dance industry.
The new play, "Call Me Izzy," will begin previews in May and open in June at Studio 54.
Now in previews, the musical comedy about an outrageous World War II spy mission is working to adjust to the particular sensibilities of its New York audience.
In works that included "Blood Knot," "Sizwe Banzi Is Dead" and "The Island," he exposed the realities of racial separatism in his homeland.
A production partly aimed at students that highlights Tampa's history in the civil rights movement lands at a time when the state is changing what schools teach about race and history.
The play's cast members wrestle, slap and toss one another in ambitiously choreographed fight sequences that took months of training to learn.
Thanks to Blanchett's charismatic turn as a fading actress, this new Chekhov adaptation in London hangs together in spite of Thomas Ostermeier's antics.
Batsheva Dance Company's performance of Ohad Naharin's masterful "Momo" at the Brooklyn Academy of Music was inevitably colored by events in Israel and Gaza.
Underwater drama, a daunting solo undertaking, a gaggle of students and a version of "The Cherry Orchard" that aims to recapture Chekhov's winking tone.
Underwater drama, a daunting solo undertaking, a gaggle of students and a version of "The Cherry Orchard" that aims to recapture Chekhov's winking tone.
Tim Curry and colleagues recall the musical's misadventure at the Belasco Theater in 1975.
The Roundabout Theater Company will also present Noël Coward's "Fallen Angels," starring Rose Byrne and Kelli O'Hara.
The lawsuit seeks to block a new rule that requires groups applying for grants from the National Endowment for the Arts to agree not to promote "gender ideology."
Anne Imhof's three-hour spectacle of moody youth at the Armory is sweet sorrow, full of moping and muttering. Still, almost despite itself, it points to true art.
An Off Broadway play opens a window on the spiritual and physical trials of the ancient Japanese sport.
