King John - Reviewed by RON COHEN
While the play is not one of Shakespeare's greatest hits, it takes shape in this production as a lively and involving epic with present-day relevance.
While the play is not one of Shakespeare's greatest hits, it takes shape in this production as a lively and involving epic with present-day relevance.
This world premiere English translation of an award-winning Japanese play is almost too hip for its own good.
An original yet recognizable community in contemporary Harlem comes blazingly alive in this one-person but multicharacter show by writer-performer Daniel Beaty.
When the whole audience joins in to chant "I Will Survive," you realize that "Girls Night: The Musical" is not just a silly bachelorette-flavored night on the town. It's a rally.
An ensemble of indefatigable A-list troupers works valiantly-and often quite successfully-to create hilarity in this silly modern-day farce.
Classic Stage Company gets lost in the 'Forest' with an uneven production of Alexander Ostrovsky's rarely performed 1870 comedy.
Literalism trumps naturalism in this heartfelt but ultimately wearisome docudrama about a troubled Guatemalan teenager who enters the U.S. illegally.
Director Jonathan Demme is stuck in cinema mode for his theatrical debut, and Beth Henley's 75-minute script feels like a first draft.
In "Milk," Emily DeVoti examines what we lose when we choose to homogenize both our milk and, in a bit of a metaphorical stretch, our lifestyles.
For a prime example of the sci-fi spectacle dance-party play genre, look to the Management and Horse Trade Theater Group's production of Joe Tracz's "Song for a Future Generation."
Kate Moira Ryan's standup writing roots show through in this scattershot attempt at screwball comedy.
Original and surprising, Anton Dudley's intelligent drama about young people searching for their place in the world is an unmitigated, invigorating joy.
My Hungarian relatives always told me to stay away from gypsy matchmakers. Apparently, neither Norm Foster, playwright of "The Love List," nor Boo-Arts, who is currently presenting it, ever …
If this two-and-a-half-hour piece relates to your specific experience of growing up, you will enjoy its music, humor, and pathos of recognition; if not, the holes in the patchwork quilt may …
Though Bathsheba Doran's writing is sharp enough to sustain interest from moment to moment, in the end this compact 75-minute work (including intermission) seems incomplete, as if it wants s…
Sherie Rene Scott wraps up the 2009-10 Broadway season and saves Roundabout's schedule with a moving and wry self-examination.
If you had the chance to kill Hitler or Stalin when they were young men, would you have taken it?" That's the hypothetical question at the heart of The Last Supper, the latest production from Rising Sun Performance Company. Unfortunately, the answer provided by Dan Rosen's play is confused.
Despite two relatively recent Off-Broadway productions of the play, Linda Lavin breathes new life into Donald Margulies' two-hander about a veteran writer and her protégé.
This mirthful pastiche of down-home flag-waving comes by way of Anne Bogart and Robert Rauschenberg.
French playwright Jean Genet never aimed to make his audiences feel comfortable, and this production carries out his intentions admirably.
Crystal Skillman has written a formidable rumination on torture that spans two time periods.
Maybe it's not so surprising that the Young@Heart Chorus' End of the Road could make you laugh or cry. But it can also make a full crowd dance.
Lucy Prebble's new play is like a big, shiny, beautifully wrapped package that once eagerly ripped opened reveals a horde of Styrofoam peanuts through which you search vainly for the anticip…
Denzel Washington is magnificent in the role indelibly created by James Earl Jones, and the astonishing Viola Davis matches him every step of the way. Director Kenny Leon delivers a deeply m…
Director Reid Farrington's latest video-theater piece is as entertaining and enchanting as a murder mystery of Hitchcockian standards.