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289 stories from City Paper (Philadelphia)

The Forest for the Trees - REVIEW: Wilma Theater's Macbeth by Mark Cofta

While effort to thoughtfully examine the text is matched by a respect for the play as ghost story and psychological thriller, neither constitutes a consistent or unifying vision, and the pla…

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Where's the Beef? - REVIEW: Arden Theatre Co.'s Threepenny Opera by David Anthony Fox

What is it about the word "Brechtian" that makes me want to reach for a gun?

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Out, Damned Spot! by A.d. Amorosi

Sans her longtime collaborator, Blanka Zizka takes on a new partner: Shakespeare.

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

The Good Ol' Days by David Anthony Fox

It's a small miracle that Kander and Ebb's Curtains ever made it to Broadway.

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Supernatural Selection: Ghost-Writer at Arden Theatre Co. by Mark Cofta

Hollinger's intimate, powerful work — given a superb Arden Theatre Co. production by director Jim Christy — uses supernatural mystery to explore creative inspiration.

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Mauck 'Em Dead by A.d. Amorosi

With a hefty grant from Temple, a fledgling theater company gets its wings.

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Death Cabaret for Cuties by Holly Otterbein

Swellco & Swellco are biting chickens and killing hookers at the end of the world.

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Two's Company by Mark Cofta

A new wave of theater bucks the economic trend.

SOURCE: City Paper (Philadelphia) at 5:58pm on May 25, 2015

Theater review: Stick Fly by David Fox

Hats off to Arden Theatre " with Stick Fly following its highly praised production of Parade, and its Hamilton Family Arts Center soon to open down the block, this company is firing on all c…

SOURCE: City Paper (Philadelphia) at 8:39am on November 7, 2013

Theater review: Cock by David Fox

The ballsy title suggests there will not be much beating around the bush (OK, I'll stop now), but in the end, Cock is surprisingly tame.

SOURCE: City Paper (Philadelphia) at 8:47am on October 31, 2013

Theater review: Hamlet/She Stoops to Conquer by Mark Cofta

Both prove eminently watchable, and the rotation provides extra benefits. If you see one, be sure to see the other; repertory celebrates actors' talents, showcasing them playing two disparat…

SOURCE: City Paper (Philadelphia) at 8:44am on October 31, 2013

Theater review: Blink by David Fox

Inis Nua produces the American premiere of Phil Porter's gentle and sweet play, which previously was well-received at the 2012 Edinburgh Fringe Festival.

SOURCE: City Paper (Philadelphia) at 9:18am on October 17, 2013

Theater review: Romeo and Juliet by Mark Cofta

Curio's "lesbian" Romeo and Juliet"in which a woman plays Romeo not as a pants role but as an actual female character"will disappoint those expecting an overt political statement.

SOURCE: City Paper (Philadelphia) at 9:16am on October 17, 2013

Bye Bye Liver brings together theater and drinking by Caroline Russock

Equal parts sketch comedy and interactive drinking game, Bye Bye Liver is the kind of performance that speaks to folks who are more comfortable sidling up to the bar than being ushered to a …

SOURCE: City Paper (Philadelphia) at 2:29pm on September 5, 2013

Is Fringe still fringe? by Mark Cofta

Fringe has been evolving steadily since its beginnings as a five-day theater, dance, music and visual-art festival in Old City. It's grown in performances, days and locations, bursting out o…

SOURCE: City Paper (Philadelphia) at 2:27pm on September 5, 2013

Pulling Back the Mask on Aaron Cromie, Philly's Puppet Master by Shaun Brady

More than 20 faces stare up at Aaron Cromie, each frozen into an exaggerated, often grotesque expression. One registers surprise, another dismay, still others confusion, elation or outrage. …

SOURCE: City Paper (Philadelphia) at 11:27am on August 1, 2013

Holiday in Cambodia by David Anthony Fox

InterAct's Some Other Kind of Person sometimes hits the target on self-interested Helping The Less Fortunate.

SOURCE: City Paper (Philadelphia) at 5:36am on June 20, 2013

Icepack by A.d. Amorosi

For a couple weeks now, I've been Ice-packing about what Philly's top-notch theater lasses will be up to in the immediate future. Deborah Block " one of the Fringe Fest's original fire-start…

SOURCE: City Paper (Philadelphia) at 12:20pm on June 13, 2013

Uncle Tom's Draggin' by Mark Cofta

EgoPo's controversial casting swap of black and white actors turns out a drab gray.

SOURCE: City Paper (Philadelphia) at 6:11am on June 6, 2013

A Take on Sondheim's Scandinavian Operetta Falls Flat by David Anthony Fox

When A Little Night Music premiered on Broadway in 1973, it took Sondheim fans by surprise. The composer-lyricist was famous as an acerbic observer of contemporary life; this show's period s…

SOURCE: City Paper (Philadelphia) at 6:09am on June 6, 2013

New Wrestling Play Hits Where It Hurts by Mark Cofta

Classic wrestling " with its iconic costumed characters, frothing proclamations and cartoonish violence " seems a tired topic for satire. And, in fact, that's not Adam Rapp's intention in Am…

SOURCE: City Paper (Philadelphia) at 6:08am on June 6, 2013

Take Back Your Kink by David Fox

The script of BDSM fantasia Venus In Fur only goes skin deep.

SOURCE: City Paper (Philadelphia) at 5:57am on June 6, 2013

The Race-Swapped Uncle Tom's Cabin by Emily Guendelsberger

A white Mammy. A black Simon Legree. Is Philly ready?

SOURCE: City Paper (Philadelphia) at 5:47am on May 30, 2013

In Old Age, Three Zany Veterans Plot Their Grand Escape

Mark Cofta reviews Heroes at the Lantern.

SOURCE: City Paper (Philadelphia) at 5:40am on May 30, 2013

Bootycandy's Unabashed Sex Talk Is Not For the Faint of Heart

David Anthony Fox reviews Robert O'Hara's very adult play.

SOURCE: City Paper (Philadelphia) at 5:39am on May 30, 2013
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