6,572 stories from HowlRound
By . The end of the world has arrived, and three people are the sole survivors.
By Lauren Halvorsen. In its second and final year, the Artistic Caucus aimed to integrate its collaborative model into the workflows and budgets of four theatres while providing freelance ar…
By Yura Sapi, Alex Meda. Alexandra Meda, founder of Culture Change Lab, discusses mediation and facilitation at various predominantly white organizations, and championing change work on the …
By Maridee Slater. Maridee Slater invites theatremakers to think beyond graduate school credentials and gatekeepers to preserve the embodied practices that allow us to see each other and col…
By . This year's theme, What Sustains Us: Directing Beyond the Industry's Limits, Cultivating a Joyful Practice, invites artists to reflect on and reimagine how to build sustainable, liberat…
By . The 2025 Edwin Booth Award honors a person, company, or organization whose work bridges professional and academic theatre.
By Yura Sapi, Nadia Garzón. Nadia Garzón, founder and executive director of Descolonizarte Teatro in Orlando, Florida, prioritizes a decolonial arts practice by uplifting Latinx, queer…
By Lizzie Rajchel. The creators of After, There Will Be Flowers want to shift the narratives of intimate partner violence from perpetration to healing.
By Sophie Pell. Pub theatres bring theatre to communities in the United Kingdom through the combined business model of a performance venue and pub.
By Yura Sapi, R. Réal Vargas Alanis. R.
By . A two-day gathering focused on building collective support for artists in the US amid persecution, crisis, and conflict.
By . Acting Out revolves around the relationship between the artist and his body on stage, inspired by the revolutionary ideas of Esther Magyar-Gonda, a reference name in Romanian dance.
By . Imagine what an expanded Creative Europe might look like.
By Yura Sapi, Theresa Chavez. The founder of About…Productions, Theresa Chavez, highlights the role of the arts in enlightening and moving people and centers equity in her theatre work and…
By . Assuming the discourse of the inner voice"which becomes moralizing when things go wrong"the performance focuses on the internal confusion produced by the distortion of perception throug…
By Joe LaRocca. This is a call for diversity, equity, and inclusion in pit orchestra hiring.
By Robert Hubbard. The Commonweal Theatre Company acts as a model for thriving theatre in a rural setting.
By Yura Sapi, Ron Himes. Founder of the Black Rep, Ron Himes, was an arts patron as a young man turned theatre founder.
By Jayme Kilburn. Since her arrival at a small liberal arts college in Kentucky, Jayme Kilburn has grown its theatre program into a valued local cultural institution.
By . Bringing together cultural workers, organizers, and artists across movements to share models, experiences, and stories about what is working and how we can build power towards a shared …
By Tiến Nguyễn. In Ryan "Oki" Naka's hands The Golden Girls are reinvented as "The Golden Gays": four queer Hawaiians navigating middle age in Waikiki Beach.
By Kristin Marting. The founders of HERE Arts Center gather to share their founding story and insights about the field's evolution, and to kick off Kristin Marting's new project TORCHES: a m…
By Jonathan Mandell. Xhloe and Natasha made Edinburgh Festival Fringe history with three consecutive award-winning shows, but even the most successful Fringe acts struggle to break even.
By Yura Sapi, Chels Morgan. Chels Morgan, founder of Intimacy by Chels Morgan, speaks on accessibility within theatre spaces for nueroexpansive and disabled folks, creating your own opportun…
By Jordan Schildcrout. Lass uns die Welt vergessen: Volksoper 1938 stages Austria's fascist past, reckoning with the ghosts of Nazism and their legacies.
