The Individual and the Collective
By Jan Cohen-Cruz. This episode takes a closer look at the interplay of particular participants and group dynamics in the workshops.
By Jan Cohen-Cruz. This episode takes a closer look at the interplay of particular participants and group dynamics in the workshops.
By Martin Boross, Tara Khozein, Jeremy Eaton, GG Griffith. How do our own needs inform and drive our work with community?
By Artist Caregiver. This month's diarist is a dramaturg with a full-time job at an arts service organization and a toddler at home.
By Artist Caregiver. This month's diarist has two kids under five and two jobs in different states. When a parent needs her, too, she begins to grapple with the added strain "sandwich genera…
By Ramona Rose King, Anne G. Morgan. To celebrate the launch of I Don't Know How They Do It!, column curator Anne G.
By Jan Cohen-Cruz. The different prison theatre workshops get started.
By Israel Wekpe, Eseovwe Emakunu. Every four years, Catholic seminaries across Nigeria come together for the All Saints Seminary Festival of Arts and Culture, which features theatre rooted i…
By Kristin Marting. Paul Pinto creates multi-disciplinary music, opera-theater, installation and performance, sometimes with his longtime friends thingNY and Varispeed.
By Kristin Marting. David Herskovits is the founding artistic director of Target Margin Theater (TMT).
By Tara Khozein, Martin Boross, Matthew Glassman, Wanda Strukus. How can theatre artists enter a space as outsiders and create work there in a way that does not fall into our habits of colon…
By Jan Cohen-Cruz. What leads people to prison theater workshops?
By . An online conversation in partnership with artEquity that is connecting art service organizations and leadership who have shaped the arts ecosystem.Â
By . An online conversation reconnecting artists, activists, and organizations who have shaped the MENA and SWANA theatre legacy.
By . A conversation supporting college students as they transition into the professional theatre field.
By . A conversation honoring the Consortium of Asian American Theaters and Artists (CAATA)'s origin story and evolution.Â
By Ash Marinaccio, Veronika Skliarova. Ash Marinaccio and Ukrainian theatremaker Veronika Skliarova discuss how documentary theatre is preserving testimony, fostering resilience, and buildin…
By Kristin Marting. Eisa Davis is a performer, composer, and writer.
By Martin Boross, Tara Khozein, Sandy Timmerman, Apollo Garcia Orellana. What's the point of entering the rehearsal room without a plan?
By Ash Marinaccio, Zoe Lafferty. Ash talks with Zoe Lafferty, founder of Artists on the Frontline, about artist-led citizen journalism in Palestine's Jenin refugee camp and the role of polit…
By Kristin Marting. Basil Twist is an award winning puppeteer (including MacArthur and Rome prizes) and director of HERE's Dream Music Puppetry Program.
By . This energizing gathering convenes global arts leaders, cultural innovators, and a vibrant community of more than 350 professionals to explore bold ideas for strengthening the live and …
By Martin Boross, Tara Khozein, Diana Delgado, Hope Orange. What makes us want to immerse, and what makes us want to flee?
By Munroe Forbes Shearer. In May 2025, the International Presenting Commons (IPC) convened to discuss the state of international cultural exchange.
By Jamie Gahlon. Outgoing HowlRound director Jamie Gahlon reflects on fifteen years of commons-based learning, organizing, discourse, and gathering with HowlRound Theatre Commons.
By Shereen Saif. Mrichchakatikam (The Little Clay Cart) is known globally, but it had never been performed in Koodiyattam until this year. Shereen Saif reflects on G.