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Jesse Eisenberg's slow-boiling new work layers cringe comedy with moments of pathos.
Sam Shepard's bleak family saga is handled capably by this ensemble.
The Irish Rep presents the final piece of its ambitious Sean O'Casey Season.
The Prom and Tootsie are among the highlights on offer for anyone visiting the Great White Way.
Despite great songs, this revival of an old story is full of missteps.
This well-oiled exercise in classic farce lacks that special sauce.
A wonderfully inventive productive balances gore, humor and pathos exceedingly well.
Tony nominations have been announced, with Hadestown leading the field with 14 nods.
The action sequences fail to make up for what is a mostly dull production.
This new musical version of the film focuses on mayhem and humor, less so on plot.
This exciting new musical takes the audience on an intoxicating journey to the Greek underworld.
Halley Feiffer's semi-autobiographical dark comedy looks at the ways one can fall victim to toxic masculinity.
James Graham's bracing play about tabloid journalism is full of terrific performances and excitement.
The film's sweeter charms and magic have gone missing in this transfer to the stage.
Taste is not a strong point in this spoof of Anglo-American relations mid-WWII.
Arthur Miller s play about risking lives in exchange for corporate profiteering has not lost its relevance.
Although this play was incendiary in 1987, it packs much less of a punch today.
Lucas Hnath s fictionalized account of behind-the-scenes maneuvering during the 2008 presidential campaign is tightly written, but it pulls too many punches.
This adaptation of Uncle Vanya struggles as it straddles two worlds without committing to either.
Jez Butterworth's epic family drama is in excellent hands here, delivering plenty of shocks and surprises.
Promising new playwright Jordan E. Cooper gives a high-speed crash course in race relations.
Between Sam Gold s staging and Glenda Jackson s performance, this production unfortunately falls flat.
While not every choice lands, you can be sure that this revival is swinging for the fences.
It may not be Shakespeare, but this is a savvy and fiercely acted modern revival of John Webster s revenge tragedy.
John Doyle s show-within-a-show approach is successful in some aspects and less so in others.
