Elephant - Reviewed by RON COHEN
The elephant puppets steal the show, but the invigorating dancing and chanting of the human characters are applause-worthy as well.
The elephant puppets steal the show, but the invigorating dancing and chanting of the human characters are applause-worthy as well.
Inappropriate stars and hokey direction pretty much do in this revival of pop legend Burt Bacharach's only foray into musical theater.
The National Theatre concludes its pilot season of broadcasts to movie theaters with a hilarious, bracing, and multileveled rumination on the creative process.
James Lapine's new musical revue engages and entrances as much through Stephen Sondheim's chatty, intimate videotaped patter as through the top-drawer performances of the gifted eight-person…
Annie Baker's weirdly endearing play offers a moving portrait of two slackers loitering outside a Vermont coffee shop and the awkward teenager who yearns to join them. Dane DeHaan delivers a…
This inert tuner about the lives of Zelda and F. Scott Fitzgerald has some occasionally attractive (if dramatically unsuccessful) music, but the rest of the show is a mess.
Alan Rickman stages a pitched and powerful three-way battle for dominance in this rarely performed August Strindberg work.
Though the book is skeletal, this loud and angry rock opera from Green Day breaks all the Broadway rules to create a moving portrait of rebels without causes and no place to go.
Richard Sheinmel's new work is a series of endearing but slight domestic tales buoyed by the talent of a leading lady.
The play, about George Bernard Shaw, is smart and witty, but the production comes apart under close scrutiny.
In this hilarious show, Leslie Jordan serves up anecdotes about his career in Hollywood while spinning a touching tale of how he came to accept himself as a gay man.
This avant-garde exploration of the Tennessee Williams–Elia Kazan collaboration on the creation of the 1953 play Camino Real is full of passion and love.
The years melt away in this fine 20th-anniversary production of the classic Maltby-Shire musical revue
The Pearl Theatre Company's respectful production of Frank D. Gilroy's classic play is only fitfully powerful.
Terry Johnson's ingenious staging and Douglas Hodge's Olivier Award-winning star turn fully justify a Broadway revival, even though we recently had another.
"The 39 Steps" remains a crowd pleaser, with delights for both the movie-trivia fanatic and general audiences.
Who'd have thought that a show about four men in prison getting beaten, raped, electrocuted, hung, and guillotined would be so hilarious? The Madrid-based troupe Yllana obviously did.
Urban Stages has itself a fresh, original winner in "Langston in Harlem," a new musical based on the poetry and life of Langston Hughes.
Spirited performances and some toe-tapping tunes, along with clever staging and design, are not enough to disguise the repetitive excesses of this promising tuner parodying spaghetti western…
Musicals Tonight! revives a classic musical that presents life as a circus act. Though the show is high on revelry, it's low on substance.
Watching "On the Faultlines," a new offering from the brand-new Ruffled Feathers theater company, one can't help but think: "It all happens so fast."
An appealing cast, sure-handed direction, and a crisp script combine to make "Phoenix," the latest production by the Barrow Group Theatre Company, an evening of tasty and easily digestible t…
There's a whole lotta shakin' goin' on in Broadway's latest jukebox musical, but the book ain't nothin' but a hound dog.
In the subterranean world of "The Realm," playwright Sarah Myers attempts to engage the lives and deaths of words and hearts both figuratively and literally.
"Anyone Can Whistle" is the perfect show for the Encores! concert series: an oddity that hasn't got a chance for a commercial revival but contains brilliant elements deserving of a second lo…