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3,983 stories from http://www.theaterscene.net

Noche Flamenca, Taimane, and Taiko Masala by Karen McHenry

We felt like we toured the world this past weekend without ever leaving New York. It was a three-stop whirlwind of music and dance, and we were both spectators and participants. Spain. On Su…

SOURCE: www.theaterscene.net at 8:34am on January 9, 2019

Smoker by Darryl Reilly

Mr. Brader's writing on this fascinating subject is sharp, insightful and well-observed. As a performer, Brader's breezy personability endows his personal odyssey with an appealing everyman …

SOURCE: www.theaterscene.net at 9:59pm on January 7, 2019

Real by Mark Dundas Wood

The supernatural scenario is a little like something one might find on an eerie episode of Alfred Hitchcock's old TV anthology. Unfortunately, it all comes off as fairly stilted and heavy-ha…

SOURCE: www.theaterscene.net at 1:45pm on January 7, 2019

Waiting for Godot (New Yiddish Rep) by Joel Benjamin

Translator Shane Baker has found excellent Yiddish equivalents for Beckett's language.  He understands that Yiddish is a minor key tongue full of sadness, quicksilver tone changes, perfec…

SOURCE: www.theaterscene.net at 11:35am on January 7, 2019

ON THE TOWN… with Chip Deffaa, January 6, 2019 by Chip Deffaa, Editor-at-large

No one loves Berlin's music more than I do. But the creators of this stage adaptation have tried to jam too many well-known songs into the show. I think that cutting a couple of the songs…

SOURCE: www.theaterscene.net at 10:05pm on January 6, 2019

Spitting in the Face of the Devil by Darryl Reilly

Mr. Brader is an engaging and soulful performer with a smooth and pleasing vocal delivery. Brader is an admirer of Spalding Gray and channels that monumental artist's impassioned sense of st…

SOURCE: www.theaterscene.net at 4:26pm on January 5, 2019

The Good Adoptee by Darryl Reilly

Employing humor, documentary detail and suspense, Bachner offers an emotional detective story. Wit and whimsy meld with poignancy as the picaresque quest begins in present day New York City.…

SOURCE: www.theaterscene.net at 12:36pm on January 4, 2019

The Pirates of Penzance 2018 (NYGASP) by Mark Dundas Wood

In the plus column, it was easy on the eyes. Scenic designer Lou Anne Gilleland created agreeable though not particularly elaborate sets: a rocky stretch of seashore for the first act and a …

SOURCE: www.theaterscene.net at 12:11pm on January 2, 2019

TheaterScene.net published 480 reviews in 2018 from twelve reviewers. by Jack Quinn

Our TheaterScene.net staff was very prolific in 2018. I'm proud of all their efforts and our site in it's 18th year as a home for long form independent arts journalism. The post TheaterScene…

SOURCE: www.theaterscene.net at 3:32pm on January 1, 2019

The Chase Brock Experience: The Girl with the Alkaline Eyes by Joel Benjamin

Brock's work once prized effect over substance, but years of choreographing situation and character-based musicals ("Be More Chill," "Spiderman: Turn Off the Dark") have sharpened his artist…

SOURCE: www.theaterscene.net at 4:01pm on December 31, 2018

The Return of Bina Sharif by Darryl Reilly

Darryl Reilly, Critic "I'm not a real dancer but in this play, I celebrate my health." Bina Sharif emotionally said to the audience following the curtain call of her self-written play, Dream…

SOURCE: www.theaterscene.net at 12:40pm on December 31, 2018

Clueless, The Musical by Victor Gluck, Editor-in-chief

While "Clueless, The Musical" is never less than slick and professional in the best possible way, for those who know the iconic film it offers no surprises so slavishly does it follow …

SOURCE: www.theaterscene.net at 12:48pm on December 29, 2018

Slave Play by Victor Gluck, Editor-in-chief

Nothing is what it seems in Jeremy 0. Harris' startling and explosive "Slave Play" which investigates where race and sexual relationships intersect. What we have been watching in the play's …

SOURCE: www.theaterscene.net at 9:51pm on December 28, 2018

The Prom by David Kaufman

"The Prom" is giving Broadway something it's been lacking for years, which is a high-spirited, old-fashioned musical comedy, where the cast's energy spills out over the footlights, and is th…

SOURCE: www.theaterscene.net at 5:04pm on December 28, 2018

ZviDance: Bear's Ears & Detour by Joel Benjamin

A five-day journey to Bear's Ears National Monument in Utah in the company of other dancers, choreographers and Native Americans turned Gotheiner's mind to more serious pursuits resulting in…

SOURCE: www.theaterscene.net at 12:04pm on December 28, 2018

Raven O New Year's Eve show

For tonight's special New Year's Eve shows, Raven will give a nod to NYC evenings past, performing classic pop and American Songbook standards that run the range from "Fly Me to the Moon" to…

SOURCE: www.theaterscene.net at 4:55pm on December 26, 2018

Nassim by Victor Gluck, Editor-in-chief

In the course of this unusual performance piece, the actor and the audience learn a bit of Farsi, the author's native language, and actor and author share stories of their lives and likes, a…

SOURCE: www.theaterscene.net at 12:52pm on December 25, 2018

The Mendelssohn Electric by Victor Gluck, Editor-in-chief

Intended for young people and their families, the jokey dialogue will amuse teenagers as well as teach them about the glass ceiling that talented women have had to fight against up until the…

SOURCE: www.theaterscene.net at 2:48pm on December 24, 2018

All Is Calm: The Christmas Truce of 1914 by Mark Dundas Wood

But these speeches are only a part of the soundscape. The production is suffused with music"all of it a cappella vocalizing by the cast. We hear barracks songs, patriotic songs, hymns and dr…

SOURCE: www.theaterscene.net at 10:59am on December 23, 2018

Louis Philip ("Bud") Deffaa, 95, father of TheaterScene's Editor-at-Large Chip Deffaa, died Dec 20, 2018

He attended Lehigh University. He enlisted in the Navy and served in and around China during World War Two. After the war, he married Alberta Saby of Allentown, Pennsylvania; they were marri…

SOURCE: www.theaterscene.net at 9:14am on December 23, 2018

Nut/Cracked by Joel Benjamin

The troupe attracted a wide-ranging audience to The Sam space at The Flea, even a few youngsters there to see their first live dance performance, and, with the exception of one section, "Thu…

SOURCE: www.theaterscene.net at 11:46am on December 22, 2018

C.S. Lewis' The Screwtape Letters by David Kaufman

Some novels are more stage-worthy than others, and "C.S. Lewis' The Screwtape Letters" is not among those that are. As adapted for the stage by Max McLean--who also directs the production…

SOURCE: www.theaterscene.net at 10:09pm on December 21, 2018

Network by Victor Gluck, Editor-in-chief

Director Ivo Van Hove's stage version of the Paddy Chayefsky cult film "Network" gives Bryan Cranston the role of a lifetime as Howard Beale, the UBS news commentator who has a nervous break…

SOURCE: www.theaterscene.net at 9:55pm on December 21, 2018

Fabulation, or The Re-Education of Undine by Darryl Reilly

A hard-edged picaresque fable is what playwright Lynn Nottage came up with in her enjoyable, "Fabulation, or The Re-Education of Undine" that premiered in 2004. A two-time Pulitzer-Prize win…

SOURCE: www.theaterscene.net at 11:45pm on December 20, 2018

Christmas in Hell by Victor Gluck, Editor-in-chief

The holiday season is in for an irreverent satirizing in Gary Apple's musical comedy "Christmas in Hell," a rude and entertaining fable for adults. With book, music and lyrics by Apple, a wr…

SOURCE: www.theaterscene.net at 10:33pm on December 19, 2018
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