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38,461 stories from The New York Times

Kyle Abraham Is Fully in His Feelings About Now by Siobhan Burke

In "Dear Lord, Make Me Beautiful," an evening-length dance, the choreographer considers what scares him but also what it might feel like to have burdens lifted.

SOURCE: The New York Times Subscription at 5:01am on November 25, 2024

Blue Man Group to End New York Run After Three Decades Off Broadway by Michael Paulson

The troupe is also closing its Chicago company, but continues to perform in Berlin, Boston, Las Vegas and, soon, Orlando.

SOURCE: The New York Times Subscription at 12:18pm on November 23, 2024

Stratford-Upon-Lake-Michigan: Royal Shakespeare Company Plays Chicago by Michael Paulson

With less touring, it's been a while since all the world has been its stage, but the troupe is working with the Chicago Shakespeare Theater " where it has family ties.

SOURCE: The New York Times Subscription at 5:18am on November 23, 2024

'Glicked' Fans Rejoice in Bloodshed and Broadway Songs by Hank Sanders and Kate Christobek

"Wicked" and "Gladiator II," which opened on Friday, drew moviegoers who attended a double feature that emulated the rage over "Barbenheimer" last year.

SOURCE: The New York Times Subscription at 7:28pm on November 22, 2024

Francesca D'Uva Works It All Out Onstage by Anna Grace Lee

With a solo show about grief and life, the comedian and composer brings her experimental musical comedy to an Off Broadway audience.

SOURCE: The New York Times Subscription at 6:42pm on November 22, 2024

6 Minutes. 62 People. 1 Epic 'Sunset Boulevard' Sequence. by Sarah Bahr and Brian Karlsson

Down the stairs, out the doors and onto the sidewalk, a Broadway show hits the street. Here's how they pull it off.

SOURCE: The New York Times Subscription at 5:31am on November 22, 2024

'The Blood Quilt' Review: An Elaborate Tapestry by Maya Phillips

Katori Hall's new play about sisters gathering after their mother's death features standout performances but an overabundance of themes.

SOURCE: The New York Times Subscription at 10:36pm on November 21, 2024

Review: In 'Death Becomes Her,' Spiking the Fountain of Youth by Jesse Green

Hilarious star turns from Megan Hilty and Jennifer Simard make the mostly unfunny 1992 film into an intermittently memorable Broadway musical.

SOURCE: The New York Times Subscription at 9:42pm on November 21, 2024

Alvin Ailey Dance Chooses Alicia Graf Mack to Be Next Leader by Brian Seibert

Mack, director of the dance division at Juilliard, will be the popular company's fourth artistic director.

SOURCE: The New York Times Subscription at 4:58pm on November 21, 2024

In 'Music City' and 'Babe,' Existential Battles of the Heart and Soul by Elisabeth Vincentelli

Bedlam's country music show is a rollicking good time. But the New Group's production of "Babe," starring Marisa Tomei, is a frustrating one-act lacking cohesion.

SOURCE: The New York Times Subscription at 2:54pm on November 21, 2024

'The Piano Lesson' Review: Ghosts in the Instrument by Alissa Wilkinson

This film adaptation of August Wilson's Pulitzer Prize-winning play falters in some specifics, but is still vital viewing.

SOURCE: The New York Times Subscription at 5:32am on November 21, 2024

'Wicked' Review: Cynthia Erivo and Ariana Grande in Oz by Manohla Dargis

Cynthia Erivo is the strongest draw in this splashy, overly long movie, which is the first installment in a two-part adaptation of the Broadway show.

SOURCE: The New York Times Subscription at 5:32am on November 21, 2024

Rebuilding After Fire, Jacob's Pillow to Open a New Theater by Joshua Barone

The Doris Duke Theater, more than twice as large as the original and designed for modern technology, will open in July.

SOURCE: The New York Times Subscription at 9:05am on November 20, 2024

Broadway Tickets: Where to Get Affordable and Last-Minute Tickets by Laura Collins-hughes

Box-office sales, discount booths, same-day rush: Here's everything you need to know about nabbing seats to plays and musicals in Manhattan.

SOURCE: The New York Times Subscription at 5:42am on November 20, 2024

'Swept Away' Review: Lost at Sea, How Far Would You Sink? by Jesse Green

A dark musical about a shipwreck and its aftermath, with songs by the Avett Brothers, anchors on Broadway.

SOURCE: The New York Times Subscription at 11:06pm on November 19, 2024

'Tammy Faye' Musical to Close After Failing to Find Broadway Audience by Michael Paulson

Well-reviewed in London but poorly received in New York, the musical with an Elton John score will end its run on Dec. 8.

SOURCE: The New York Times Subscription at 4:06pm on November 19, 2024

TKTS to Open Booth in Philadelphia, Hoping to Boost Local Theaters by Michael Paulson

The first domestic TKTS outpost outside New York comes at a time of rising concern about ticket prices and theater economics.

SOURCE: The New York Times Subscription at 2:54pm on November 19, 2024

Broadway Shows to See This Fall: 'Our Town,' 'Gypsy' and More by Laura Collins-hughes

A guide to every show on Broadway, including new musicals, Tony winning-dramas, quirky hits and veterans like "Hamilton" and "Chicago."

SOURCE: The New York Times Subscription at 7:18am on November 19, 2024

'Les Misérables' Returns Home by Laura Cappelle

The most famous French musical has never been popular in Paris. A major new production hopes to change that, reworking it for a contemporary French audience.

SOURCE: The New York Times Subscription at 5:42am on November 19, 2024

'Shit. Meet. Fan.' Review: Packed with Stars and Vulgarity by Maya Phillips

Neil Patrick Harris, Jane Krakowski, Debra Messing and Constance Wu star in the vulgar and entertaining new work from Robert O'Hara.

SOURCE: The New York Times Subscription at 11:42pm on November 18, 2024

Morgan Jenness, Whose Artistic Vision Influenced American Theater, Dies at 72 by Joanne Kaufman

A beloved figure in the theatrical community, she redefined the role of dramaturg, influencing playwrights like David Adjmi and David Henry Hwang.

SOURCE: The New York Times Subscription at 6:02pm on November 18, 2024

A New Take on Pina Bausch's 'Kontakthof' Comes to Wuppertal Opera House by Roslyn Sulcas

"Kontakthof," a pivotal Bausch dance from 1978, is being staged with members of the original cast. They talk about coming back to it nearly 50 years later.

SOURCE: The New York Times Subscription at 5:02am on November 18, 2024

7 Days in the Cultural Life of a Broadway Stage Manager by Sarah Bahr

When he's not herding performers at "Once Upon a Mattress," Cody Renard Richard is bowling, catching up with theater friends and, to his surprise, bumping into Beyoncé.

SOURCE: The New York Times Subscription at 5:02am on November 18, 2024

The 'Death Becomes Her' Frenemies Take Their Youth Potion to Broadway by Erik Piepenburg

The campy supernatural movie comes to Broadway as a big, bawdy musical starring Megan Hilty and Jennifer Simard.

SOURCE: The New York Times Subscription at 5:02am on November 18, 2024

Tales of 19th-Century A.I.: Don't Fall in Love With a Singing Robot by Jason Farago

Now we fret about chatbots. An earlier age worried about automatons, the uncanny humanoid contraptions whose voices could trigger love or mania.

SOURCE: The New York Times Subscription at 5:00am on November 18, 2024
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