Norma Doesmen - Reviewed by MARK PEIKERT
This infantile spoof of "Sunset Boulevard" aims for the lowest common denominator.
This infantile spoof of "Sunset Boulevard" aims for the lowest common denominator.
Contrived plotting mars this tale of multigenerational misery in an Anglo-Australian clan, but David Cromer's direction and a sterling ensemble keep it from being a total washout.
Those looking for literary insights or dramatic tension would do better to read a Somerset Maugham novel or watch a Garson Kanin movie.
Playwright Branden Jacobs-Jenkins has arrived with a big old bang with Neighbors, a grandly theatrical, highly subversive, and immensely intelligent play that takes a long hard look at our supposedly postracial society.
Writer-performer Jim Brochu creates a fitting and touching tribute to actor Zero Mostel, one of the greatest and most outsized talents ever to grace the American stage and screen.
Melissa Errico makes a radiant leading lady, but each of the six characters is given equal weight in this witty debate on the nature of marriage and romantic love.
Gretchen Reinhagen's one-woman salute to the great Kaye Ballard won a 2010 Nightlife Award and has been installed in an open-ended one-performance-per-month run at the Metropolitan Room.
Though you won't find a first-rate production of "The Cherry Orchard" gracing the stage at T. Schreiber Studio, you will be able to see the best real-estate comedy currently running in New Y…
Christopher Walken gives a bizarre, kooky, and captivating star turn in Martin McDonagh's blood-soaked black comedy. But don't look for anything deeper than a few gory laughs.
This self-described "one-woman musical" is a perfectly presentable cabaret act, but it fails as theater.
For Ibsen know-it-alls, this takeoff on "Hedda Gabler" scores some enjoyable points, but it doesn't make it as a fully realized play.
The story of teacher Annie Sullivan unlocking the deaf-and-blind young Helen Keller from a world of darkness carries an elemental power that survives even director Kate Whoriskey's troubled …
Alison Pill re-creates the inspiring Annie Sullivan in Broadway's 'The Miracle Worker.'
Playwright Bill Cain combines Stoppard, backstage comedy, "A Man for All Seasons," and the war on terror in a confusing and disappointing mixed bag of a play.
The now-forgotten Restoration playwright Susanna Centlivre is revived by a capable all-female cast in an entertaining and spirited production that falters only when it attempts to force itse…
Nefarious deeds and a high body count make for bloody good theater in this appreciative and hotly acted adaptation of a Jacobean classic.
Jonathan Reynolds' latest satire leads not so much to intellectual ferment and debate as to exasperated eye-rolling and a quick contemplation of where to have dinner.
Among the plethora of worthy gay-themed offerings currently on the New York City boards, The Temperamentals remains by far the best of an interesting bunch.
This hasty concert presentation of Noël Coward's 1961 musical fails on almost every level.
John Standing may be appearing in cabaret, but that hasn't stopped him from delivering a master class in acting in this program at Café Carlyle.
Jennifer Gibbs' new play seeks the mystery of existence only to drown in weak storytelling and empty dialogue.
In "Signs of Life," a new musical depicting life in Hitler's "City for the Jews" concentration camp of Terezin, Czechoslovakia, Amas Musical Theatre seems to place its desire to educate abov…
This "Oedipus" in modern dress fails to make the case for retelling a timeless classic.
The Bridge Project, Sam Mendes' company featuring British and American artists, continues to dazzle and delight.
Moving, clever, and passionate, this gay love story set during World War II does far more than ask and tell.