38,462 stories from The New York Times
DD Dorvillier's solo at the Chocolate Factory evokes a dream state as it digs into the same river of dance twice.
She was best known for starring in the 1958 screen version of "South Pacific." But her Hollywood career was brief, and she soon shifted her focus to Las Vegas and TV.
He collaborated with Eisa Davis to make a concept album inspired by the 1979 movie. One big change: the main gang is made up of women.
An expert at rescuing distressed companies, he took over the struggling organization in 2000, leading it through a painful restructuring and a lengthy legal battle.
American Ballet Theater opened its fall season at Lincoln Center with premieres by Gemma Bond and Kyle Abraham in his most accomplished ballet yet.
Kimberly Belflower's "John Proctor Is the Villain" will be directed by Danya Taymor, who won a Tony this year for "The Outsiders."
A country music star embodies the clichés of celebrity in an Off Broadway revival of Kenneth Lonergan's 2016 comedy.
The writer Erika Sheffer takes a big swing in a Manhattan Theater Club production examining "the point at which a society finds itself on the brink."
Inspired by Paul Verhoeven's infamous 1995 film, "Showgirl" considers what it means to be an actress who gets naked.
Former artists of Dallas Black Dance Theater say they were dismissed in retaliation for forming a union. The company denies the accusation.
The fall season wrapped up with an excellent program featuring works by Balanchine and Ratmansky, as well as a celebration of Justin Peck's 10th year as resident choreographer.
These productions are grappling with climate change, reproductive rights, the Arab Spring and accusations of sexual assault.
Two dancers from the Ailey company perform part of "Night Creature" on the roof of the Whitney Museum, where the choreographer is the subject of a major exhibition.
James Morgan, who has been with the small New York theater company for 50 years, blamed the effects of a stroke for his behavior.
Performed simultaneously in sign language and sung English, a Los Angeles revival of the Green Day musical finds new ways to communicate rage and angst.
Jeroboam Bozeman and Rennie Harris's careers have wound through street and concert dance. The two shaped the movement in "Once Again (for the Very First Time)."
"He has it all," said Susan Jaffe, the artistic leader of American Ballet Theater. Hernández, already a veteran star, is joining the company as a principal.
The New York Philharmonic under Matthias Pintscher brought dramatic urgency to "Pelleas und Melisande" in commemoration of the composer's 150th birthday.
The musical, created by Shania Taub, announced that it will play its final performance on Jan. 5 and start a national tour next fall.
The Greek-born choreographer Lenio Kaklea made her American debut at Governors Island, a fitting spot for work about the boundaries between nature and culture.
The fall season is underway, and our reviewers think these productions are worth knowing about, even if you're not planning to see them.
The Thornton Wilder classic returns to Broadway, still brutal and avant-garde after 86 years.
New York City Ballet dressed up its fall fashion gala with a program of female choreographers. This was history, even if the results were mixed.
A diner patron asks a waitress for an extraordinary side dish in Meghan Kennedy's sweet but shaggy new play.
The landlords also said they would reconsider their process for determining who to honor with full and partial dimmings.
