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3,984 stories from http://www.theaterscene.net

I Hear You and Rejoice by Darryl Reilly

Exhibiting the dazzling wizardry of someone who trained at the École Jacques Lecoq in Paris, Murfi is breathtaking as he clowns, mimes and barrels all over the space while distinctively …

SOURCE: www.theaterscene.net at 3:29pm on September 18, 2018

You and I by Victor Gluck, Editor-in-chief

While Barry was to become famous writing plays about the very rich, the Whites are of the middle class and live on earned money. In the play's second act, eight months have passed, and money…

SOURCE: www.theaterscene.net at 10:42pm on September 17, 2018

James & Jamesy in the Dark by Joel Benjamin

"James & Jamesy in the Dark" is apparently the product of a long trial and error rehearsal process according to the aforementioned program notes.  The self-involving process, unfortu…

SOURCE: www.theaterscene.net at 7:08pm on September 17, 2018

THE AЯTS by Darryl Reilly

Conceived and written by Kevin Doyle, "THE AЯTS" offers sophomoric antics that are a virtual parody of performance art techniques. There's a lot of buzzers à la Richard Foreman. The…

SOURCE: www.theaterscene.net at 5:31pm on September 17, 2018

Agnes by Joseph Pisano

Unfortunately, Worsham's efforts just confirm the play's central problem: only the relationship between June and Charlie has any real depth. As for the rest of the characters, although McMul…

SOURCE: www.theaterscene.net at 10:25pm on September 16, 2018

Me the People: Fire and Fury Edition by Joel Benjamin

You'd need a ten ton truck to haul away all the slings and arrows slung and shot at Donald Trump in "Me the People: Fire & Fury Edition," the red-hot political revue currently on stage …

SOURCE: www.theaterscene.net at 5:20pm on September 16, 2018

The Conduct of Life by Darryl Reilly

Farce meets tragedy in a fictional unnamed Latin American country in "The Conduct of Life." It's a raucous yet insightful fantasia about military oppression taking its toll on the populace b…

SOURCE: www.theaterscene.net at 1:45pm on September 16, 2018

Separate and Equal by David Kaufman

Though the large ensemble of 11 actors is uniformly first rate--whether going through their balletic paces or tossing the invisible basketball and grasping it by clapping their hands, Pamela…

SOURCE: www.theaterscene.net at 10:51am on September 15, 2018

Heartbreak House by Victor Gluck, Editor-in-chief

Gingold Theatrical Group's "Heartbreak House" is an interesting but misguided attempt to update Shaw's Edwardian masterpiece and make it seem more relevant to our times. Despite the stellar …

SOURCE: www.theaterscene.net at 4:24pm on September 14, 2018

The Naturalists by Darryl Reilly

Ms. McCarrick's appealing premise of redemptive romance is in fact subsidiary to the IRA angle as in the program she states that this event is the inspiration for her play. The two threads h…

SOURCE: www.theaterscene.net at 11:29pm on September 12, 2018

In the Bleak Midwinter by Darryl Reilly

In 14 concise scenes lasting 85 minutes, Ms. Lyman quite skillfully transforms the familiar premise of a resolute aged person clashing with her relatives over giving up her independence into…

SOURCE: www.theaterscene.net at 1:04pm on September 11, 2018

beep boop by Joel Benjamin

"beep boop," Richard Saudek's hour-long sad-sack romp through modern man's constant love/hate bout with technology, is at HERE, the avant-garde arts center in SoHo. Its deft combination of m…

SOURCE: www.theaterscene.net at 11:49am on September 11, 2018

Hershey Felder as Irving Berlin by Victor Gluck, Editor-in-chief

Using a format that has worked for him before in his George Gershwin and Leonard Bernstein evenings, Hershey Felder has returned to 59E59 Theaters in a charming biographical musical as legen…

SOURCE: www.theaterscene.net at 9:03pm on September 9, 2018

In the Penal Colony by Darryl Reilly

Director Miranda Haymon's electric staging of her pared down yet faithful adaptation is filled with dialogue characteristic of Kafka and bracing sequences. Basketball is a key visual metapho…

SOURCE: www.theaterscene.net at 11:56am on September 9, 2018

The Gospel at Colonus by Joel Benjamin

The complexities of this Greek tragedy are shoe-horned into a Gospel service with songs ranging from the thoughtful ("The Invocation") to the formal ("Creon Comes to Colonus") to the awe-ins…

SOURCE: www.theaterscene.net at 12:50pm on September 8, 2018

Private Peaceful by Darryl Reilly

Wearing a realistic period uniform and donning a metal helmet, the youthful and animated Mr. O'Regan recalls the electric persona of the young Tom Courtney as he vividly portrays numerous ch…

SOURCE: www.theaterscene.net at 11:36am on September 8, 2018

ON THE TOWN… with Chip Deffaa … September 3rd 2018

For my column this week, I'd like to both look ahead"discussing a new show that I think has a very bright future, "Be More Chill""and look back"discussing some of the memorable star turns I …

SOURCE: www.theaterscene.net at 10:06pm on September 3, 2018

Intrusion by Darryl Reilly

More in the style of informative advocacy event for the lecture circuit then a theatrical work, "Intrusion" wanly tackles the subject of rape. "I set out to create a show that addresses the …

SOURCE: www.theaterscene.net at 10:28pm on August 31, 2018

New York City Electroacoustic Music Festival 2018: Inspirations and Purposes by Jean Ballard Terepka

The Festival's sole lecture-presentation proved useful in revealing how one composer viewed the intersections of science and art in his own composing: trumpeter Skye van Duuren, now a trumpe…

SOURCE: www.theaterscene.net at 4:22pm on August 31, 2018

New York City Electroacoustic Music Festival 2018: Excellence by Jean Ballard Terepka

In the very first concert, one of the finest " and also longest " pieces of the Festival was Marie-Helene Bernard's BOA Sr (1.5, i.e. Concert 1, piece 5). In 2010, Bernard read the obituary …

SOURCE: www.theaterscene.net at 4:04pm on August 31, 2018

New York City Electroacoustic Music Festival 2018: Overview by Jean Ballard Terepka

This year, the Festival site was the Abrons Arts Center; the three performance venues in the facility " the Experimental Theater, the  Playhouse and the Underground Theater " were all use…

SOURCE: www.theaterscene.net at 3:37pm on August 31, 2018

Smokey's Joe's Café: The Songs of Leiber & Stoller by Victor Gluck, Editor-in-chief

Although "Smokey Joe's Café" has been seen in New York before, the new production now at Stage 42 is an entirely different incarnation of the show that still holds the record for Broadway m…

SOURCE: www.theaterscene.net at 3:14pm on August 31, 2018

Scraps by Darryl Reilly

This production is presented by The Flea and the cast is drawn from their resident acting company, The Bats. Exhibiting heartbreaking resilience Alana Raquel Bowers as Aisha dominates the pl…

SOURCE: www.theaterscene.net at 12:01am on August 31, 2018

1969: The Second Man by Victor Gluck, Editor-in-chief

The mellow sound of Brandt's score proves to be easy listening, but the individual musical numbers do not build to any dramatic climaxes so that the show seems tamer than material concerning…

SOURCE: www.theaterscene.net at 5:41pm on August 30, 2018

Days to Come by Victor Gluck, Editor-in-chief

"Days to Come" fills in the gap in Hellman's career between her first play, the controversial "The Children's Hour," and the immediate successors, the hugely commercial hit and often revived…

SOURCE: www.theaterscene.net at 4:40pm on August 29, 2018
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