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38,466 stories from The New York Times

Disoriented in America: Two Political Plays Reflect a Changed Country by Laura Collins-hughes

The Off Broadway plays "Fatherland" and "Blood of the Lamb" explore the grief, anger and fear of no longer recognizing the country you love.

SOURCE: The New York Times Subscription at 5:18am on September 30, 2024

Dancing in an Emotional Washing Machine by Brian Seibert

Botis Seva, a rising British choreographer who mixes hip-hop and contemporary dance, brings his Olivier Award-winning "BLKDOG" to New York.

SOURCE: The New York Times Subscription at 5:05am on September 30, 2024

Johan Inger and William Forsythe to Open the Paris Opera Ballet Season by David Belcher

The choreographers Johan Inger and William Forsythe will open the Paris Opera Ballet season with three pieces.

SOURCE: The New York Times Subscription at 5:02am on September 30, 2024

Review: 'The Hills of California,' Alive With the Sound of Music by Jesse Green

In Jez Butterworth's compelling new play, four girls trained to sing close harmony wind up as acrimonious adults.

SOURCE: The New York Times Subscription at 11:24pm on September 29, 2024

Laura Donnelly, 'Hills of California' Star, Is Not Some Delicate Flower by Laura Collins-hughes

But she did "burst into tears" reading Jez Butterworth's rewrite of his new Broadway play, which left her with 10 days "to create an entirely new character."

SOURCE: The New York Times Subscription at 7:54am on September 28, 2024

Using Dance to Provoke, Delight and Tell South Africa's Stories by John Eligon and Ilan Godfrey

Growing up in a Black township, Vusi Mdoyi found a sprinkle of joy under apartheid in a street-dancing style known as pantsula. As a choreographer, he has elevated it into high art, injected…

SOURCE: The New York Times Subscription at 5:01am on September 28, 2024

Maggie Smith Was Imperious in the Most Delightful Way by Roslyn Sulcas

Throughout her career and on "Downton Abbey," she perfected the role of the commanding Englishwoman with an arrow-sharp wit.

SOURCE: The New York Times Subscription at 4:36pm on September 27, 2024

Maggie Smith: A Life in Pictures by The New York Times

She had a long, award-winning career as a screen and stage actress, finally becoming a household name with her memorable turn in "Downton Abbey."

SOURCE: The New York Times Subscription at 2:18pm on September 27, 2024

Review: Roald Dahl Is Antisemitic, but Not a Cartoon Villain, in 'Giant' by Houman Barekat

A new play in London portrays the beloved children's author as a rounded character, while making no apology for his bigotry.

SOURCE: The New York Times Subscription at 1:12pm on September 27, 2024

'Titaníque' Was Her Big Hit. Is 'Big Gay Jamboree' Really Her Swan Song? by Juan A. Ramírez

Two years after debuting the "Titanic" parody, Marla Mindelle says her new show, with Margot Robbie as a producer, may be her last as an actor.

SOURCE: The New York Times Subscription at 11:32am on September 27, 2024

Andrew Scott Will Perform One-Man 'Vanya' Off Broadway Next Spring by Michael Paulson

The Olivier Award-winning revival, in which the actor plays all of the parts, is to begin previews March 11 at the Lucille Lortel Theater.

SOURCE: The New York Times Subscription at 10:24am on September 27, 2024

Maggie Smith, Grand Dame of Stage and Screen, Dies at 89 by Anita Gates and Robert Berkvist

She earned an extraordinary array of awards, from Oscars to Emmys to Tonys, but could still go almost everywhere unrecognized. Then came "Downton Abbey."

SOURCE: The New York Times Subscription at 9:42am on September 27, 2024

The Stage Combat Is Verbal in These Off Broadway Plays by Elisabeth Vincentelli

Belarus Free Theater's "KS6: Small Forward" and three other shows are reminders that there are many ways to portray conflicts and confrontations onstage.

SOURCE: The New York Times Subscription at 4:48pm on September 26, 2024

What to See on the West End This Fall by Matt Wolf

Some recommendations for visitors and residents who want to get the most from the city's varied theater scene.

SOURCE: The New York Times Subscription at 12:42pm on September 26, 2024

Review: Philadelphia's BalletX Shows Variety but Little Depth by Gia Kourlas

The company brought three New York premieres to the Joyce Theater.

SOURCE: The New York Times Subscription at 12:00pm on September 26, 2024

How 'Discoshow' Spun Las Vegas Into Funkytown by The New York Times

Revisiting 1970s New York, a new theatrical experience is one history lesson that's all about the good times.

SOURCE: The New York Times Subscription at 7:32am on September 26, 2024

The Nation's Politics Are Dramatic. Now Its Dramas Are Political. by Michael Paulson

For the second year in a row, a play about the Constitution is the most-staged in America. And a farce about a terrible president is also pretty popular.

SOURCE: The New York Times Subscription at 4:48pm on September 25, 2024

Roundabout, With 3 Broadway Theaters, Finds Leader in California by Michael Paulson

Christopher Ashley, the artistic director of La Jolla Playhouse and a Tony winner for "Come From Away," will run the large New York nonprofit.

SOURCE: The New York Times Subscription at 2:24pm on September 25, 2024

Festival d'Automne in Paris Honors Rabih Mroué and Lina Majdalanie by Laura Cappelle

A retrospective in Paris honors Lina Majdalanie and Rabih Mroué, whose theater works have examined the region's troubles for decades.

SOURCE: The New York Times Subscription at 1:18pm on September 25, 2024

Review: What's Eating Trump? The Singing 'Ghost of John McCain' by Jesse Green

The former senator haunts the former president, or vice versa, in this sophomoric musical satire.

SOURCE: The New York Times Subscription at 10:06pm on September 24, 2024

Rufus Norris, Creator of Broadway Hits, to Leave the National Theater by Alex Marshall

As Rufus Norris prepares to leave the London playhouse he has led since 2015, he reflects on his quest to make the theater represent the audience it serves.

SOURCE: The New York Times Subscription at 7:03am on September 24, 2024

New York City Ballet Season Opens With George Balanchine and Jerome Robbins Classics by Gia Kourlas

New York City Ballet opened its fall season with classics by George Balanchine and Jerome Robbins, along with a company premiere by Lar Lubovitch.

SOURCE: The New York Times Subscription at 12:24pm on September 23, 2024

On City Strolls, 'Fat Ham' Writer Was Inspired by 'Ghosts of Absence' by Salamishah Tillet

Walking around downtown Philadelphia, James Ijames reflected on his new play, "Good Bones," gentrification and the absence that "haunts the cities."

SOURCE: The New York Times Subscription at 5:06am on September 23, 2024

'Coppelia' at 50: When City Ballet Took a Turn for 'Fun and Funny' by Roslyn Sulcas

Original cast members look back at George Balanchine and Alexandra Danilova's staging of the 19th-century ballet. "Everyone knows when something is good," one said.

SOURCE: The New York Times Subscription at 5:02am on September 23, 2024

Kate Mulgrew Walks the Creative and Emotional Plank in 'The Beacon' by Laura Collins-hughes

Holding tightly to the Dublin accent of her character, the actress talks about starring in Nancy Harris's feminist thriller at Irish Rep.

SOURCE: The New York Times Subscription at 5:18am on September 21, 2024
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