DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
3,488 stories from The Arts Desk

Richard II, Bridge Theatre review - handsomely mounted, emotionally muted by Matt Wolf

Jonathan Bailey makes a petulant stage return in Shakespeare's most luxuriant play Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising…

SOURCE: The Arts Desk at 7:42am on February 22, 2025

Backstroke, Donmar Warehouse review - a complex journey through a mother-daughter relationship by Helen Hawkins

Tamsin Greig and Celia Imrie shine in a multifaceted portrait of motherhood The theatre director Anna Mackmin has written and directed an extraordinary play about a mother and daughter relat…

SOURCE: The Arts Desk at 3:18pm on February 21, 2025

Otherland, Almeida Theatre review - a vivid, beautifully written take on the trans experience by Rachel Halliburton

Bush's writing is as fresh as a sea breeze and as lyrical as birdsong "Who'd be a woman?... Who in their right mind would choose all that?" The question comes towards the end of a conversat…

SOURCE: The Arts Desk at 6:32am on February 21, 2025

Much Ado About Nothing, Theatre Royal Drury Lane review - this shamelessly hedonistic production is a triumph by Rachel Halliburton

Diamond-sharp banter and an endorphin fizz make this one of the best parties in town Over the last few months, celebrity-driven West End productions have suffered some inglorious crashes - n…

SOURCE: The Arts Desk at 5:32am on February 20, 2025

Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as the state succumbs to storms by Gary Naylor

★★★★★ HAMLET, ROYAL SHAKESPEARE THEATRE Rupert Goold's staging lends a gnawing, troubling, transatlantic relevance  The iceberg cometh The date, projected be…

SOURCE: The Arts Desk at 8:48pm on February 19, 2025

East Is South, Hampstead Theatre review " bewildering and unconvincing by Aleks.sierz

House of Cards writer tackles AI and religion, but without the necessary clarity Our humanity is defined not only by our use of language, but also by our sense of the spiritual. Whether you…

SOURCE: The Arts Desk at 12:06pm on February 18, 2025

Unicorn, Garrick Theatre review - wordy and emotionless desire by Aleks.sierz

New West End drama about spicing up marriage is oddly lacking in passion Since when has new writing become so passionless? Mike Bartlett is one of the country's premiere playwrights and his…

SOURCE: The Arts Desk at 2:18pm on February 16, 2025

More Life, Royal Court review " posthuman tragedy fails to come alive by Aleks.sierz

A new sci-fi gothic horror about life after death is intriguing, but flawed I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of …

SOURCE: The Arts Desk at 3:18pm on February 14, 2025

Three Sisters, Sam Wanamaker Playhouse review - Chekhov's anatomy lesson on the human condition by Gary Naylor

★★★★★ THREE SISTERS, SAM WANAMAKER PLAYHOUSE Souls dissected in brilliantly conceived and executed production Russia - but also here, there and everywhere Russi…

SOURCE: The Arts Desk at 8:48pm on February 13, 2025

Churchill in Moscow, Orange Tree Theatre review " thought-provoking language and power games by Aleks.sierz

Howard Brenton's new play about Winston and Stalin is both intelligent and fun Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his career …

SOURCE: The Arts Desk at 7:36am on February 13, 2025

The Years, Harold Pinter Theatre review - a bravura, joyous feat of storytelling by Demetrios Matheou

The Almeida's all-women hit transfers to the West End Annie Ernaux's semi-autobiographical book Les Années charts a woman's life across time and space, history and memory, through wha…

SOURCE: The Arts Desk at 2:36pm on February 9, 2025

Elektra, Duke of York's Theatre review - Brie Larson's London stage debut is angry but inert by Matt Wolf

Brie Larson makes a brave West End debut that, alas, misfires We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to ac…

SOURCE: The Arts Desk at 11:12am on February 7, 2025

Oedipus, Old Vic review - disappointing leads in a production of two halves by Helen Hawkins

Is it a dance piece with added text, or a stripped down play with excess choreography? The opening scene of the Old Vic's Oedipus is dominated by a giant backdrop of a skull-like face, eyes …

SOURCE: The Arts Desk at 6:36am on February 6, 2025

First Person: writer-producer Lauren Mooney on bringing bodies together in the new Royal Court play, 'More Life' by Lauren Mooney

Kandinsky Theatre co-creator on a new play tethering technology to existence It started with a Guardian long-read. I'm ashamed to admit it since so many shows could say the same, but that w…

SOURCE: The Arts Desk at 6:36am on February 6, 2025

Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone by Gary Naylor

★ MRS PRESIDENT, CHARING CROSS THEATRE A widow, a photographer but no soul Curious play that fails to mobilise theatre's unique ability to tell a story The phenomenal global success o…

SOURCE: The Arts Desk at 8:42am on February 5, 2025

Second Best, Riverside Studios review - Asa Butterfield brings the magic by Gary Naylor

★★★ SECOND BEST, RIVERSIDE STUDIOS First-class performance in a second-class play Martin is not Harry Potter in the movies, then might be in real life, but proves to be the…

SOURCE: The Arts Desk at 3:06pm on February 4, 2025

… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch by Aleks.sierz

New play about mental breakdown is a mix of acute distress and poetic writing In a world tainted with racism and homophobia, the Bush theatre is something of a refuge from prejudice. As one …

SOURCE: The Arts Desk at 12:54pm on February 4, 2025

Play On!, Lyric Hammersmith - and give me excess of it! by Gary Naylor

★★★★★ PLAY ON!, LYRIC HAMMERSMITH The Bard and The Duke in perfect harmony! Super performances deliver magnificent entertainment If you saw Upstart Crow on tele…

SOURCE: The Arts Desk at 9:54pm on February 2, 2025

Inside No 9: Stage Fright, Wyndham's review - uneven fright-night from the fêted duo by Helen Hawkins

Still inventive and fun but short on sharp shocks How excited Reece Shearsmith and Steve Pemberton must have been to learn that the venue for their Inside No 9 stage show was haunted, by an …

SOURCE: The Arts Desk at 4:18am on January 31, 2025

An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring true by Gary Naylor

★★★ AN INTERROGATION, HAMPSTEAD THEATRE Detective gets her man, but at what cost? Rosie Sheehy and Jamie Ballard shine in Edinburgh Festival import In a dingy room with …

SOURCE: The Arts Desk at 9:42pm on January 24, 2025

Cymbeline, Sam Wanamaker Playhouse review - pagan women fight the good fight by Gary Naylor

★★★ CYMBELINE, SAM WANAMAKER PLAYHOUSE Patriarchy defeated! A new, if not as radical as once it were, take on Shakespeare's cross-dressing call to arms There's not much…

SOURCE: The Arts Desk at 11:42am on January 24, 2025

The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them by Gary Naylor

★★★★ THE LONELY LONDONERS, KILN THEATRE A beautifully realised stage adaptation Memories, frustrations and hopes in a city emerging from post-war austerity As som…

SOURCE: The Arts Desk at 3:18pm on January 23, 2025

Kyoto, Soho Place Theatre - blistering, darkly witty play raises more questions than it answers by Rachel Halliburton

The script turns dry-as-dust diplomatic detail into nothing less than an adrenaline sport It took a while for journalists to identify the chain-smoking, Machiavellian figure who was a perman…

SOURCE: The Arts Desk at 6:12am on January 20, 2025

A Good House, Royal Court review " provocative, but imperfect by Aleks.sierz

South African satire about racism, sexism, home ownership and community politics Most Brits don't know much about South Africa today, but we do know about house values, so this new comedy b…

SOURCE: The Arts Desk at 2:06pm on January 19, 2025

Oliver!, Gielgud Theatre review - Lionel Bart's 1960 masterpiece is Bourne again by Helen Hawkins

An intimate staging and superb casting make this a superior West End production Into a world of grooming gangs, human trafficking and senior prelates resigning over child abuse cases comes …

SOURCE: The Arts Desk at 7:36pm on January 14, 2025
« Previous 25   Page 9 of 140   Next 25 »