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3,986 stories from http://www.theaterscene.net

The Beast in the Jungle by Victor Gluck, Editor-in-chief

While "The Beast in the Jungle" is a musical for our time it contains a message that was dear to the heart of writer Henry James, that of the unlived life. Ultimately very moving when the st…

SOURCE: www.theaterscene.net at 11:48pm on May 28, 2018

Molasses in January by Victor Gluck, Editor-in-chief

Standing in the way of the show's success is the workshop-like production. Some of Pellegrino's melodies are pleasant but musical director Michael Wittenberg's piano playing drowns out many …

SOURCE: www.theaterscene.net at 12:30am on May 28, 2018

The Diana Tapes by Darryl Reilly

Mr. Clements' treatment of these events is straightforward and confirms existing perceptions of these figures. Diana is charismatic but immature and self-aggrandizing, Morton is a go-getter,…

SOURCE: www.theaterscene.net at 12:13am on May 28, 2018

Peace for Mary Frances by Victor Gluck, Editor-in-chief

We learn a great deal about hospice, possibly more than one might want to know in a play. While most death watch plays like Edward Albee's "All Over" and Scott McPherson's "Marvin's Room," t…

SOURCE: www.theaterscene.net at 9:39pm on May 27, 2018

the hollower by Darryl Reilly

Bit and Otto recall tomboy Frankie Addams and Berenice the maid from Carson McCullers' "The Member of the Wedding" while Pigman and Missy parallel Pozzo and Lucky from Samuel Beckett's "Wait…

SOURCE: www.theaterscene.net at 4:24pm on May 25, 2018

Paradise Blue by Joel Benjamin

In many ways Dominique Morisseau's "Paradise Blue" shares similarities with August Wilson's brilliant, if long-winded, Pittsburgh based plays.  "Blue" is part of Morisseau's Detroit Proje…

SOURCE: www.theaterscene.net at 1:40pm on May 25, 2018

Tremor by David Kaufman

While director David Mercatali has them continually circling each other like boxers in a ring--sparring emotionally, if not physically--Sophie and Tom never really connect or even touch each…

SOURCE: www.theaterscene.net at 12:06pm on May 25, 2018

Twelfth Night by Victor Gluck, Editor-in-chief

Played as older than either Viola or Sebastian, Elizabeth Heflin is charmingly eccentric as the strong cougar who becomes lovesick and yielding at the sight of Cesario and then Sebastian. In…

SOURCE: www.theaterscene.net at 2:49pm on May 23, 2018

Long Day's Journey into Night (Bristol Old Vic) by Victor Gluck, Editor-in-chief

Unlike many of the recent New York stagings, Eyre's production makes it clear that the thrust of this four act play is an attempt for the Tyrones to exorcise their demons in one alcoholic in…

SOURCE: www.theaterscene.net at 11:44pm on May 22, 2018

She-She-She by Darryl Reilly

Conceived by Carrie Heitman and written by Cynthia Babak it was developed in workshops over the last three years by the Hook & Eye Theater company. According to Chad Lindsey's director'…

SOURCE: www.theaterscene.net at 5:21pm on May 22, 2018

Parsons Dance Company 2018 by Joel Benjamin

The new work, "Microburst," was a quartet performed to classical Indian music composed and played live by Avirodh Sharma.  Brilliant and audacious, "Microburst" took the four dancers, all…

SOURCE: www.theaterscene.net at 4:16pm on May 22, 2018

Time's Journey through a Room by Darryl Reilly

In the spirit of the loquacious Winnie in Samuel Beckett's "Happy Days," the animated Yuki Kawahisa beautifully portrays Honoka with sunny depth. Maho Honda as Arisa, the play's unifying …

SOURCE: www.theaterscene.net at 9:15pm on May 21, 2018

Marlowe's Fate by Victor Gluck, Editor-in-chief

Hodges' play is quite lively with each scene dramatizing one point and the cast of characters made up entirely of real people, not all of them still famous. The real problem is with the unsu…

SOURCE: www.theaterscene.net at 5:59pm on May 21, 2018

Hercules Didn't Wade in the Water by Darryl Reilly

"Hercules Didn't Wade in the Water" is the winner of the Negro Ensemble Company, Inc.'s 2017 Emerging Playwrights Competition and this is its premiere. Michael A. Jones' passionate eloquence…

SOURCE: www.theaterscene.net at 11:59pm on May 20, 2018

The Gentleman Caller by Victor Gluck, Editor-in-chief

Every once in a while the exactly right actor is matched with the right role and magic occurs. Such is the case with Juan Francisco Villa as the 34-year-old Tennessee Williams (before he bec…

SOURCE: www.theaterscene.net at 11:20pm on May 20, 2018

Operation Crucible by David Kaufman

While it's meant to be helpful, a glossary of local jargon ("Operation Crucible" is set in Sheffield, England) in the program is usually a surefire sign that you're going to have difficulty …

SOURCE: www.theaterscene.net at 7:06pm on May 18, 2018

Bump by Darryl Reilly

Ms. Atik complements her engaging contemporary scenario with creative theatricality. Interspersed are vignettes with six performers depicting the members of a nationwide pregnancy Internet m…

SOURCE: www.theaterscene.net at 1:11pm on May 18, 2018

A Brief History of Women by Victor Gluck, Editor-in-chief

Although the title covers part of the plot, the play is really a trenchant social history of Britain from 1925 " 1985 in four short sequences, showing the changes that take place in one hous…

SOURCE: www.theaterscene.net at 5:08pm on May 17, 2018

Repast Baroque Ensemble: Bohemian Fantasy by Jean Ballard Terepka

The program opened and closed with pieces for all five musicians together. Heinrich Ignaz Franz Biber (1644-1704) and Johann Heinrich Schmelzer (1620/23-1680) both made the quartet of string…

SOURCE: www.theaterscene.net at 2:38pm on May 16, 2018

Alternating Currents by Joel Benjamin

Despite the complexity of the interactions of the people of Electchester and the poor folk at Pomonok, Kraar manages to end on a promising note.  "Alternating Currents," produced under th…

SOURCE: www.theaterscene.net at 12:27pm on May 15, 2018

The Jewish King Lear by Victor Gluck, Editor-in-chief

Aside from being a tight domestic drama, The Jewish King Lear has several other differences from Shakespeare's tragedy. Gordin's Lear has a wife who is sorely put upon and under her husband'…

SOURCE: www.theaterscene.net at 11:35pm on May 14, 2018

Me and My Girl by Darryl Reilly

Mr. Carlyle's giddy opening is a thrilling mise-en-scène of a chorus line of servants, floating props and a grand back drop of a miniature representation of the country estate where the act…

SOURCE: www.theaterscene.net at 6:57pm on May 14, 2018

My Fair Lady (Lincoln Center Theater) by David Kaufman

With an enormous painted backdrop depicting London and featuring St. Paul's Cathedral and a lamppost (the glorious sets have been designed by Michael Yeargan), the musical begins as Covent G…

SOURCE: www.theaterscene.net at 5:03pm on May 14, 2018

Light Shining in Buckinghamshire by Joseph Pisano

There's a brilliant play buried somewhere in Caryl Churchill's "Light Shining in Buckinghamshire," a bottom-up historical epic about the English Civil War that the acclaimed British writer d…

SOURCE: www.theaterscene.net at 10:42am on May 14, 2018

Summer and Smoke by David Kaufman

When Tennessee Williams started writing "Summer and Smoke," his working title for the play was "Chart of Anatomy," taken from a poem by Hart Crane. An anatomical chart becomes one of the ver…

SOURCE: www.theaterscene.net at 7:00pm on May 10, 2018
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