38,665 stories from The New York Times
"Why can't ballet be a roller coaster?" Helen Pickett said of her and James Bonas's full-length work, premiering this week at American Ballet Theater.
Nearly 30 years after being let go from the Broadway-bound show, this Tony Award winner is taking a lead role in a new revival at City Center.
Dominique Morisseau's new play explores the tensions between a Haitian American woman and her Haitian-born cousin.
By exploring Armstrong's offstage struggles and tensions, "A Wonderful World" wants to shatter the image of an entertainer who was far more than just affable.
The Paul Taylor Dance Company joins a very short list of dance troupes with substantial real estate in one of the world's most expensive markets.
Egyptians stand up to their government in a play that excels in its design but rings hollow when its subtext and character development are scrutinized.
She was best known as half of a comedy team with her husband, Phil Ford, until her hall-filling voice earned her raves in a role made famous by Barbra Streisand.
In "McNeal," the playwright Ayad Akhtar explores the way artificial intelligence is disrupting the literary world and raising questions about creativity.
"Attack on Titan: The Musical" showed what a crossover between two seemingly different types of fans could look like.
The choreographer Nadia Beugré, who brought her "Quartiers Libres Revisited" to New York Live Arts, likes to keep her audience close. And involved.
The Broadway revival of "Romeo + Juliet" plays to the TikTok crowd. But maybe that's a good thing.
His literary career traced the arc of his country's modern political journey in stories about ordinary citizens facing repression and arbitrary government.
The musical, which opened in London three years ago, is still going strong there and touring North America, while productions are planned in Japan and on a cruise ship.
At the Baryshnikov Arts Center, an adaptation of Smith's poem-memoir "Woolgathering" features Smith reciting, others dancing and a surprise guest.
Julianna Margulies and Peter Gallagher star in this quasi romantic comedy adapted from Ephron's memoir, which went deeper into her illness and grief.
Thanks to government support " and a collaborative spirit among dance companies " the medium is thriving across the country.
From Salzburg to Dijon to Paris, a German choreographer adds striking dance to the sacred oratorio.
The Australian Ballet's premiere of "Oscar," based on the life of Oscar Wilde, explores the love relationship between two men.
Lloyd Suh's nimble period comedy about Benjamin Franklin examines a timeless struggle: the unmet expectations that divide parents and children.
Julia May Jonas's compelling play, opening the Bushwick Starr's new theater, explores how a story written about men looks from the other side.
Since K'Sean 'KShakes' Nurse died last month, fellow New York street dancers have found release through performance.
The Connelly Theater has suspended operations after its church landlord began more carefully scrutinizing show scripts and its general manager resigned.
Armando Iannucci, the mastermind behind "Veep," has adapted "Dr. Strangelove" for the theater and insists that laughing at nuclear disaster couldn't be more timely.
A stripped-back revival of the classic musical, starring the singer Nicole Scherzinger, opened at the St. James Theater on Sunday night.
Thirty years ago, Bill T. Jones presented "Still/Here," and the critic Arlene Croce responded with an explosive essay. Now the work is returning to the Brooklyn Academy.
