38,466 stories from The New York Times
A deep-tissue turn by Colman Domingo and a breakout performance by Clarence Maclin lift this moving drama about a prison theater program.
Alongside Colman Domingo and Paul Raci, ex-inmates shot "Sing Sing" in a decommissioned correctional facility. Then came the screening in the actual prison.
The 20 recipients, including a Broadway composer, a Marvel video game voice actress and a three-time Pushcart Prize-nominated poet, are the initiative's final cohort.
Jakob Karr, from "So You Think You Can Dance?," has conceived and choreographed a show set to songs by the country musician Orville Peck.
The creators of "Inspired by True Events" wanted their new immersive theater piece to convey ominousness, not a haunted-house riff on "Noises Off."
Michelle Dorrance's new work, "Shift.," honors Gene Medler, the teacher who founded the North Carolina Youth Tap Ensemble.
The emerging field of dance neuroscience is finding that dance, with its multifaceted demands, engages the mind as intensively as the body.
A new immersive piece of theater from the producers of "Sleep No More" transports visitors to the Gilded Age through a retrofitted skyscraper in Manhattan.
At the Salzburg Festival, a new adaptation of "The Oresteia" will put a classic story of war, democracy and revenge into a modern context.
Cole Escola's dragtastic White House farce asks the immortal question: Besides that, Mrs. Lincoln, how did you like the play?
Fun is the main point of Carl Cofield's stylish outdoor staging of Shakespeare's comic fantasy for the Classical Theater of Harlem.
A theater director and playwright were sentenced to prison, a stark indication of the increasing suppression of free speech since Russia's attack on Ukraine, their lawyers and critics say.
The best dance by far on Smuin Contemporary Ballet's program at the Joyce is by Amy Seiwert, who is about to be the company's director.
Henry Hoke's 2023 novel, "Open Throat," narrated by an animal in peril in the Hollywood Hills, is adapted for a staged reading.
Cole Escola is dressing the part of a red-carpet star after achieving a new level of fame as the star of the play "Oh, Mary!"
Under its new director, the event is shining a spotlight on countries and performers rarely represented on the biggest European stages.
Years before they ascended to influential leadership roles, they worked at the Public Theater and became cheerleaders for each other's professional dreams.
John Neumeier has run the Hamburg Ballet for 51 years, putting his stamp on the company and the city.
Tiago Rodrigues said the Avignon Festival, which he leads, would become "a festival of resistance," juggling activism with the premiere of a new play.
Grégory Milan, who works with Biles and the French national team, has found a home in gymnastics, though his pure dance background is unusual in the sport.
After a tremendous "Swan Lake" performance, Chloe Misseldine was promoted onstage at the Metropolitan Opera House. The audience went nuts.
The playwright Jeremy O. Harris's "Slave Play. Not a Movie. A Play." wears its intellectual references on its sleeve.
Easygoing days of drama and comedy are just a few hours away (or even closer) in New York, Connecticut and Massachusetts.
The rise of the soloist Chloe Misseldine is part of the artistic director Susan Jaffe's master plan: Start them young and give them time to grow.
She wrote memorably about her upbringing by a circle of maternal elders and the life lessons they imparted, and of her yearning for the mother she lost.
