38,669 stories from The New York Times
The musical, created by Shania Taub, announced that it will play its final performance on Jan. 5 and start a national tour next fall.
The Greek-born choreographer Lenio Kaklea made her American debut at Governors Island, a fitting spot for work about the boundaries between nature and culture.
The fall season is underway, and our reviewers think these productions are worth knowing about, even if you're not planning to see them.
The Thornton Wilder classic returns to Broadway, still brutal and avant-garde after 86 years.
New York City Ballet dressed up its fall fashion gala with a program of female choreographers. This was history, even if the results were mixed.
A diner patron asks a waitress for an extraordinary side dish in Meghan Kennedy's sweet but shaggy new play.
The landlords also said they would reconsider their process for determining who to honor with full and partial dimmings.
On a barge in Brooklyn, the story of a beloved watering hole and a neighborhood's recovery after Hurricane Sandy.
"Just in Time," a new musical about the "Mack the Knife" pop singer, will open next spring at Circle in the Square in Manhattan.
Mathieu Kassovitz has turned his cult 1995 movie into a stage musical. The France it represents is different " though much hasn't changed.
Her gossipy portrait of singlehood as a celebrity is a sunny contrast to the darker view of her Netflix stablemate Hannah Gadsby.
Robert Lepage's latest play, "Faith, Money, War and Love," runs for five hours, and aims to depict Germany since the end of World War II.
The goofball spirit that made Marla Mindelle's "TitanÃque" a hit is missing from her equally campy new show drenched in pop-culture references.
Osvaldo Golijov's opera about Federico GarcÃa Lorca makes its Met debut in a dance-heavy production, directed by the choreographer Deborah Colker.
Olivia Bell, 20, a radiant member of New York City Ballet, reprises the role she knocked out of the park as a student: "I want to do it right."
Your culture and entertainment questions answered by New York Times journalists and experts.
Adapted from the offbeat 2012 film, this new musical about loneliness and the longing for do-overs is promising but still needs to find its shape.
His career on Broadway spanned decades. But he has probably best known for providing the voice of the boogeyman in "The Nightmare Before Christmas."
Dayton Contemporary Dance Company brought a mixed bill to the Joyce Theater, including a Paul Taylor classic and a dance by the great Rennie Harris.
A new play from James Ijames, who won a Pulitzer for his "Fat Ham," has intriguing ideas about identity and community that never fully take shape.
The "Succession" actress plays all 26 characters in a London stage production of the Oscar Wilde novel.
David Henry Hwang's 2007 play, now in a fine Broadway revival, is a pointed critique of identity, masquerading as a mockumentary.
The musical, based on the best-selling novel, featured dazzling acrobatics and puppetry. Its final performance will be Dec. 8.
The stage stars were among more than 600 people who turned out for an evening of dinner and performances to benefit Black Theater United.
Todd Almond's "I'm Almost There" is a work of wonder, while Gabriel Kahane's "Book of Travelers" and "Magnificent Bird" are less effective.
