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38,466 stories from The New York Times

Audra McDonald to Star in 'Gypsy' Revival on Broadway This Fall by Michael Paulson

The six-time Tony-winning actress will play musical theater's most famous stage mother in a production directed by George C. Wolfe.

SOURCE: The New York Times Subscription at 3:54pm on May 29, 2024

Review: For 'Molly Sweeney,' Not Seeing Was Never the Obstacle by Naveen Kumar

The Irish Rep ends its season-long Brian Friel survey with the story of a blind woman who undergoes an operation to try to restore her sight.

SOURCE: The New York Times Subscription at 2:54pm on May 29, 2024

Mira Nadon, a Once-in-a-Generation Dancer at City Ballet by Gia Kourlas

Mira Nadon, the rising New York City Ballet principal, is coming off her best season yet. And it's only the beginning.

SOURCE: The New York Times Subscription at 11:00am on May 29, 2024

Two More 'Succession' Actors Are Broadway Bound, in 'Job' by Michael Paulson

Peter Friedman and Sydney Lemmon will star in the two-hander, a psychological thriller that previously found success downtown.

SOURCE: The New York Times Subscription at 10:18am on May 28, 2024

Florentina Holzinger Brings Roller-Skating Nuns to the Opera House by Ben Miller

The choreographer Florentina Holzinger's shows feature circus performers and abundant nudity. Now, she's bringing her experimental approach to opera.

SOURCE: The New York Times Subscription at 9:44am on May 28, 2024

The Man Behind the Effortless, Viral Grooves by Margaret Fuhrer

Shay Latukolan, who has worked with Jungle and Childish Gambino, creates choreography so infectious that everyone thinks they can dance along.

SOURCE: The New York Times Subscription at 5:02am on May 28, 2024

Voices Carry at La MaMa, but Only a Few Rise Above the Din by Brian Seibert

The La MaMa Moves! Dance Festival 2024 featured a high ratio of talking to dancing.

SOURCE: The New York Times Subscription at 2:05pm on May 27, 2024

'Bluets' Review: This Maggie Nelson Adaptation Is All About the Vibes by Houman Barekat

How do you bring an almost plotless book of elliptical fragments to the stage? The director Katie Mitchell has tried with three actors, four screens and three bottles of whiskey.

SOURCE: The New York Times Subscription at 12:32pm on May 27, 2024

Wayne Brady and Nichelle Lewis of 'The Wiz' Are Striving for Excellence by Salamishah Tillet

The veteran and the newcomer each had their own fears as they joined the Broadway revival of the beloved all-Black musical.

SOURCE: The New York Times Subscription at 5:06am on May 27, 2024

Across New York City, Building Young Dancers On and Off the Stage by Gia Kourlas

As Ballet Tech, a tuition-free public school, prepares for its Joyce season, Dionne Figgins teaches the students to see the big picture of their art form.

SOURCE: The New York Times Subscription at 5:02am on May 27, 2024

In New TikTok Trend, Parents Dance Like It's the '80s and Bring Down the House by Maya Salam

Videos of parents demonstrating their moves have been a surprise hit on a site where youth rules " perhaps because the trend isn't played for laughs.

SOURCE: The New York Times Subscription at 5:03am on May 25, 2024

Brooke Shields Elected President of Labor Union Actors' Equity by Michael Paulson

She takes office immediately. The previous leader, Kate Shindle, had been president since 2015, and did not run again.

SOURCE: The New York Times Subscription at 12:12pm on May 24, 2024

Review: In 'The Fires,' a Triptych of Stories About Gay Men and Love by Brittani Samuel

Raja Feather Kelly makes his playwriting debut with a spellbinding story of three generations of Black men at Soho Rep.

SOURCE: The New York Times Subscription at 10:36am on May 24, 2024

Review: In 'Romeo and Juliet' With Tom Holland, Plenty of Style, but Little Love by Houman Barekat

The London production, starring Tom Holland, sold out in hours. But its understated rendering of the central romance may leave some theatergoers wanting more.

SOURCE: The New York Times Subscription at 7:02am on May 24, 2024

Review: 'The Hours Are Feminine,' a Family Braces for a Storm by Juan A. Ramírez

In José Rivera's latest play, a Puerto Rican family moves to Long Island in 1960, contending both with Hurricane Donna and their neighbors' hostility.

SOURCE: The New York Times Subscription at 8:54pm on May 23, 2024

At DanceAfrica, the Enduring Power of Love by Gia Kourlas

A couple with deep ties to the popular Brooklyn festival and its founder and longtime artistic director, Chuck Davis, recall when their wedding was part of the show.

SOURCE: The New York Times Subscription at 11:00am on May 23, 2024

New York's Palace Theater Gets an $80 Million Refresh (and 30 Feet Higher) by The New York Times

The Times Square landmark has been restored and refurbished. Take a look.

SOURCE: The New York Times Subscription at 2:48pm on May 22, 2024

New 'Richard III' Raises an Old Question: Who Should Wear the Crown? by Houman Barekat

A production at the Shakespeare's Globe theater faced criticism because a nondisabled actor plays the scheming king. But disputes like these miss the point, our critic writes.

SOURCE: The New York Times Subscription at 2:24pm on May 22, 2024

Review: In 'Usus,' Pig Latin Gets Lost in Translation by Elisabeth Vincentelli

T. Adamson's new comedy, which opens Clubbed Thumb's popular Summerworks series at the Wild Project, is about a group of worked-up Franciscan friars.

SOURCE: The New York Times Subscription at 1:02pm on May 22, 2024

Kit Connor and Rachel Zegler Headline Broadway 'Romeo and Juliet' by Michael Paulson

A production featuring the screen stars, with music by Jack Antonoff, will open in October at Circle in the Square.

SOURCE: The New York Times Subscription at 10:02am on May 22, 2024

'Ha Ha Ha Ha Ha Ha Ha' Review: Julia Masli Is a Problem-Solving Clown by Elisabeth Vincentelli

A hit at Edinburgh Fringe last year, Julia Masli's show arrives at SoHo Playhouse for its New York debut.

SOURCE: The New York Times Subscription at 2:42pm on May 21, 2024

'The Lonely Few' Review: Rocking Out and Falling in Love by Laura Collins-hughes

Lauren Patten and Taylor Iman Jones star in an achingly romantic, softly sexy new musical by Rachel Bonds and Zoe Sarnak.

SOURCE: The New York Times Subscription at 5:24am on May 21, 2024

Review: In 'Three Houses,' a Dark Karaoke Night of the Soul by Jesse Green

It's open mic at the post-pandemic cocktail bar where Dave Malloy's hypnotic triptych of monodramas takes place.

SOURCE: The New York Times Subscription at 9:18pm on May 20, 2024

Choreographer's 'Dog Poop Attack' on a Critic Inspired This New Play by A.J. Goldmann

At this year's Theatertreffen drama festival, one production explores an incident that shocked the German theater world last year.

SOURCE: The New York Times Subscription at 3:32pm on May 20, 2024

She Wants to Make San Francisco Ballet an 'Arrow to the Future' by Gia Kourlas

Tamara Rojo, the company's new artistic director, has a vision of ballet as for the people " all the people " with dances that reflect our world.

SOURCE: The New York Times Subscription at 5:01am on May 20, 2024
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