38,669 stories from The New York Times
As she departs the acclaimed nonprofit, Rothman discussed why women need to be in leadership, her Tony Awards mic drop and the "perfect production."
For years, Michael Cyril Creighton hoped one of his small TV parts would evolve into something more. With "Only Murders," it finally happened.
Grief narratives were in vogue, and psychological maladies, too, at the annual Scottish arts showcase.
The composer is breaking the rules of musical theater and finding an increasingly warm welcome this year for her rock sound. Next up, "Empire Records: The Musical."
From the first solo to the euphoric final bows, dance is essential to the world-building of "Cats: The Jellicle Ball." Watch four standout dancers from the reinvented classic.
It's a prime opportunity for performers looking to make a splash. Nadia Quinn, a comic actress and singer from New York, decided to give it a shot.
In a soul-baring new show at the Edinburgh Fringe, the Australian stand-up leans once again into fears, anxieties and mental health worries.
The event's best theater production avoided the gimmicks of other shows in favor of well-drawn characters and well-written dialogue.
An investigation found that a "culture of fear" had developed at the International Theater Amsterdam during the years when the star director led the company.
Violaine Huisman, who leads programming for the Crossing the Line festival, takes in dance on Little Island, a world premiere at Asia Society and "invigorating" translation projects.
An exhibition at the Morgan, drawn from its collection of musical manuscripts, sheds light on one of the most collaborative periods in dance.
Multiple shows at the Edinburgh Fringe make camp fun out of the 2023 civil action that spurred a thousand memes " and one of them is a triumph.
Tarell Alvin McCraney, the artistic director of the Geffen Playhouse in Los Angeles, is focused on bringing marginalized people to the theater.
In the abandoned industrial sites that serve as the festival's venues, our critic witnessed beauty struggling to be born: fitfully, clumsily and sometimes stunningly.
Francesca Moody has put on some of the Edinburgh Fringe's biggest breakout hits. This year, she has three shows that she's hoping will go global.
Jean-Paul Montanari's career as the head of Montpellier Danse has been entwined with the rise of contemporary dance as a force in France.
For T Magazine, Kate Guadagnino set out to identify the many people involved in creating a single object or artistic work, including a luxury handbag, a performance piece, a pizza and more.
After a small part in "Succession," the actor has a breakout role in "Job," in which she plays a content moderator having a mental breakdown.
Faye Driscoll uses the ocean as her collaborator in a sunset dance celebrating the 10th anniversary of Beach Sessions.
For the Belgian director's first edition as leader of the Ruhrtriennale, abandoned sites are "the starting point and the end point," he says.
A new theatrical experience in the Financial District is composed of 25 individual stories, but it's hard to make sense of any of them.
Branden Jacobs-Jenkins had Broadway success this year with a drama starring Sarah Paulson. In February, he'll return with a new play directed by Phylicia Rashad.
At the Stratford Festival, a remix of genders and genres tells a brand-new, age-old tale of personal freedom.
In Jo Hamya's second novel, "The Hypocrite," a 20-something playwright puts her absent, aging writer dad on blast.
The hit Encores! production has transferred to Broadway, with a cast fiercely dedicated to entertaining its audience.
