1,756 stories from Culture Bot
Brendan McCall reflects on "User Agreement," a new play by Ben Holbrook, directed by Dante Green, playing at The Makers’ Space
through Nov 8.
Sarah Lunnie in conversation with Benjamin Benne about "Fantasma," playing Nov 7 through Dec 20 at Primary Stages, the Resident Off Broadway Theater Company at 59E59 Theaters.
Liliana Padilla reflects on Layla Khoshnoudi's "I'm Not Even Half," playing at The Bushwick Starr through October 30.
Nurit Chinn reflects on Layla Khoshnoudi's "I'm Not Even Half," playing at The Bushwick Starr through October 30.
Nicolás Noreña in conversation with Leah Plante-Wiener on "The Kick Inside," playing at HERE Arts through Nov 7.
Brendan McCall reflects on "Machine Learning," playing through Oct 30 at Little Engine Theater at Manhattan Neighborhood Network.
Tess Walsh reflects on "MEAT" by Zara Roy, which played at The Tank on July 13.
Trans theater director Dmitri Victor Barcomi and performer-writer Tamás Marquardt talk dissent in the Soviet Bloc, making art across two continents, and the state of theater in Trump’s Am…
Brendan McCall reflects on kNOT Company's "maedeup: Weaving Shin Yun-bok" at La MaMa
Two new productions - Tom Creed's "4.48 Psychosis" in Dublin, Alec Duffy's "Crave" in New York City - reveal how Sarah Kane's work continues to resonate politically and socially three decade…
Brendan McCall reflects on "The Body of Mary: A Play in Three Acts (of God)," written and directed by Katie Cappiello, playing through Oct 8 at The Gym at Judson
Robin Denzer reflects on Julia Antinozzi’s new work “Time Piece” staged at PAGEANT
Allyson Dwyer in conversation with River Donaghey about his new play "GOOD CULT," playing Oct 9-11 at Studio 17, Manhattan
Brendan McCall reflects on "The Invention of Love," starring David Greenspan and directed by Zachary Elkind, playing through Oct 3 at The MAP Theater at TheaterLab
Vague advocacy for “peace” that explicitly rejects and disallows analysis of the power structures, inequities, and histories that create violence has no material impact on the world othe…
Lindsey Walko talks with Raina Soman and AJ Molder, two of the cofounders of Twenty Somethings, about "Dirty Bird," an adaptation of "The Seagull," written and directed by Whit Flint, playin…
Sol Cabrini reflects on club aesthetics and the sonification of race in the work of 2025 CPR AiR KYLE b.co.
Brendan McCall reflects on "Becoming Hamlet," adapted by Damon Horowitz, directed by Sybille Bruun | Playing at Five Angels Theatre through October 3, 2026
Jeff Careyva in conversation wwith Madeline Bernhard and Hannah Hale—actors, directors, and producers for Adult Film’s upcoming show, MAIDS AFTER GENET, running through September 19.
2025 CPR Artist-in-Residence Diovanna Obafunmilayo speaks with Shamira Ibrahim about invoking the divine in her recent performance piece GODBODY.
Brendan McCall reflects on "The Real Ivanov," adapted & Directed by Laura Strausfeld, playing through September 19 at Lynn F. Angelson Theater.
Brendan McCall reflects on "An American Daughter" by Wendy Wasserstein, directed by Sarna Lapine, playing through September 20 at The Pershing Square Signature Center.
Tess Walsh reflects on Lydia Riess’ "Going Away Party," staged as a part of the ALab Theater Festival | June 27 + 28, 2026
Jeffrey M. Jones on the inimitable Leonie Bell
Leah Plante-Wiener in conversation with Stacy Grossfield about Grossfield's "metamorphosis iii," the dance theatre saga that unfolded at the Collapsable Hole in four episodes between August …
