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35,770 stories from The Guardian

Million Dollar Quartet review – jumping jukebox show reignites rock’n’roll classics by Chris Wiegand

The Arts at Marble Arch, LondonElvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis’s 1956 get-together is respun with an unsubtle script but some vigorous performancesWith the Ar…

SOURCE: The Guardian at 1:50pm on September 17, 2026

Darkling review – Stranger Things’ Linnea Berthelsen confronts a gruesome Indian disaster by Ammar Kalia

Bush theatre, LondonTitas Halder’s coming-of-age monologue is set against the 1984 Bhopal toxic gas leak – but the poetic script doesn’t quite capture the horrorOminousness permeates D…

SOURCE: The Guardian at 11:40am on September 17, 2026

Fences review – August Wilson’s classic family drama is as smart as paint by Catherine Love

Leeds PlayhouseDaniel Bailey’s dynamic production fizzes with jazz and moments of possibility amid taut scenes of thwarted ambition and harsh realities in 1950s AmericaFive years on from t…

SOURCE: The Guardian at 8:30am on September 17, 2026

Thelma & Louise review – musical hoedown is a bland and baffling wrong turn by Arifa Akbar

Young Vic, LondonDespite a book by the original screenwriter, this stage adaptation doesn’t have the depth – or the songs – worthy of the era-defining feminist parable. And where’s t…

SOURCE: The Guardian at 8:30am on September 17, 2026

Sky’s the limit! Alvin Ailey American Dance Theater – in pictures by All Photographs By Tristram Kenton

The always revelatory dance company is at Sadler’s Wells in London this month with two programmes, celebrating their legacy and presenting ‘heavenly’ new works Continue reading...

SOURCE: The Guardian at 6:20am on September 17, 2026

‘Newsnight’s kindest critic’: Bonnie Greer was always effortlessly in command by Zoe Williams

Playwright was an unusual mix of originality and authority and in high demand as a cultural criticBonnie Greer, who has died at the age of 77, moved to the UK from New York in 1986. She grew…

SOURCE: The Guardian at 6:35pm on September 16, 2026

‘We thought death could do with a bit of dancing’: welcome to Sondering, the arts festival with its own funeral march by Claire Potter

A brush with mortality inspired sisters Sophia and Camilla Minden to create a death-themed event featuring live bands, wild swimming … and an ‘emoshpit’Raised in the Lake District on â…

SOURCE: The Guardian at 11:10am on September 16, 2026

Chewing Gum Dreams review – Michaela Coel’s horny teenage heroine is still a force to reckon with by Arifa Akbar

Theatre503, LondonLauryn Ajufo makes Tracey her own in a vibrant revival of Coel’s monologue, capturing the cruelty, confusion and comedy of adolescenceThe self-flagellations of adolescenc…

SOURCE: The Guardian at 11:10am on September 16, 2026

In-I in Motion review – Juliette Binoche pulls back the curtain on dance duet with Akram Khan by Cath Clarke

The actor makes her directing debut with a raw, fascinating film about her 2008 collaboration with the British dancerIn the way that wedding rehearsals can be more emotional than the big day…

SOURCE: The Guardian at 10:05am on September 16, 2026

Bonnie Greer, writer and cultural commentator, dies aged 77 by Ella Creamer

The British-American novelist and playwright who regularly appeared on panel shows will be remembered for her ‘warmth, humour and generosity’, says her husbandThe British-American noveli…

SOURCE: The Guardian at 10:05am on September 16, 2026

The play that changed my life: ‘Grime was ostracised but the Royal Court saw it as an art form – and made me a better MC’ by Jammz

Poet in da Corner by Debris Stevenson revealed that acting in a theatre can have a lot in common with MCing in a clubBy 2018 I was in my third or fourth year professionally as a grime MC and…

SOURCE: The Guardian at 7:55am on September 16, 2026

Alvin Ailey American Dance Theater: New Works review – a heavenly night by Sanjoy Roy

Sadler’s Wells, LondonSkill, craft and beauty infuse pieces including Lar Lubovitch’s Many Angels and Judith Jamison’s A Case of YouThe Alvin Ailey company’s New Works programme migh…

SOURCE: The Guardian at 7:55am on September 16, 2026

Golden Boy review – Great Depression boxing melodrama swings between hope and despair by Chris Wiegand

Almeida theatre, London Josh O’Connor makes a powerful return to the stage as a New York violinist driven by dire straits to risk everything in the ringClifford Odets proved himself a cont…

SOURCE: The Guardian at 6:50am on September 16, 2026

She was the Royal Ballet’s first ‘young choreographer’ – Charlotte Edmonds’ next 10 years show how dance is changing by Lyndsey Winship

As a teenager, Edmonds had a three-year residency at the Royal Opera House. Her eclectic career – creating NFTs, adverts and films as well as for the stage – reveals a precarious industr…

SOURCE: The Guardian at 7:20am on September 15, 2026

Pre-Existing Condition review – Lupita Nyong’o is phenomenal in domestic abuse drama by Juan A Ramírez

Greenwich House Theater, New YorkThe Oscar-winning actor transfixes in a Marin Ireland’s masterfully nuanced play about a woman reeling from a toxic relationshipParadoxically, the more sta…

SOURCE: The Guardian at 8:00pm on September 14, 2026

At this ambitious circus, everyone does everything – from aerial acrobatics to building the stage itself by Dee Jefferson

The Fijian Flying Circus is a lo-fi, high-energy mix that teaches its performers a valuable grab-bag of theatre and life skills even as they charm the crowdsI’m watching a young man dresse…

SOURCE: The Guardian at 5:25pm on September 14, 2026

Jack Thorne warns some fellow scriptwriters are using AI ‘to cheat’ by Michael Savage Media Editor

Adolescence co-writer criticises government inaction and calls for laws banning secret use of AI to generate scriptsJack Thorne, one of Britain’s most successful screen and stage writers, …

SOURCE: The Guardian at 5:25pm on September 14, 2026

Sunday in the Park With George musical cancelled, after Ariana Grande and Jonathan Bailey both drop out by Tim Jonze

The star-studded Sondheim musical has hit the buffers after a second star, Jonathan Bailey, joined his Wicked colleague Ariana Grande and left the productionFirst, it was Ariana Grande who d…

SOURCE: The Guardian at 5:25pm on September 14, 2026

Royal Ballet: The McRae/Vassilev Project review – an encounter between two masterful ROH performers by Sanjoy Roy

Linbury theatre, LondonDirected by Natalie Abrahami and choreographed by Loughlan Prior, this is an evening of many parts that sometimes feels bolted togetherIt’s an evening of two halves …

SOURCE: The Guardian at 5:30am on September 14, 2026

The Children review – Meera Syal and co go nuclear in poignant drama by Miriam Gillinson

Lyric Hammersmith, LondonA catastrophic explosion forces retired nuclear engineers Syal and Declan Conlon to confront their past after a visit by Kerry Fox in this revival of Lucy Kirkwood 

SOURCE: The Guardian at 7:05am on September 13, 2026

Scottish Ballet: Emergence review – riveting visions of gods and insects by Róisín O'Brien

Theatre Royal, GlasgowThe premiere of Julia Cheng’s Entress and a bold return for Crystal Pite’s Emergence both explore collective powerIt is a significant moment for a choreographer to …

SOURCE: The Guardian at 4:25am on September 12, 2026

Man to Man review – Tilda Swinton’s perfect pacing makes this multi-character monologue compelling by Mark Lawson

Royal Court theatre, LondonStarting in Germany in the 1930s, there is a stinging topicality to Manfred Karge’s play addressing the renaissance of Nazi ideologyEarly autumn London theatre h…

SOURCE: The Guardian at 7:40pm on September 11, 2026

Bloodsport: After Helen of Troy review – classical myth burns into modern England by Emma John

Theatre Royal Stratford East, London In Ava Pickett’s tense play, Michelle Dockery’s heroine returns to a Towie-styled world where the violence and misogyny are all too recognisable‘An…

SOURCE: The Guardian at 12:10pm on September 11, 2026

Tartuffe (Remixed) review – Mark Rylance sinks his false teeth into Molière’s trickster comedy by Mark Lawson

Marylebone theatre, LondonDarren Raymond’s update drops Rylance’s impostor into a Jamaican-Nigerian wedding, with clever rhyming couplets but less political stingSpitting posh platitudes…

SOURCE: The Guardian at 8:55am on September 11, 2026

The Trial of Romeo Oscar review – Ayckbourn goes back to the future with android accused of murder by Nick Ahad

Stephen Joseph theatre, ScarboroughThe playwright explores our relationship with technology, asks if robots have souls and even questions the value of art in this sci-fi courtroom dramaFor p…

SOURCE: The Guardian at 6:40am on September 11, 2026
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