37,840 stories from The New York Times
This newly discovered play by Wilder is part picaresque, part fable, featuring a Midwestern boy who dreams of working at a department store in the big city.
“Just in Time,” which for a year starred Jonathan Groff, is the first new musical from last season to make money for investors.
The composer Cinco Paul discusses the clever references to classic musicals everywhere you look (and hear) in his new Broadway show.
After “Coppélia,” the New York City Ballet star will leave her dancing days behind. “I have an immense amount of peace about this whole thing,” she said.
Eliya Smith’s disturbing teen dramedy explores the ambivalence and confusion of life on the brink of adulthood.
Our chief theater critic looks at this year’s nominees and makes some predictions (and recommendations).
Derek Klena was a successful actor with a Tony nomination to his name. But he’s found a bigger audience with the barnstorming baseball sensation.
For a short time, Rauschenberg made dances. He used roller skates, pointe shoes and parachute wings for “Pelican” (1963), now reimagined by Trisha Brown’s company.
Aleshea Harris won acclaim for her drama “Is God Is.” When it came time for a film adaptation, she saw cinematic possibilities far beyond her play.
The actor gives a remarkable performance in a program of monologues at the intimate Minetta Lane Theater. Sepideh Moafi and Marianna Gailus also star.
Kara Young and Mallori Johnson play twins bent on revenge in the playwright Aleshea Harris’s powerhouse film debut.
The actresses both scored Tony nominations for their hilarious turns in Noël Coward’s 1925 farce. Also catch Ben Platt and Rachel Zegler in “The Last Five Years.”
For Nathan Lane, Taraji P. Henson, Daniel Radcliffe and other actors, it can take wigs, group hugs or banishing ghosts to make the transformation.
The collection at the Library of Congress also added works by Weezer and Vince Gill, and a radio broadcast of a fight between Muhammad Ali and Joe Frazier.
Jade Manns is part of a generation of young dance artists who dig deep inside the body’s inner landscape. Nature leads the way.
Joshua Henry, a Tony nominee for his thrilling performance in “Ragtime,” credits the demanding role with helping him “feel like I have mastered the voice.”
Jada Manns is part of a generation of young dance artists who dig deep inside the body’s inner landscape. Nature leads the way.
Breaking down the choreographic allusions in “Schmigadoon!” and “Cats: The Jellicle Ball,” two gotta-dance, Tony-nominated shows.
Here are some of the brilliant moments our writers can’t shake from this year’s batch of Tony-nominated productions.
Inspired by the popular film series, the play has already run in Britain and in four U.S. cities. It arrives in New York in August after a Boston stop.
A genre of plays has emerged in which the characters and events are real — even when the dialogue isn’t.
Barack Obama, Kim Kardashian and Bowen Yang have all signed on as co-producers of Broadway shows. Our theater reporter Michael Paulson explains why.
Breaking down the choreographic allusions in “Schmigadoon” and “Cats: The Jellicle Ball,” two gotta-dance, Tony-nominated shows.
A stale revival of Adam Bock’s cog-in-the-office-machine dark comedy lacks specificity and bite.
The film that’s been adapted into a new musical created a memorable aesthetic with its cast and outfits. Its ideas about the nuclear family also made it a movie for its time.
