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38,643 stories from The New York Times

Survey Says: ‘John Proctor’ Is the Most-Staged Play in the U.S. by Michael Paulson

An annual review by American Theater magazine finds 20 productions of the high school drama around the nation.

SOURCE: The New York Times Subscription at 1:55pm on September 16, 2026

Bob Mackie, Designer Who ‘Dressed Every Spangly Woman in Show Business,’ Dies at 87 by Penelope Green

His sequined gowns and outrageous costumes threw clouds of glitter at American fashion for over half a century.

SOURCE: The New York Times Subscription at 11:30am on September 16, 2026

Patti LuPone to Star as Diana Vreeland in ‘Full Gallop’ by Michael Paulson

LuPone will return to the Off Broadway stage in January for a revival of “Full Gallop.”

SOURCE: The New York Times Subscription at 9:15am on September 16, 2026

Julia Louis-Dreyfus Is Ready to Make a Meal of Broadway by Alexis Soloski and Thea Traff

The actress, last onstage over four decades ago, had a “terrifying” desire to return to the stage. “Other Desert Cities” will be her Broadway debut.

SOURCE: The New York Times Subscription at 5:25am on September 16, 2026

In ‘Wanted’ on Broadway, Outlaw Sisters Pass for White to Settle the Score by Derrick Bryson Taylor and Myesha Evon

The new musical, set in the late 1800s in Texas, originated from the family lore of the book writer and lyricist Angelica Chéri. Its journey to Broadway took a dozen years.

SOURCE: The New York Times Subscription at 5:25am on September 16, 2026

As ‘Annie’ Turns 50, a Revival Will Open on Broadway by Michael Paulson

A revival of the endlessly popular musical will open in the fall of 2027.

SOURCE: The New York Times Subscription at 9:10am on September 15, 2026

A Nancy Pelosi-A.O.C. Drama, ‘Little Shop of Horrors’ and More Theater to Stream by Rachel Sherman

This month’s picks include the “Hamilton” alum in Ossie Davis’s 1961 play, a political comedy by Mario Correa, and “Little Shop of Horrors” in high definition.

SOURCE: The New York Times Subscription at 7:55am on September 15, 2026

With ‘Seven Guitars,’ Ruben Santiago-Hudson Keeps the Light on for August Wilson by Helen Shaw and Marcus Maddox

Ruben Santiago-Hudson, a recent Tony nominee for “Joe Turner’s Come and Gone,” returns to the director’s chair for this season’s revival of “Seven Guitars.”

SOURCE: The New York Times Subscription at 5:35am on September 15, 2026

The Midcareer Artist Camille Henrot Is Apparently Tireless by Walker Mimms

The French artist makes you feel like a reveler in her epiphanies, from slapstick commedia dell’arte to dog sculptures in Central Park. At midcareer she is apparently tireless.

SOURCE: The New York Times Subscription at 5:35am on September 15, 2026

The Elusive Choreographer Sarah Michelson Is Turning MoMA Into a Dance Palace by Gia Kourlas and Adam Golfer

Sarah Michelson presents her expansive vision of dance at the Museum of Modern Art, where she will take over the atrium in her exhibition, “nowhere.”

SOURCE: The New York Times Subscription at 5:00am on September 15, 2026

Alexei Ratmansky Stages a Ballet in Kyiv, Between Trips to the Bomb Shelter by Marina Harss

The choreographer Alexei Ratmansky and his wife, Tatiana, returned to the national ballet company at a bleak moment, bringing the gift of a difficult, sparkling work.

SOURCE: The New York Times Subscription at 5:01am on September 14, 2026

Martha Graham Dance Company Finds Home in Times Square Landmark by Anna Kodé and Ashok Sinha

The Graham company, which turned 100 this year, moves into a dazzling new space, taking over 21,000 square feet of a Times Square landmark.

SOURCE: The New York Times Subscription at 5:02am on September 13, 2026

‘The Ford/Hill Project’ Review: Two Unnerving Testimonies by Helen Shaw

A new docudrama uses recordings of Supreme Court nominations to measure how much (or little) has changed from Anita Hill to Christine Blasey Ford.

SOURCE: The New York Times Subscription at 5:10am on September 11, 2026

Justin Vivian Bond, Cabaret Chanteuse, Left New York for Paris. New York Called Her Back. by Jada Yuan

Justin Vivian Bond, a cabaret performer and MacArthur “genius,” left New York to move to Paris. Now she’s back at Joe’s Pub to tell us all about it.

SOURCE: The New York Times Subscription at 8:00pm on September 10, 2026

‘Garry Starr’ Review: Half-Man, Half-Penguin, Full-Frontal by Helen Shaw

Damien Warren-Smith takes (nearly) everything off to play a flightless bird whose natural habitat might be in your very own lap.

SOURCE: The New York Times Subscription at 12:35pm on September 10, 2026

The Royal Ballet Stays True to Its Founder’s Vision by Dale Berning Sawa

The dancers Valentino Zucchetti and Taisuke Nakao reflect on their careers and on ways they have striven to fulfill the ballet founder’s vision.

SOURCE: The New York Times Subscription at 11:22am on September 10, 2026

Dancing at Rockaway Beach: Now That’s Entertainment by Gia Kourlas and Adam Powell

Eye-catching costumes? Eerie foghorns? For this year’s Beach Sessions, Alexa West shines a light on the bright and dark sides of American showbiz in “Amusement.”

SOURCE: The New York Times Subscription at 5:00am on September 10, 2026

Dolly Parton’s Musical, ‘Inter Alia’ and More on Broadway, and Off, This Fall by Laura Collins-hughes

On New York stages this season come the new musicals “Galileo” and “Wanted,” a “Shuffle Along” reunion with Audra McDonald, and Tom Hiddleston in “Much Ado About Nothing.”

SOURCE: The New York Times Subscription at 5:10am on September 9, 2026

‘Liberation,’ ‘Purpose’ and 39 More Shows to See in the U.S. This Fall by Laura Collins-hughes

This season is rich with sharp productions, like Bess Wohl’s and Branden Jacobs-Jenkins’s Pulitzer winners, Cole Escola’s “Oh, Mary!” and the hip-hop musical “Mexodus.”

SOURCE: The New York Times Subscription at 5:10am on September 9, 2026

Sara Bareilles Confronted Grief, and Found Herself by Melena Ryzik and Meghan Marin

Her new album, “Good Grief,” mourns friends including her Broadway co-star Gavin Creel, and her musical adaptation of the Meg Wolitzer novel “The Interestings” is about finding a dif…

SOURCE: The New York Times Subscription at 5:10am on September 9, 2026

Bill T. Jones’s Dance That Didn’t Happen at the World Trade Center Plaza by Brian Seibert and Guarionex Rodriguez

Twenty-five years after 9/11 caused the cancellation of a Bill T. Jones group performance, he debuts a work in response.

SOURCE: The New York Times Subscription at 5:05am on September 9, 2026

Reece Weaver of ‘Dallas Cowboys Cheerleaders’ Makes Her Broadway Debut by Madison Malone Kircher

Reece Weaver, a breakout star of the Dallas Cowboys Cheerleaders, gives Broadway a whirl.

SOURCE: The New York Times Subscription at 3:50pm on September 8, 2026

At the Stratford Festival, Forgiveness Is a Power Move by Helen Shaw

For his final year as artistic director, Antoni Cimolino directs “The Tempest,” and like Prospero, he understands how to wield acts of kindness.

SOURCE: The New York Times Subscription at 1:05pm on September 8, 2026

Julia Roberts Will Return to Broadway in ‘Small Mouth Sounds’ by Michael Paulson

The all-star cast also includes Paul Rudd, Sarah Paulson, Greta Lee, Martin Freeman and Isaac Powell. Also coming: a new production of “Downstate.”

SOURCE: The New York Times Subscription at 10:15am on September 8, 2026

Nothing Compares to Her: A Dance Love Letter to Sinead O’Connor by Roslyn Sulcas

The choreographer Sonya Tayeh’s “The Surge” is a dance response to themes in O’Connor’s life: spirituality, identity and what Tayeh calls jrage, or joy and rage.

SOURCE: The New York Times Subscription at 7:23am on September 8, 2026
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