As Headlong Theatre's adaptation blows minds in Melbourne, we can only hope Australia's new political regime brings with it more words, not 'fewer and fewer'There's a torture scene in Headlo…
Trevor Nunn's production of Ben Jonson's Volpone has been filmed and will be made available to audiences online, as part of new
Huxley and Orwell tapped into an enduring theme - the innate, unconquerable desire to be left alone
Dance is one of the most unique forms of storytelling within theatre; it's raw, physical and often innovative in its approach. I've thought this throughout the last few times that I've seen …
West Yorkshire Playhouse, Leeds Jonathan Watkins' gripping production employs subtleties of gesture, posture and phrasing to create a thoroughly modern take on George Orwell's classicGeorge …
If you go to a ballet that tells a story, chances are that you will see a fairy tale, a pastoral idyll, or one of an apparently endless stream of different Alice in Wonderlands. Dance does o…
The world premiere of the Northern Ballet's production of 1984 is only weeks away, and its choreographer, Jonathan Watkins, is finessing a pas de deux with the principal dancers.
We're getting to know New York native turned West End leading lady Janine Harouni.
By Editorial Staff This adaptation of 1984 is a modern masterpiece. Get your tickets now, before they take you to Room 101. This post REVIEW: 1984, Playhouse Theatre âœâœâœâœ…
Robert Icke and Duncan MacMillan's radical interpretation of George Orwell's dystopian novel surges the innovative and intelligent theatre company, Headlong, back into the West End.
Sometimes it can feel as if everyone in the theatre business is in on playing an elaborate game of The Emperor's New Clothes. Everyone can see the naked truth about a production, but nonethe…
Headlong's production returns to the West End
"We live in a dystopia now." So claims playwright Dawn King.
Big Brother is always watching. The international five-star smash hit production of 1984 returns to the Playhouse Theatre for a strictly limited season
Tim Robbins directs a play that is rude, noisy and full of itself. In other words, successful activist theater.
Reviews:
Maybe it's only fitting that 1984's electronic elements are its most stirring.
Review by Laura Shea