Articles about An Enemy of the People
436 articles · page 11 of 18
Chichester Festival theatreHugh Bonneville as a whistleblower driven by sibling rivalry shows how Ibsen's play switches emphasis with every stagingHere is Hugh Bonneville, the amiably stuffy…
The Downton Abbey actor returned to the stage this week in Ibsen's drama
Hugh Bonneville returns to the stage in Ibsen's drama
If Downton Abbey creator Julian Fellowes were (a lot) more like Ibsen, our national viewing habits would be in good hands. But then, as the hero of 'An Enemy of the People' discovers, presum…
Hugh Bonneville, making a long-awaited return to the stage, plays the role of Dr Stockmann to perfection with a mix of zealous need to do what is right and just a touch of egotistically need…
Chichester festival theatreBonneville precisely captures the recklessness and egotism of Dr Stockmann in a vigorous production of Ibsen's frighteningly topical playThis is the fifth major re…
This month we take a look at how CFT has changed over the years
A dead author's intentions may be unknowable but a play's logic isn't " and its identity can be surprisingly flexible
Laura Condlln plays Dr. Stockmann in An Enemy of the People in Tarragon Theatre's fantastic present-day production
Sat, January 12 through Sun, February 3 @ Davis Performing Arts Center, Georgetown University, presented by Theater J -- A sudden chemical leak in an Israeli industrial park endangers the re…
Rebecca Lenkiewicz has transformed Henrik Ibsen’s 1882 play “An Enemy of the People,” an insightful work about the cost of free expression,
The story of Ibsen's idealistic but naive whistle blower has remained about as disturbingly true to life as a play can get. No wonder that the Barrow Group's artistic director Seth Barrish a…
The production is somewhat limp, but Ibsen's ire and ideas still register with muscle in a knowing adaptation.
The trick to presenting Henrik Ibsen's An Enemy of the People is to keep it from becoming the enemy of the audience.
Ibsen's and Miller's scientist hero must contend with denial, disbelief, ignorance, fear of change, malice, opportunism, greed, the abuse of power, censorship, betrayal, and violence. Sound …
German director Thomas Ostermeier is on an odyssey through Ibsen. "Roughly every two years [since 2002] I have directed an Ibsen play," he states in the programme, and his production of An E…
Ibsen drama rings hollow in Tarragon Theatre's production, which follows successful revivals in Germany and elsewhere.
